1,720,986 research outputs found

    Love the wild swan: The selected works of Judith Edwards

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    Love the Wild Swan is the culmination of thirty years of clinical and teaching experience, undertaken by child and adolescent psychoanalytic psychotherapist Judith Edwards. Along with new material, the book consists of previously published papers spanning Edwards’s entire career, which have been carefully selected to chart the journey that every clinician and human being makes, from babyhood to adult life. Edwards offers an example of how the evolution of meanings occur and how lifelong learning about the self and the other takes place. The book is divided into four parts, with sections on observation, clinical work, teaching theory, and links between these ideas and ongoing life in the form of the arts, through poetry, film and sculpture

    Where are we now? How do we look and what do we see?

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    John Berger, influential art critic, essayist and novelist died in January 2017. His friend the theatre director and actor Simon McBurney said, ‘Listener, grinder of lenses, poet, painter, seer. My Guide. Philosopher. Friend. John Berger left us this morning. Now you are everywhere.’ Berger insisted that observation was key to the project of ‘seeing’ truly. – Are we there now? Are these ideas indeed ‘everywhere’? In this final chapter this view is examined in the light of current developments in observation, in the psychoanalytic field, also reaching out to other disciplines to make closer links. Observations from students about the observation process are used, as well as a moving piece of observation of an old lady with dementia. John Berger prided himself on being a ‘listener’ as well as an observer, listening with an ear for everything in the other, not only what was spoken, and it is hoped that we may indeed listen to one another in the service of moving forward across disciplinary lines, in the spirit of this whole book, of which this is the final chapter

    Inside sculpture, anthropology and psychoanalysis: A conversation

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    This chapter looks at how intensive interviewing and observing can affect ‘Ways of Seeing’, using sculpture, film-making and psychoanalysis to create a three-way conversation. This conversation first took place at the Tavistock Clinic in November 2016 after a showing of the film, Inside Australia, chaired by Irma Pick, Distinguished Fellow of the British Psychoanalytic Society and a child and adult psychoanalyst. ‘Why do Human Beings Make Art?’ was the question then and the conversation continues here. Antony Gormley’s sculptures located in the middle of Australia, on a dry lake, filmed also with interviews with the protagonists by the anthropologist Hugh Brody, form the bedrock of the conversation: time and place are registered in human memory, which is as significant as the geological conditions. The human population that lives on this land also has deep memory. The revelation of their dream time divination or projection onto this, to us, relatively barren, landscape turned it into something very different from a ‘blank canvas’ but rich with a myriad of magical and numinous events, which lie at the heart of this continuing conversation

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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