6,507 research outputs found
Samuel B. Edwards, born March 17, 1844, (cousin to Edward W. Hunter)
No full textPhoto of Samuel B. Edwards, born March 17, 1844, (cousin to Edward W. Hunter), Uta
Gus Edwards song revue
No full textGift of Dr. Mary Jane Esplen.A company of 30 ; mostly girls ; all beauties ; with Gus Edwards, himself ; staged by Gus Edwards [note]Piano vocal [instrumentation]When the stars above are blinking [first line]Look out, look out, look out for Jimmy Valentine [first line of chorus]B flat [key]Moderato [tempo]Popular song [form/genre]Gus Edwards playing piano with children (photograph) [illustration]Publisher's advertisement on inside front and back cover [note]Dedicated to H. B. Warner [note
Gus Edwards' song revue
No full textGift of Dr. Mary Jane Esplen.Vaudeville's greatest sensation ; a company of 30, mostly girls - all beauties ; with Gus Edwards, himself ; staged by Gus Edwards [note]Piano vocal [instrumentation]When the stars above are [first line][first line of chorus]B flat [key]Moderato [tempo]Popular song [form/genre]Gus Edwrads playing piano with children (photograph) [illustration]Publisher's advertisement on back cover [note]Dedicated to Harry B. Warner [note
Marriage record of Jones, Edward B. and Edwards, Rosa C.
No full textMarriage license for Edward B. Jones and Rosa C. Edwards. Isaac W. King was the officiant
Free Town Libraries, their Formation, Management, and History ; in Britain, France, Germany and America. ; Together with brief Notices of Book-collectors, and of the respective Places of Deposit of their surviving Collections
No full text« Document numérisé pour l\u27ENSSIB » - L\u27auteur de ce document, Edward Edwards, fut l\u27un des instigateurs et défenseurs des " Free Town Libraries " (bibliothèques municipales publiques) en Grande-Bretagne au milieu du XIXe siècle. Son ouvrage s\u27inscrit dans un contexte historique important pour le pays, faisant suite aux " Libraries Acts " de 1850, instaurant les bibliothèques publiques dans les villes anglaises. Edwards fut d\u27ailleurs le premier bibliothécaire de la bibliothèque publique de Manchester. L\u27objectif de son livre est de servir de manuel quant à l\u27organisation de ce type de bibliothèque et de promouvoir celui-ci plus largement. Dans un second temps, il vise à comparer les différents systèmes mis en place dans quelques pays étrangers, spécialement la France, l\u27Allemagne et les États-Unis. Composé de quatre livres, l\u27ouvrage offre une étude comparative des diverses expériences menées et s\u27appuie sur les textes législatifs, notamment en ce qui concerne la Grande-Bretagne. Cette oeuvre est fondamentale pour l\u27historien s\u27intéressant au développement des bibliothèques publiques au XIXe siècle. Elle est complétée par de précieuses notices sur les grands collectionneurs européens et américains (qui forment le quatrième livre)
'Giving honour to the Spirit' : a critical analysis and evaluation of the doctrine of pneumatological union in the Trinitarian theology of Jonathan Edwards in dialogue with Karl Barth
No full textThe extent to which the 'honour' of the Spirit influenced the theology of
Jonathan Edwards is a hitherto underdeveloped theme. Against a backdrop of
Patristic thought and in dialogue with the theology of Karl Barth, evaluation is
made of pneumatological union in Edwards' Trinitarian theology as this centres
on the nature and inter-relatedness of the 'three unions' that characterize his
theology: the union of the three Persons of the Trinity, the union of the saints
with God, and the union of the divine and human natures of Christ.
Edwards' seeks to honour the Spirit as the mutual love of the Father for the Son
within his Augustinian, Lockean model of the immanent Trinity, and as 'Person'
in the economy. The challenges of doing so within the limits of this
psychological model of the Trinity are evaluated in dialogue with the
Cappadocian Fathers and Barth.
In a manner patterned after union in the Trinity, Edwards gave prominence to the
concept of the pneumatological union of the saints with God in Christ, in
fulfilment of the self-glorifying purpose of God in creation and redemption.
Edwards' experiential theology of conversion, and his elevation of subjective
sanctification by the Spirit over objective justification in Christ, for assurance, is
contrasted with Barth's greater emphases on the Christological union of God
with humanity and objective justification in Christ. Barth's more contemplative
approach is contrasted with the overly introspective spirituality of Edwards.
Edwards' view of the role of the Spirit in the hypostatic union of God with
humanity in Christ, which is reflective of the other unions, is also evaluated in
light of Patristic, Reformed-Puritan and Barthian thought on the nature of the
humanity Christ assumed, and the doctrine of the vicarious humanity of Christ. A
more emphatic incarnational emphasis may have saved Edwards' Spirit-
honouring spirituality from an anthropocentricity which is ironical given that the
glory of God is his ontic doxological concern
Jimmy Valentine
No full textGift of Dr. Mary Jane Esplen.Piano and voice. [instrumentation]B flat major [key]Moderato. [tempo]Popular song. [form/genre]Gus Edwards playing the piano and children gathered around. [illustration]Dedicated to H. B. Warner. [dedication]E. White. [engraver]Gus Edwards Inc. Music Publishers, New York. [dealer stamp]Publisher's advertisement on inside front cover and back cover. [note
By yon bonnie banks and by yon bonnie braes.
No full textCaption title.For mezzo-Soprano or Baritone voice and piano.English words.Decorative cover design / Edward B. Edwards.First line of text: By yon bonnie banks and by yon bonnie braes.First line of chorus: O ye'll tak' the high road and I'll tak' the low road.Archived web conten
Jimmy Valentine (Lookout for Jimmy Valentine)
No full textFront cover: A picture of a man playing the piano for five boys and four girls. The words Gus Edwards\u27, Song Revue are at the bottom center.First line of song: When the stars above are blinking and the house is dark and stillFirst line of chorus: Look out, look out, look out for Jimmie ValentineIncludes sheet music samples from the song Lucy-Anna- Lou ModeratoWords by Edward MaddenMusic by Gus EdwardsDedicated to Harry B. WarnerSong successes from Gus Edwards\u27 Song Revue Vaudeville\u27s Greatest Sensation A company of 30, Mostly Girls- All beauties with Gus Edwards, HimselfStaged by Gus Edwards1 score, (6p.), 35x27 cmPublished by Gus Edwards Music Pub. Co. Inc, New Yor
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