13,567 research outputs found
Introduction
Sara Carter and Dylan Jones Evans provide an introduction to the 3rd edition of Enterprise and Small Business: Principles, Practice and Policy
Introduction
Sara Carter and Dylan Jones Evans provide an introduction to the 3rd edition of Enterprise and small business: principles, practice and polic
Dylan Thomas
An authoritative introduction by a leading Dylan Thomas scholar to the nature, cultural background, achievement and critical reception of this major poet's work.Cover -- Back Cover -- Acknowledgements -- List of Illustrations -- Preface -- 1 'Begin at the beginning': introductory -- 2 'The sideboard fruit, the ferns': the poet in suburbia -- 3 'The loud hill of Wales': the Welshness of the work -- 4 'I'll put them all in a story by and by': aspects of the prose -- 5 'Now my saying shall be my undoing': the need to change -- 6 'Criss-cross rhythms': comparisons of earlier and later poems -- 7 'Ann's bard on a raised hearth': towards 'After the funeral (In Memory of Ann Jones)' -- 8 'Mostly bare I would lie down': a creative decade ends in war -- 9 'Arc-lamped thrown back upon the cutting flood' -- 'This unbelievable lack of wires': wartime, film work, broadcasts -- 10 'We hid our fears in that murdering breath': the war elegies -- 11 'Parables of sun light': towards 'Poem in October','Fern Hill', 'Do not go gentle into that good night' and beyond -- 12 'Is my voice being your eyes?': Under Milk Wood -- 13 'The rhymer in the long tongued room': writing places and the place of the poet -- 14 'As I sail out to die': the late poems -- 15 'The hero's head lies scraped of every legend': the legend and the man -- Notes -- Select Bibliography -- IndexAn authoritative introduction by a leading Dylan Thomas scholar to the nature, cultural background, achievement and critical reception of this major poet's work.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Jones 6
Sign placed on the fence surrounding the driveway of Cynthia Jones' property in Lake Isle, Alberta. 2011
Rezension: "David Bowie. Ein Leben" von Dylan Jones. Aus dem Englischen übersetzt von Friederike Moldenhauer.
Dylan Jones führte mit zahlreichen Freundinnen und Freunden, Partnerinnen und Partnern sowie Familienangehörigen David Bowies Interviews und stellt so eine Biografie vor, die den faszinierenden Ausnahmekünstler in unterschiedlichen Facetten zeigt. Johanna Lenhart rezensiert für die MEDIENIMPULSE …Dylan Jones conducted interviews with numerous friends, partners and family members David Bowies and thus presents a biography that shows the fascinating exceptional artist in different facets. Johanna Lenhart reviews for MEDIENIMPULSE ..
Interview with Wilbur D. Jones Jr.
In this interview, author and Wilmington notable Wilbur Jones discusses his childhood and adolescence in Wilmington, his experiences in the U.S. Navy, and his long political career, which includes doing advance work for the White House under the Nixon and Ford Administrations
Connecting Research with Communities through Performative Social Science
A pioneer in Performative Social Science, Kip Jones makes a case for the potential of arts-based social science to reach audiences and engage communities. Jones contextualises both the use of the arts in Social Science, as well as the utility of Social Science in the Arts and Humanities. The discussion turns next to examples from his own work and what happens when Art talks to Social Science and Social Science responds to Art. The benefits of such interaction and interdisciplinarity are outlined in relation to a recently completed project using multi-methods, which resulted in the production of a professional short film. In conclusion, Performative Social Science is redefined in terms of synthesis that can break down old boundaries, open up channels of communication and empower communities through engagement
“A Conversation Between Kip Jones and Patricia Leavy: Arts-Based Research, Performative Social Science and Working on the Margins.”
This paper reports a conversation between international pioneers in Arts-Based Research and Performative Social Science, Patricia Leavy and Kip Jones. They begin by delineating the differences between research and/or dissemination that use tools from the Arts in their production. Leavy turns to her fiction writing as an example, while Jones discusses the making of his research-based short film, Rufus Stone. The conversation then turns to how these novel approaches have changed the way in which they work and these efforts in relation to the academy. The concept of “audience” is raised. Both then give examples of taking alternative routes in their career paths and funding for this kind of work. Jones specifically talks about using creativity in all our approaches, including small-scale projects that rely on creativity rather than money. He suggests being creative in the ways in which we write for publication and present our work to other academics. Leavy ends the conversation by discussing taking risks and walking through fear. Jones recommends not working in silos, but letting all parts of our lives influence our outputs
Theoretical frameworks for the learning of geometrical reasoning
With the growth in interest in geometrical ideas it is important to be clear about the nature of geometrical reasoning and how it develops. This paper provides an overview of three theoretical frameworks for the learning of geometrical reasoning: the van Hiele model of thinking in geometry, Fischbein’s theory of figural concepts, and Duval’s cognitive model of geometrical reasoning. Each of these frameworks provides theoretical resources to support research into the development of geometrical reasoning in students and related aspects of visualisation and construction. This overview concludes that much research about the deep process of the development and the learning of visualisation and reasoning is still needed
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