165,438 research outputs found

    Robert Vance and J. W. Dunham to Horace Kephart, May 11, 1898

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    In this letter of May 11, 1898, Robert Vance and J. W. Dunham write Horace Kephart to experss their interest in becoming a sharpshooter to aid in the Spanish-American War effort.Carl Junction, Mo. May 11th, 1898 Mr. Chas Nelson St. Louis, Mo. Dear Sir, We would like to enlist in your company of shrap-shooters as we are crack-shot and would like to participated in picking off some off the Dons. Hoping to hear from you at the earliest date possible, we remain, Yours for service Robert Vance, J. W. Dunham P.S. Please give conditions required to enlist etc.

    Miscellaneous Correspondence on Arab-Israeli Conflict (1975-1977): Richard Smith (19 July 1976) and Janet Dunham (31 July 1975)

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    Letter dated 19 July 1976 from Richard Smith to Dr. Sayegh, thanking him for a recent dispatch with the Zionism statement; Letter dated 31 July 1975 from Janet Dunham following Ssyegh\u27s viait to Loma Linda Universit

    Marriage certificate of Cyrus Moore Dunham and Lucy J. McEntire.

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    The marriage certificate of Cyrus Moore Dunham and Lucy J. McEntire.https://mavmatrix.uta.edu/specialcollections_cyrusmooredunham/1037/thumbnail.jp

    Review Of Katherine Dunham: Dancing A Life By J. Aschenbrenner

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    Also author of Katherine Dunham: Reflections on the Social and Political Contexts of Afro-American Dance (1981), Aschenbrenner (emer., anthropology, Southern Illinois Univ.) draws on her more than 25-year association with Dunham and her knowledge of Dunham\u27s school and company. The volume is the first to contextualize Dunham\u27s views on anthropology and dance and to focus on the ways that she employed each discipline in service of social activism. Aschenbrenner interweaves biographical sketches and details with more comprehensive discussions of Dunham\u27s life\u27s work. She includes reflections from Dunham\u27s own beautifully written memoirs (A Touch of Innocence, 1959, and Island Possessed, 1969) and from students, former company members, and friends. Written in accessible prose, the book includes a clear record of the company\u27s touring history along with descriptions of Dunham\u27s educational and cultural programs developed in and for the community of East St. Louis. Four well-organized appendixes provide biographical details, choreographic records, major honors and awards, and information on lectures and publications. Useful endnotes and ten pages of black-and-white photographs supplement the text. Summing Up: Highly recommended. Collections serving scholars and practitioners of dance at all levels

    D. Dunham et J. Hilhorst, Issues in regional planning

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    Kamara Laï. D. Dunham et J. Hilhorst, Issues in regional planning. In: Tiers-Monde, tome 14, n°54, 1973. Le développement rural. p. 441

    D. Dunham et J. Hilhorst, Issues in regional planning

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    Kamara Laï. D. Dunham et J. Hilhorst, Issues in regional planning. In: Tiers-Monde, tome 14, n°54, 1973. Le développement rural. p. 441

    Walter Dunham, director of the WPA Symphony

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    Photograph L-245-I and L-2745-K show Dunham in a conducting pose. Photograph L-2745-J shows Dunham seated with music score(''Walter Dunham, director of the Works Progress Administration Symphony Orchestra. Taken at Sunken Garden Theater

    Walter Dunham, director of the WPA Symphony

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    Photograph L-245-I and L-2745-K show Dunham in a conducting pose. Photograph L-2745-J shows Dunham seated with music score(''Walter Dunham, director of the Works Progress Administration Symphony Orchestra. Taken at Sunken Garden Theater

    Walter Dunham, director of the WPA Symphony

    No full text
    Photograph L-245-I and L-2745-K show Dunham in a conducting pose. Photograph L-2745-J shows Dunham seated with music score(''Walter Dunham, director of the Works Progress Administration Symphony Orchestra. Taken at Sunken Garden Theater

    Miss Alice Dunham portrait

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    This portrait of a woman identified as Miss Alice Dunham of Macfarlan, West Virginia, was taken by traveling photographer Albert J. Ewing, ca. 1896-1912. Like most of Ewing's work, it was taken in southeastern Ohio or central West Virginia. Born in 1870 in Washington County, Ohio, near Marietta, Ewing most likely began his photography career in the 1890s. The 1910 US Census and a 1912-1913 directory list him as a photographer. A negative signed "Ewing Brothers" and a picture with his younger brother, Frank, indicate that Frank may have joined the business. After 1916, directories list Albert as a salesman. He died in 1934. The Ewing Collection consists of 5,055 glass plate negatives, each individually housed and numbered. Additionally, the collection includes approximately 450 modern contact prints made from the glass plate negatives. Subjects include infants and young children, elderly people, families, school and religious groups, animals and rural scenes. In 1982, the Ohio Historical Society (now the Ohio History Connection) received the collection, still housed in the original dry plate negative boxes purchased by Ewing. A selection of the original glass plate negatives were exhibited for the first time in 2013 at the Ohio History Center
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