1,748 research outputs found

    Letter from Herbert Nicholson to Michi Weglyn, October 30, 1980

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    A letter from Herbert Nicholson to Michi Weglyn about his experiences working with other religious figures in the Manzanar incarceration camp.These materials are from box 73 and 74 of the Frank Chin Papers. The Frank Chin Papers contain personal and professional correspondence between Frank Chin and Michi Weglyn relating to particular projects on which either author was working as well as files related to the Day of Remembrance Tribute to Michi Weglyn

    Expedition

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    Duncan Jenkins extreme left. Frank Nicholson kneeling at right. Group at bottom of Emery Point.Jenkins, Duncan

    Winifred Nicholson

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    This work shows the reader English painter Winifred Nicholson (1893-1981) as she has never fully been seen before. The author has had access to newly archived material of her letters and articles and has also drawn on the family archive to find previously unpublished material, shedding new light on her career and personal life

    Joseph Milford Nicholson (b. 1935) : pioneer trombone historian

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    Interest in the history and development of the trombone and its literature escalated during the last half of the twentieth century. As curricula for doctoral degrees began to develop during the 1950s, trombonists in advanced degree programs began to recognize lapses in the history of the instrument. One of the earliest doctoral documents that focused upon creating a more comprehensive single source of trombone heritage was entitled, "A Historical Background of the Trombone and Its Music" (1967), by Joseph Milford Nicholson (b. 1935). Joseph Nicholson was born in Penoke, Kansas, on August 15, 1935. Raised in a musical family, he learned to play the trombone in the public school bands of his hometown, Fruita, Colorado. Later, Nicholson enrolled at Southwestern Bible Institute (1952-1955) and graduated from Texas Wesleyan College (B.Mus 1957). He earned the MME (1961) from North Texas State University and the D.M.A. (1967) from the Conservatory of Music at the University of Missouri at Kansas City (UMKC). Nicholson taught at Southwestern beginning in 1956, but left in 1960 to teach at Evangel College, Springfield, MO, where he taught until 1991. During his years at Evangel, Nicholson was chair of the Fine Arts Department (1967-1981), the principal trombonist in the Springfield (MO) Symphony (1966-1977), and an active member of the Springfield Brass Quintet (1966-1977). Nicholson pursued his interest in trombone history and literature while studying at UMKC. Because his text summarized into one document the current knowledge of the time about the history and literature of the trombone, Nicholson's work was one of the earliest to appear outside the context of the music dictionaries. Through his writing, teaching, and presentations, Nicholson is thought to have spurred interest among the next generation of trombonists who began to develop a more comprehensive chronicle of the trombone. Nicholson's legacy continues through his influence upon trombonists and the citations in later, more era-specific histories of the instrument."--Abstract from author supplied metadata

    Evening with the Reverend and Mrs. Herbert V. Nicholson

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    Program for a talk by Reverend Nicholson sponsored by several Los Angeles area Japanese community organizations. Introduction to "Valient Odyssey, Herbert Nicholson in and out of America's concentration camps" by Michi Weglyn and Betty E. Mitson is featured.The Japanese American Relocation Collection is composed of ephemera related to the relocation program during World War II. Items include the official government report of Manzanar Relocation Center, a photo album, post-war activism materials related to preserving and remembering the camps, various clippings, and documents. The strength of this collection is found in its many perspectives on the controversial relocation program and how it has been presented since World War II

    Brief sketch of the life and labors of Rev. Alexander Bettis [microform]; also an account of the founding and development of the Bettis Accademy /

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    "Sketch of Prof. Alfred W. Nicholson ... by Prof. John R. Wilson": p. 85-90.Microfilm.Mode of access: Internet

    [Portrait of Peter Nicholson, poet and author] [picture] /

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    Condition: good.; Title devised by cataloguer based on information from acquisition file number 204/15/00049.; "Photograph of Peter Nicholson by David Moore, Wollstonecraft, NSW, 19th August, 1995"--Written in pen on verso.; Photographer's sticker on verso

    The role of educative thought in the life and work of Antonio Gramsci

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    Many philosophers have propounded a vision of an improved society, what distinguishes Antonio Gramsci is his continuous effort to make it happen by understanding the process in order to put into practice. Gramsci's conviction about the importance of educative development came from both theory and experience. While there has been considerable examination of Gramsci's work in relation to the Prison Notebooks, this study will seek to address a lacuna in Gramsci scholarship. Using Gramsci's philological method, I analyse Gramsci's pre-prison activity; his pre-prison articles and letters, which, together with his letters from prison, formed part of his educative mission. This educative process was necessary, in order to construct a new party which would develop a collective will, collaboratively, with the masses.In this study therefore, I explore the contexts and formative experiences of the first part of his life together with the intellectual sources from which Gramsci developed his later theories, making central hitherto underemphasised connections between them which informed his writing and ideas. I intend to illustrate that Gramsci's underlying purpose in his writing, and political activity, was not only practical, on how to create a new socialist ruling class, but also educative in forming the mindset and values of his comrades. So that in addition to outlining his vision of a new order, he implicitly guided or explicitly explained the processes by which the necessary changes in social relations and moral climate could be made in order to achieve it. Each person had to engage with the values of the new order so that each could contribute to the construction of a new robust state. It was essential to build a hegemony at the most profound level, one which was dependent on collective understandings and a collective will

    The Women Aesthetes vol 3: British Writers, 1870–1900

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    The Women Aesthetes vol 3: British Writers, 1870–1900 vol 1 in a 3 part series, General Editors Jane Spirit (Author), Sue Asbee (Author), Mary Joannou (Author), Claire Nicholson (Author

    The Women Aesthetes vol 3: British Writers, 1870–1900

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    The Women Aesthetes vol 3: British Writers, 1870–1900 vol 1 in a 3 part series, General Editors Jane Spirit (Author), Sue Asbee (Author), Mary Joannou (Author), Claire Nicholson (Author
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