183,389 research outputs found
Roy W. Duncan
No full text"QX51925 Cpl Roy W. Duncan "C" Coy. Darwin Inf. Bn./19 Bn. Jan. 1941 - Sept. [1942]".QX51925 Corporal Roy W. Duncan. "C" Company, Darwin Infantry Battalion/19 Battalion. January 1941 - September [1942]
Wits Architecture Student Works 1922-1980. Howie, DW. 1933 Cerainia Offices Showroom 3rd year, 1934 Development Company Base Administration Block 4th year, 1935 Architects' Building. 5th year.
No full textWits Architecture Student Works 1922-1980; Howie, Duncan W. 1933 3rd year, Cerania Offices Showroom. 1934 4th year, Development Company Base Administration Block. 1935 5th year, An Architects' Building. University of the Witwatersrand, Johannesburg. South Africa.Wits Architecture Student Works 1922-1980; Howie, Duncan W. 1933 3rd year, Cerania Offices Showroom. 1934 4th year, Development Company Base Administration Block. 1935 5th year, An Architects' Buildin
Diesis
No full textThis work is an exploration of microtonal commas (a minute interval) of which a diesis, a diminished second, gives this piece its title. Historically when tuning a scale, rather than divide an octave into equal parts (as used today with equal temperament) early tuning systems would tune notes using a sequence of pure intervals, which are slightly different in size to the equal tempered intervals we use today. These discreet differences in pitch would result with an undesirable and perceptually dissonant imperfect octave, the interval of this imperfection being a comma. Diesis is therefore a response to the dissonant qualities that made a comma undesirable: namely its complex timbre and pulsing beating tones (which result when two notes very close in pitch are played together)
Earline Duncan, 2010
No full textIn this interview Earline Duncan discusses growing up in Memphis and what it was like to experience segregation
Duncan Emrich (interview by David Brinkley)
No full textThis interview is included in the American Folklore Society Oral History Project held at the Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. This item is an interview of Duncan Emrich, head of the Folklore Section, Music Division, Library of Congress, conducted by David Brinkley for radio broadcast on WRC/NBC, Washington, D.C. The two discuss the history and holdings of the Archive of Folk Song in the Library of Congress, and field recordings made by Robert W. Gordon and John A. Lomax. Illustrated with examples of sound recordings from the Archive, 'Darling Cory,' and 'The Barnyard.'. This collection consists of 1 sound disc (6 min. 30 sec.) : analog ; 16 in
The dance for the theater of the future : reading Isadora Duncan
No full textAutorka analizuje idee Isadory Duncan, wyrażone w odczycie Taniec przyszłości, na tle manifestów i koncepcji Adolpha Appii, Edwarda Gordona Craiga oraz Konstantina Sta-nisławskiego, z którymi łączyły ją obszary zainteresowań lub/i relacje osobiste. Marginali-zacja Duncan w historii teatru jest interpretowana w artykule jako wynik patriarchalnego i opartego na kulcie mistrzów charakteru teatru XX i początku XXI wieku. Powrót do idei Duncan to zatem krok w kierunku rewizji narracji historycznych oraz spekulatywnego poszerzenia możliwości wyboru tradycji. Odwołując się do teorii feministycznych, krytyki instytucjonalnej oraz studiów o niepełnosprawności, autorka wskazuje na progresywne elementy koncepcji Duncan, które korespondują z nowatorskimi trendami we współcze-snych praktykach teatralnych i performatywnych.The author analyzes Isadora Duncan’s ideas expressed in her lecture The Dance of the Future, setting them against the backdrop of the manifestos and concepts of Adolphe Appia, Edward Gordon Craig, and Konstantin Stanislavsky, who shared her interests and/or knew her personally. The marginalization of Isadora Duncan in theater history is interpreted in the article as resulting from the patriarchal character of twentieth- and early twenty-first century theater, based on the cult of great masters. Revisiting Duncan’s ideas is thus a step towards revising historical narratives and speculatively expanding the choice of traditions. Referring to feminist theories, institutional critique, and disability studies, the author identifies the progressive elements of Duncan’s thinking that correspond to innovative trends in contemporary theater and performance practices
Tribute to W Duncan Ross
No full textFormer students and colleagues of Duncan Ross, founder of the University of Washington Professional Actor Training Program and former Artistic Director of the Seattle Repertory Theatre, pay homage to him shortly after his death; Drama 401 colloquium; Participants: Gregory Falls, Artistic Director of ACT; Arne Zaslove, Artistic Director of the Bathhouse Theatre; John Aylward, successful working actor in Seattle and member of the first graduating class at the School of Drama under Ross; Robert Loper, head of the Directing Program at the School of Drama; Recorded at the University of Washington, Seattle, on Jan. 16, 1987; Former students and colleagues of Duncan Ross, founder of the University of Washington Professional Actor Training Program and former Artistic Director of the Seattle Repertory Theatre, pay homage to him shortly after his death
Tribute to W Duncan Ross
No full textFormer students and colleagues of Duncan Ross, founder of the University of Washington Professional Actor Training Program and former Artistic Director of the Seattle Repertory Theatre, pay homage to him shortly after his death; Drama 401 colloquium; Participants: Gregory Falls, Artistic Director of ACT; Arne Zaslove, Artistic Director of the Bathhouse Theatre; John Aylward, successful working actor in Seattle and member of the first graduating class at the School of Drama under Ross; Robert Loper, head of the Directing Program at the School of Drama; Recorded at the University of Washington, Seattle, on Jan. 16, 1987; Former students and colleagues of Duncan Ross, founder of the University of Washington Professional Actor Training Program and former Artistic Director of the Seattle Repertory Theatre, pay homage to him shortly after his death
Letter from S. E. Duncan, North Carolina State Supervisor of High Schools, to W. T. Johnson
No full textLetter from S. E. Duncan, North Carolina State Supervisor of High Schools, to W. T. Johnson, sending in statement for S. B. Simmons camp dedication
Duncan, W F, 13488
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/382872Surname: DUNCAN. Given Name(s) or Initials: W F. Military Service Number or Last Known Location: 13488. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 57163.222519
Item: [2016.0049.15165] "Duncan, W F, 13488
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