477 research outputs found
The end of Yugoslavia
Francine Friedman, The Bosnian Muslims: Denial of a Nation (Colorado: Westview Press, 1996), 288 pp., 17.95, ISBN 0-271-01958-1. Lorraine M. Lees, Keeping Tito Afloat: The United States, Yugoslavia, and the Cold War (University Park, PA: Pennsylvania State University Press, 1997), 246 pp., 30.00, ISBN 0-8133-2559-5. Richard H. Ullman, ed., The World and Yugoslavia's Wars (New York: Council on Foreign Relations, 1996), 230 pp., 16.95, ISBN 0-8157-9513-0.Vesna Drapa
Catholic resistance and collaboration in the Second World War: From master narrative to practical application
Vesna Drapa
Whatever happened to 'resistance'? Speculation on the demise of the resistance ideal
Vesna Drapa
Global Media Ideas - Infinite Pathways to Creative Succes - Vesna Petresin-Robert - Part Two.mp4
During the X Media Lab: Global Media Ideas summit in June 2011 media and technology writer Brad Howarth conducted interviews with industry experts for Creativeinnovation. This video is part two of Brad Howarth's interview with Vesna Petresin-Robert (Co-founder of Rubedo) in which she discusses how multi-media and 3D modeling has assisted industries such as the fashion industry deliver better outcomes as well as the importance of a cross-disciplinary approach to designing new models both creative and economic to "find new solutions easier faster"
Religion in a dechristianised world: French Catholic responses to war and occupation
Vesna Drapa
Active citizenship in multicultural Australia: the Croation experience
Vesna Drapachttp://epress.anu.edu.au/hrj2009_citation.htm
Global Media Ideas - Infinite Pathways to Creative Succes - Vesna Petresin-Robert - Part One.mp4
During the X Media Lab: Global Media Ideas summit in June 2011 media and technology writer Brad Howarth conducted interviews with industry experts for Creativeinnovation. This video is part one of Brad Howarth's interview with Vesna Petresin-Robert (Co-founder of Rubedo), a cross-disciplinary art practice and think-tank in London, which she runs with her long time collaborator Laurent Paul Robert. She speaks about using art as a platform to test science and technology and the journey of her career; the development of her practice studying synesthesia and applying their research and development discoveries to commercial industry
Comparative stylistic analysis of most famous love poetry Of Vesna Parun, Irena Vrkljan and Vesna Krmpotić
Cilj je ovoga rada uočiti sličnosti i razlike između triju odabranih zbirki Vesne Parun, Irene Vrkljan i Vesne Krmpotić. Crna maslina, Paralele i Žar-ptica intimističke su zbirke u kojima autorice, svaka na svoj način, nude čitatelju tri različita emotivno i komunikacijski postavljena koncepta ljubavi. Interpretacijom pjesama svake pojedine zbirke uočavaju se glavna obilježja; za Vesnu Parun to je odsutnost Drugoga, za Vesnu Krmpotić je motiv žudnje, a za Irenu Vrkljan je figura katastrofe. Ono što je istraženo kod svake autorice jednako je emociometrijska infrastruktura pjesme te lirski subjekt i lirska komunikacija. Naposljetku, na temelju interpretiranih pjesama, nudi se uvid u različitosti i/ili sličnosti odabranih zbirki.The aim of this paper is to observe the similarities and differences between the three selected collections of Vesna Parun, Irena Vrkljan and Vesna Krmpotić. Crna maslina, Paralele and Žarptica are intimate collections of poems in which the authors, each in their own way, offer the reader three different emotional and communicative concepts of love. By interpreting the poems of each individual collection, the main characteristics can be observed; for Vesna Parun it is the absence of the Other, for Vesna Krmpotić it is a motive of desire, and for Irena Vrkljan it is a figure of disaster. What is explored with each author is equally the emotional infrastructure of the poem and the lyrical subject and lyrical communication. Finally, based on the interpreted poems, an insight into the differences and/or similarities of the selected collections is offered
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