811 research outputs found
Letter from Percy Drake and George Williams to S. B. Simmons
No full textLetter from Percy Drake and George Williams of the Nash County Training School, reporting donations to Thanksgiving fundraiser
Effects of the Administration of 5-Hydroxydl-Tryptophan and 3,4-Dihydroxyphenylalanine on the Acquisition of a Conditioned Avoidance Response
No full text39, [3] leaves. Advisor: Kenneth LloydThe administration of 3,4-dihydroxyphenylalanine (L-Dopa) has been shown to result in the facilitation of performance while the administration of 5-hydroxytryptophan (5-HTP) results in an impairment of performance and reported enhancement of acquisition. The purpose of the present study is to compare the effects of 5-HTP and L-Dopa on the acquisition of a single behavioral task.
Each animal received a total of twenty daily trials in a shuttle box one hour after injection. All mice learned to avoid footshock both during each trial and the inter-trial interval. The results indicate that 5-HTP and L-Dopa do not facilitate the acquisition of a conditioned avoidance task. A significant number of inter-trial crossovers was obtained for the L-Dopa group for the 13 days of training and the 5-HTP group for the first 2 days.
It was concluded that possible peripheral effects of L-Dopa interfered with acquisition. It was suggested that the effects of 5-HTP upon the visual system might have served to inhibit acquisition of a visual task. In view of the subject x treatment interaction, it would appear that the metabolites of 5-HTP and L-Dopa produced effects which varied within subjects as a function of the daily administration of precursors.
The further analysis of effects of 5-HTP and L-Dopa on acquisition should include correlations between variations in regional concentrations and specific behaviors
Initiating and Developing A Sex Education Program in The Dallas Community School
No full text166 leave
More conversations with Walker Percy
No full textThis collection of interviews supplements Conversations with Walker Percy and occasions an additional two dozen pleasurable encounters with Percy. Primarily from the last ten years of Percy's life, they show how his presence was stimulating thought in much of humanistic America, in literature, linguistics, psychology, and philosophy, and in cultural life in general. Although this acclaimed author of The Moviegoer, Lancelot, and Love in the Ruins never overcame his shyness with interviewers, he continued to grant interviews as long as his health permitted. This act of openness illustrates his humility before his ideas and his desire to help others understand them. Although the questions he was asked almost invariably became predictable, he always managed to add an anecdote, an illustration, a topical reference, that would breathe new life into the responses he was making. The interviews in this collection show him at the height when he knew that his illness would not allow him to write any more books, and that the only way to restate his ideas and offer a valediction to the large audience to whom he had always been kind, patient, and appreciative was to speak out. Percy despised the posture of many modern self-proclaimed intellectuals who delight in cloaking ideas in jargon and abstraction. He always tried to express himself clearly and as free of reservations as possible. These interviews reflect that clarity. With this book readers will welcome yet more close encounters with him
A Hundred Fables: Aesop (Cover: Aesop's Fables Coloring Book)
No full textHere is curious 8½" x 11" print-upon-demand paperback book that gives two pages -- one for text and one for illustration -- to 100 fables from Aesop. Outside of the covers, the book is entirely black-and-white. It hurries to begin, with only a page to acknowledge the publisher and a page to declare a title -- one of three -- and a word of explanation about Aesop and Percy Billinghurst. Similarly, at the end there are only two pages of advertisements. I miss rudiments like a T of C or AI. The three titles are "Aesops Fables Coloring Book" (front cover); "A Hundred Fables Aesop" (inside); and Aesops Fables with Illustrations by Percy J. Billinghurst: 100 Fables and Illustrations" (back cover). The texts are taken without acknowledgement from George Fyler Townsend (1867).No Autho
Janes, Percy. Interview with author Percy Janes about his book, House of Hate.
No full textJanes, Percy. William Atkinson interviews author, Percy Janes, about his book, House of Hate. House of Hate was Janes' first novel; strong public reaction to the autobiographical novel; William Atkinson describes the plot and messaging of the book; Janes speaks to the need to address the experiences of his life; the structure of the book as an arch; the reaction of his siblings in Cornerbrook; the wider reference to Newfoundland family life at the time it was written; the right to draw upon life experiences and questions of fair representation; feedback from Robert Colbourne, Fiddlehead Magazine; feedback from Margaret Lawrence and Farley Mowat; inspiration from other writers including Thomas Wolfe, DH Lawrence and Tolstoy; the traditional family system; the ideal life of a writer; Canadian literature and its position in the world; ongoing project, No Cage for Conquerors
Janes, Percy. Interview with author Percy Janes about his book, House of Hate.
No full textJanes, Percy. William Atkinson interviews author, Percy Janes, about his book, House of Hate. House of Hate was Janes' first novel; strong public reaction to the autobiographical novel; William Atkinson describes the plot and messaging of the book; Janes speaks to the need to address the experiences of his life; the structure of the book as an arch; the reaction of his siblings in Cornerbrook; the wider reference to Newfoundland family life at the time it was written; the right to draw upon life experiences and questions of fair representation; feedback from Robert Colbourne, Fiddlehead Magazine; feedback from Margaret Lawrence and Farley Mowat; inspiration from other writers including Thomas Wolfe, DH Lawrence and Tolstoy; the traditional family system; the ideal life of a writer; Canadian literature and its position in the world; ongoing project, No Cage for Conquerors
Percy Lisk letter, MSS.1935
No full textAbstract: This collection contains a poem by an unknown author sent to Percy Lisk of Conner. The poem is about a doctor and includes a hand drawn image of a doctor.Scope and Content Note: This collection contains a poem by an unknown author sent to Percy Lisk of Conner. The poem is about a doctor and includes a hand drawn image of a doctor.Biographical/Historical Note
[12a] Percy Shelley Monument, Christchurch, England [front]
No full textA photograph of the Percy Shelley Monument, a Neoclassical sculpture, in Christchurch, England. The statue was commissioned by Shelley’s surviving son, Percy Florence Shelley, and was carved by Henry Weekes in the early 1850’s. The sculpture depicts Shelley, who drowned off the coast of Italy in 1822, being held by his wife, Mary Wollstonecroft Shelley, author of Frankenstein.https://scholarworks.uni.edu/his_monuments_sp2022/1016/thumbnail.jp
The fair Circassian : a dramatic performance. Done from the original by a gentleman-commoner of Oxford. To which are added several occasional poems, by the same author
No full textThe sixth edition corrected. London : Printed for J. Watts: and sold by B. Dod at the Bible and Key in Ave-Mary-Lane near Stationers-Hall, 1743.
[xiv], 49 p. : engr frontispiece ; 17 cm. Based on the Song of Solomon.
The 'gentleman-commoner' was Samuel Croxall.
Parts of the title page are in red ink. Bound with: Poems attempted in the style of Milton/John Philips, London: Printed for E. Curll, in Covent Garden, (1744). Contains a dedication to Mrs. Anna Maria Mordaunt.
Contains a list of 'books lately published by J. Watts...'. Persistent link to this record: https://encore.qub.ac.uk/iii/encore_qub/record/C__Rb157483
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