943 research outputs found
Film actor Johnny Downs in "First Offenders."
No full textFilm actor Johnny Downs in "First Offenders."To order a reproduction, inquire about permissions, or for information about prices see:
http://www.lib.washington.edu/specialcollections/services/reproduction/reproduction
Please cite the Order NumberScanned at 600ppi with an Epson 20000 flatbed scanner. Image then rotated, cropped, level-adjusted, and sharpened using Photoshop CS3. Converted to a JPEG2000 image upon ingest into CONTENTdm
Johnny Zee / Songs for Our Daughters / The Feelgood Factor
No full textBand, audience, dancers, photographs, cityscape, etc. John Mostyn, Music Publisher, talking about meeting Johnny and Kendall, and being excited by their mixture of bhangra and reggae music. Intercut with shots of band in changing rooms, Johnny in recording studio, all VO. Johnny Zee talking about his career, and how he composes; his collaboration with Kendall; the fusion of Punjabi and English in the lyrics. Intercut with shots of him playing with his dog, playing keyboards, Kendall, Johnny and Kendall in studio, all VO. Kendall talks about his own patois contribution, and taking his own sound to audiences, maintaining his identity. His VO street scenes, builder’s yard. Band playing in builder’s warehouse. Johnny about his background and the difficulty this caused with his family. Intercut with photos of his parents, the family builder’s yard, Johnny in studio, with his girlfriend, all VO. Mostyn says Johnny will have to get away from his family in order to find his audience. Johnny says he can’t abandon his music. The band in performance. Women talking. Pregnant woman in rocking chair. Lisa Crook says people always ask where she’s from – half Guyanese and half English. Mavis Crook-Massey says she’s much lighter-skinned than her other children. Woman and daughter playing hand-clapping game. Carolyn Ebanks talking about mixed-race children, how she wants to give hers a balance of both cultures, and how she points out to them that images in Africa will be of black people while those in Britain will be of whites. Woman reading in dialect to her daughter. Ebanks talking about the need to find books with black characters, black dolls, etc. Woman and daughter. Crook-Massey talking about the difficulties of replacing her hsuband’s potato diet with rice back in the 1950s. Ebanks on making Grenadan gungo pea soup. Woman and daughter shopping for fruit, confronted by black and white people who all complain about the mixed race child. Crook on being light skinned. Her mother tells a story about two women talking about the pair of them. Crook talking about going to Mexico with a Jamaican friend who was ignored by the local people. Ebanks on not wanting her children to believe they were better because they were lighter skinned. Crook doesn’t want to be categorised. Ebanks’s children; she says whatever choices they make, she’ll be there to support them. Woman and daughter. VO says there is a debate about the cultural value of crime thriller by black writers. Steve Pope, Publisher, the X Press, talks about a new style of crime writing Victor Headley’s Yardie, Donald Gorgon’s Cop Killer, Moss Side Massive. Dramatised sequence from Cop Killer. David Upshal, Critic, suggests these books are pulp fiction. Peter Kalu, Author of Lick Shot, also critical of the literary value of some of the books. Upshal: these books represent a very narrow part of black experience. Lee Pinkerton, Journalist, says no book can represent the whole of the black community, and people want to read about this small portion. Discussion continues with Upshall, Pinkerton and Kalu intercut giving opinions of on the undesirability of repeating stereotypes about black people as gangsters, the books being mainly about criminal activity, and there not being enough other books to balance; the universality of some of the themes in the books; one book offering the political message that black people need to organise in order to resist, having a high ranking policeman character being a good thing. Dramatised sequence from Lick Shot, in which DCI Patterson visits Frankie, a police informer. Kalu believes two major themes of his book are justice and the struggle to maintain moral integrity. Cast. Credits
Buddy Haas on Tiempo at Arlington Downs, 1934
No full textBuddy Haas on Tiempo, Arlington Downs, with Cleo Bearden, Glen Higdon, and Johnny Beech, 3-31-1934https://mavmatrix.uta.edu/specialcollections_jwdunlopphotograph/1614/thumbnail.jp
The association between early childhood onset epilepsy and attention-deficit hyperactivity disorder (ADHD) in 3237 children and adolescents with Autism Spectrum Disorder (ASD): a historical longitudinal cohort data linkage study
No full textChildren and young people with Autism Spectrum Disorder (ASD) have an increased risk of comorbidities, such as epilepsy and Attention-Deficit/Hyperactivity Disorder (ADHD). However, little is known about the relationship between early childhood epilepsy (below age 7) and later ADHD diagnosis (at age 7 or above) in ASD. In this historical cohort study, we examined this relationship using an innovative data source, which included linked data from routinely collected acute hospital paediatric records and childhood community and inpatient psychiatric records. In a large sample of children and young people with ASD (N = 3237), we conducted a longitudinal analysis to examine early childhood epilepsy as a risk factor for ADHD diagnosis while adjusting for potential confounders, including socio-demographic characteristics, intellectual disability, family history of epilepsy and associated physical conditions. We found that ASD children and young people diagnosed with early childhood epilepsy had nearly a twofold increase in risk of developing ADHD later in life, an association which persisted after adjusting for potential confounders (adjusted OR = 1.72, CI95% = 1.13–2.62). This study suggests that sensitive monitoring of ADHD symptoms in children with ASD who have a history of childhood epilepsy may be important to promote early detection and treatment. It also highlights how linked electronic health records can be used to examine potential risk factors over time for multimorbidity in neurodevelopmental conditions
2 prospectors the letters of Sam Shepard & Johnny Dark
No full text"Pulitzer Prize-winning author of plays such as True West, Fool For Love, and Buried Child, and Academy Award-nominated actor in many films, including The Right Stuff, Sam Shepard is arguably America's finest working dramatist. He has said many times that he will never write a memoir. But he has written intensively about his inner life and creative work to his former father-in-law and housemate, Johnny Dark. This book gathers nearly 40 years of their correspondence, which provides the most honest and complete record of Shepard's professional and personal lives that he is ever likely to publish. The book is illustrated with Dark's candid, revealing photographs of Shepard and their mutual family across many years, as well as facsimiles of numerous letters. It makes a perfect companion to Treva Wurmfeld's recent film, Shepard & Dark"-
Opportunities for the development of geometrical reasoning in current textbooks in the UK and Japan
No full textDeveloping a good model of the school geometry curriculum continues to be one of the most important tasks in curricular design in mathematics. This paper reports on an initial analysis of current best-selling textbooks used in lower secondary schools in Japan and the UK (specifically England and Scotland). The analysis indicates that, following the specification of the mathematics curriculum in these countries, Japanese textbooks set out to develop students’ deductive reasoning skills through the explicit teaching of proof in geometry, whereas comparative UK textbooks tend, at this level, to concentrate on finding angles, measurement, drawing, and so on, coupled with a modicum of opportunities for conjecturing and inductive reasoning. The available research suggests that each approach has its own strengths and weaknesses. Finding ways of capitalising on the strengths and mitigating the weaknesses could prove helpful in formulating new curricular models and designing new student textbooks
I knew a lady of the North,
No full textvoiceCollected by Johnny Page
and Jim Hays
For Mary C. Parler
Transcribed by Frances Majors
Sung by Mrs. Lola Stanley
Fayetteville, Arkansas
December 30, 1958
Reel 265, Item 1
The Derry Downs of Arrow (Child No. 214)
I knew a lady of the North,
A fair, a fair oh was she;
She was courted by nine noble cowboys
On the derry downs of Arrow.
Her father hired a noble cowboy;
She loved him she did dearly.
She dressed him up and sent him away
To the derry downs of Arrow.
As he rode over those high, high hills,
Those high, high hilld and valleys,
These nine noble men was waiting his coming
On the derry downs of Arrow.
There's nine of you and one of me,
No taller, slenderer bravery;
I'll fight you all, it's one by one,
On the derry downs of Arrow.
It's three he slew and three they flew,
And two he left them wounded.
Her brother Jim slipped up behind
And pierced his heart on Arrow.
Go home, go home, you false-hearted boy,
And tell your sister Sara
Her sweetheart John got killed last night
On the derry downs of Arrow.
She ran to bed, it was early that night,
And rose before the morrow;
Oh, Father dear, I had a dream last night,
I'm afraid it will bring to me sorrow.
Oh, daughter dear, I will read your dream,
I will read it all for sorrow;
Your sweetheart John got killed last night
On the derry downs of Arrow.
The Derry D o w ns of Arrow (Cont'd)
Reel 265, Item 1 (Cont'd)
She run her hands all through her hair;
Her jewels being many;
She pulled them off and laid them down
And started away for Arrow.
As she rode over those high, high hills,
Those high, high hills and valleys,
Until she came to her sweetheart John,
Got killed last night on Arrow.
She washed his face and combed his hair,
And washed away his weeping tears;
And laid him, yes, all in his grave
On the derry downs of Arrow.
Oh, daughter dear, dry up your tears,
And weep no more for sorrow;
I'll lead you to a better lad
Than the one you lost on Arrow.
Oh, Father dear, seven sons have you;
You may wed them all tomorrow.
But the very old bloom that sprung in June
Is the one I lost on Arrow.Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Corresponding author:
No full textN.B.: When citing this work, cite the original article. This is the authors ’ version of the following article: Stina Axelsson, Maria Hjorth, Johnny Ludvigsson and Rosaura Casas, Decreased GAD(65)-specific Th1/Tc1 phenotype in children with Type 1 diabetes treated with GAD-alum., 2012, Diabetic Medicine, (29), 10, 1272-1278. which has been published in final form at
Easy on the eyes, like orchids and roses [first line of chorus]
No full textintroduction and refrainpiano and voice, ukulele, guitarads on inside front and on back covers for Popular Melodies, Inc. stockJohns Hopkins University, Levy Sheet Music Collection, Box
190, Item 039Words and Music by Sam Coslow.Paramount's "Turn Off the Moon." Eleanore Whitney, Johnny Downs. Featuring Charlie Ruggles, Eleanore Whitney, Johnny Downs, Kenny Baker, Phil Harris and His Orchestra, Ben Blue, Marjorie Gateson. Featured by Johnny Downs.unattrib. photo of Whitney and Down
Johnny and David Tate
No full textThis undated photograph shows Johnny and David Tate of Cranberry High School playing a "washtub bass" and guitar. Founder and director of the Mountain Youth Jamboree, Hubert H. Hayes (1901-1964) auditioned and directed youth to perform in folk dance, music, and folk and ballad singing. The jamboree was held in the Asheville City Auditorium (now known as Thomas Wolfe Auditorium) from 1948 to 1973, and Hayes’ wife, Leona Trantham Hayes (1913-1989) continued to direct the program after his death in 1964. Hubert Hayes was an author, playwright, and alumni of Duke University
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