4,611 research outputs found
The Sea of Primordial Sadness
No full textView of phrase I WONDER NOW HOW suspended in ship's sail/cradle/cloud | An artistic situation created by the 181 in an alley in the Whiteaker neighborhood of Eugene, Oregon for one night in January, 2008. Representing an engagement with the writings of W.G. Sebald and Paul Celan and the idea that language might be kept malleable by saltwater tears. Artists Brandon Boan, Abby Donovan, Tom Hughes, Jason Rhodes
Future wheat security: Practical approaches to stabilize global wheat
No full textAlison Bentley and Jason Donovan POLICY SEMINAR Global commodity prices and food security: Navigating new challenges and learning from the past MAR 9, 2022 - 9:30 TO 11:30AM ES
There Is Hope But Not For Us
No full textDetail view of wall mounted viewfinders | A 2015 situational composition performed by the 181 (Brandon Boan, Abby Donovan, Tom Hughes, and Jason Rhodes) at the Unity Gallery, Fairfield, Iowa
Oh I Think I Know Where The Green Ray Goes
No full textAbby Donovan, Tom Hughes, Brandon Boan under reflective mylar | A 2010 compositional situation performed at the ICA Philadelphia by the 181 (Brandon Boan, Abby Donovan, Tom Hughes, and Jason Rhodes) with audio broadcasts by Aaron K Hoffer. Feedback of natural and supernatural amalgamations of material floods in this, the permeable present
Jason Bond Family History
Get PDFJason Bond authored this family history as part of the course requirements for HIST 550/700 Your Family in History offered online in Fall 2017 and was submitted to the Pittsburg State University Digital Commons. Please contact the author directly with any questions or comments: [email protected]
The Like Of This Bell
No full textSphere with digital video projection|A 2011 compositional situation performed while artists in residence at the National Centre for Contemporary Art Russia by the 181 (Brandon Boan, Abby Donovan, Tom Hughes, and Jason Rhodes) Feedback of natural and supernatural amalgamations of material floods in this, the permeable present.
Oh I Think I Know Where The Green Ray Goes
No full textJason Rhodes, glass sphere, magnifying glass. A 2010 compositional situation performed at the ICA Philadelphia by the 181 (Brandon Boan, Abby Donovan, Tom Hughes, and Jason Rhodes) with audio broadcasts by Aaron K Hoffer. Feedback of natural and supernatural amalgamations of material floods in this, the permeable present
Jason vs GIJOE
No full textThesis (Master's)--University of Washington, 2019Jason vs GI JOE is partly an exercise in autobiography, an experiment in relational aesthetics, and an interdisciplinary artist project at the intersection of comic books, creative writing and performance art. This comic book, Jason vs. GIJOE, is a postmodern double erasure, based on the comic book GIJOE: Cobra II (Issue 1). The original pictures from the comic book have been removed, and replaced by a series of short narratives, describing autobiographical events from the life of the author: me, Jason. Speech bubbles from the original have been left to comment back over top of the stories, obscuring meaning but creating moments of unplanned dialogue. The comic is a readymade, twice erased: once to replace the drawings of the initial comic, and again when using the original dialogue bubbles to speak back to the narrative
Oh I Think I Know Where The Green Ray Goes
No full textBrandon Boan as reflective dance. A 2010 compositional situation performed at the ICA Philadelphia by the 181 (Brandon Boan, Abby Donovan, Tom Hughes, and Jason Rhodes) with audio broadcasts by Aaron K Hoffer. Feedback of natural and supernatural amalgamations of material floods in this, the permeable present
- …
