1,755 research outputs found

    Oral history of Kevin E. Taylor

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    Kevin E. Taylor is working on his greatness while he inspires you to walk in yours! He's a noted author (JADED, UNCLUTTER, BECAUSE HE LIVES, IT'S TIME FOR SOME ACTION, ENVY: the darkest shade of green, GET OFF YOUR ASS AND DO SOMETHING and MEET THE HENDERSONS). He's a pastor (Senior Pastor of Unity Fellowship Church NewArk now and Unity Fellowship Church New Brunswick for 12 years). He's a writer and producer for television (22 years in television and more than 20 years running TaylorMadeMultiMedia (TM3), his own video production company. He is a lecturer/empowerment speaker, who has spoken at colleges, universities and community groups for the last 20 years, and he has also been conducting a series of workshops on everything from pitching a TV show idea to uncluttering your life. "It seems like I'm a multi-tasker who's got too much on his hands, but I'm successful at it because I don't try to do it all at one time. I know how to focus on each task at hand. It's about balance." Brought up in and raised well by his mother in the projects of Washington, DC, but directly across the street from condos housing powerful lawmakers and business owners, the juxtaposition made him a dreamer. From an early age, Kevin E. Taylor knew that better was available for him. "I remember finding a pocket dictionary in the trash. I would learn a new word everyday. People thought it was crazy, but I knew I would need those words. I knew that there was a power in those words. Those words came in handy when Taylor applied for college and his English essay is what got in him into several schools." Those words helped the English student, who also studied primarily in Accounting and Spanish. Those words helped when he transitioned from a safe municipal position as a Budget Analyst to Black Entertainment Television (BET) and soon became a producer, where he interviewed such icons as Tina Turner, Maxwell, Stevie Wonder, Luther Vandross, Sade, Diana Ross, Lenny Kravitz, Patti Labelle and later her reunited group Labelle and his personal favorite Natalie Cole, with whom Taylor developed a personal relationship and later did research for and wrote the discography to her 2000 "Angel On My Shoulder" autobiography, which later became an award-winning NBC made-for-TV movie. During his tenure at BET, Kevin created such shows as ACCESS GRANTED, TESTIMONY, LYRICALLY SPEAKING and NOTARIZED, which gave the network its highest day-ratings in its history in 1999 and where he won a Gold World Medal for International Programming for a special (24 HOURS WITH DRU HILL) and a pair of NAACP Image Award nominations, competing against himself in 2001 for his Aaliyah episode of ACCESS GRANTED and his interviews with Mariah Carey and Mary J. Blige for TESTIMONY. Taylor also wrote biographies for projects or featured articles on Anita Baker ("Rhythm of Love" and "My Everything" cd releases), Shai, Jon B., Jennifer Holliday (cover story for REAL magazine), Rachelle Ferrell (The Black Guide) and Tina Turner for the 1996 cover feature of Sister2Sister magazine. Taylor has also done EPKs (electronic/video press kits) for various record labels and recording artists. Now, Taylor is hosting his own show/webseries (with the help of Kickstarter and a strong following) called NOW WHAT?! WITH KEVIN E TAYLOR. The crowdfunded online series has featured the likes of singers Rachelle Ferrell, B.Slade, Kenny Bobien, Jessica Betts and Kelly Price, actor and playwright Keith Hamilton Cobb, RHOA stars Cynthia Bailey and Peter Thomas, renowned choreographer Desmond Richardson, model/actor/fitness expert Garrain (Steph) Jones, author Victoria Schmidt, wellness icon Queen Afua and many more. The new season of the show will take Taylor on a cross-country tour and will be a series of speaking engagements with featured live interviews and community engagement. Taylor recently released his own autobiography, titled NEVER TOO MUCH: this is my story of big words, big dreams and an audacious big life

    Major, Kevin

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    The fonds consists of records created and received by Kevin Major as a Canadian writer, editor and teacher between 1974 and 2014. Material includes correspondence with family, friends, writers, editors, agents and readers; contracts and royalty statements; material related to author readings and appearances at literary festivals; school visits and other author appearances; literary awards received by the author; literary awards juries the author participated in; as well as general media coverage about the author. The fonds contains materials related to each of the author’s published works, including administrative documents, research, manuscript drafts and media coverage. The fonds also includes documentation about the author’s personal life, including materials related to his education, his teaching career, travel, and family life. The types of documents include letters and e-mails, transcripts, posters, contracts, reports, research notes, manuscripts, certificates, books, newspapers and journals, photographs, slides, interviews, and audio/visual materials in a variety of media: cassette tapes, CDs, CD-ROMs, DVDs and VHS tapes

    Productivity in Higher Education/ Kevin Stange, Kevin Strange, Caroline M. Hoxby.

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    In English.How do the benefits of higher education compare with its costs, and how does this comparison vary across individuals and institutions? These questions are fundamental to quantifying the productivity of the education sector. The studies in Productivity in Higher Education use rich and novel administrative data, modern econometric methods, and careful institutional analysis to explore productivity issues. The authors examine the returns to undergraduate education, differences in costs by major, the productivity of for-profit schools, the productivity of various types of faculty and of outcomes, the effects of online education on the higher education market, and the ways in which the productivity of different institutions responds to market forces. The analyses recognize five key challenges to assessing productivity in higher education: the potential for multiple student outcomes in terms of skills, earnings, invention, and employment; the fact that colleges and universities are "multiproduct" firms that conduct varied activities across many domains; the fact that students select which school to attend based in part on their aptitude; the difficulty of attributing outcomes to individual institutions when students attend more than one; and the possibility that some of the benefits of higher education may arise from the system as a whole rather than from a single institution. The findings and the approaches illustrated can facilitate decision-making processes in higher education.Hoxby, Caroline M. / Stange, Kevin -- Staiger, Douglas -- Hoxby, Caroline M. -- Minaya, Veronica / Scott-Clayton, Judith -- Riehl, Evan / Saavedra, Juan E. / Urquiola, Miguel -- Altonji, Joseph G. / Zimmerman, Seth D. -- Courant, Paul N. / Turner, Sarah -- Vlieger, Pieter De / Jacob, Brian / Stange, Kevin -- Deming, David J. / Lovenheim, Michael / Patterson, Richard -- Carrell, Scott E. / Kurlaender, Michal -- Frontmatter -- Contents -- Acknowledgments -- Introduction / 1. What Health Care Teaches Us about Measuring Productivity in Higher Education / 2. The Productivity of US Postsecondary Institutions / 3. Labor Market Outcomes and Postsecondary Accountability: Are Imperfect Metrics Better Than None? / 4. Learning and Earning: An Approximation to College Value Added in Two Dimensions / 5. The Costs of and Net Returns to College Major / 6. Faculty Deployment in Research Universities / 7. Measuring Instructor Effectiveness in Higher Education / 8. The Competitive Effects of Online Education / 9. Estimating the Productivity of Community Colleges in Paving the Road to Four- Year College Success / Contributors -- Author Index -- Subject Index1 online resource (392 p.)

    Music for classical guitar by South African composers : a historical survey, notes on selected works and a general catalogue

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    Includes abstract.Includes bibliographical references (leaves 296-309).This is the first comprehensive investigation of music for, or including, the classical guitar by South African composers. The focus of this research has been, firstly, to uncover as much of the repertoire as possible, and, secondly, to collate, study, catalogue and report on the information. A brief historical survey of the guitar in South Africa provides the context within which this study was conducted. The primary sources of quantitative data collection were through the archival catalogues of the South African Music Rights Organisation and through personal contact with guitarists, composers and guitar teachers. Other sources consulted were publishers, broadcasting corporations, recording companies, libraries and the internet. The body of the dissertation comprises biographical sketches, background notes, analyses and technical notes on 17 selected solo and chamber works dating from 1947 to 2007 by some of South Africa's most prominent composers and guitaristcomposers. The repertoire ranges in style from the traditional and ethnically inspired to the experimental and abstract. As this is an empirical survey, each selected entry includes details on instrumentation, duration, level of difficulty, number of pages, scordatura, commissions or requests, sources or publishers, premières and recordings. A biography of each composer is provided as well as background notes which offer an overview of the selected work. The notes discuss historical, cultural, musical and extra-musical influences, and frequently include references to interview material. The commentaries on the selected works, with musical examples, include an analytical component describing structure, form, stylistic and compositional elements, while the technical observations include performance suggestions and a grading for each work

    Continuous metadata flows for distributed multimedia

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    The practical use of temporal multimedia has increased markedly in recent years as enabling technologies for the distribution and streaming of media have become available. As a part of this trend, hypermedia systems and models have adapted accordingly to incorporate such distributed multimedia for presentation. Structured interpretation of information has long been a fundamental feature of both open hypermedia systems and knowledge systems. Metadata, in its many forms, has become the cornerstone for providing this structured knowledge above and beyond basic data and information. This thesis presents the rationale and requirements for continuous metadata, which supports the metadata accompanying distributed multimedia throughout the lifecycle of streamed media, from generation, through distribution, to presentation. Throughout this process it is the temporal and continuous nature of the metadata which is paramount. A conceptual framework for continuous metadata is proposed to encapsulate these principles and ideas. Continuous metadata and the associated framework enable the development, in particular, of real-time, collaborative, semantically enriched distributed multimedia applications. Experience building one such system using continuous metadata is evaluated within the framework. An ontology is developed for the system to enable the collation, distribution, and presentation of structure aiding navigation of multimedia, and it is shown how continuous metadata utilising the ontology can be distributed using multicas

    Nanofabrication of high aspect ratio (∼50:1) sub-10 nm silicon nanowires using inductively coupled plasma etching

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    The development of nanofabrication techniques for creating high aspect ratio (∼50:1) sub-10 nm silicon nanowires (SiNWs) with smooth, uniform, and straight vertical sidewalls using an inductively coupled plasma (ICP) etching process at 20°C is reported. In particular, to improve the quality and flexibility of the pattern transfer process for high aspect ratio SiNWs, hydrogen silsesquioxane, a high-resolution, inorganic, negative-tone resist for electron-beam lithography has been used as both the resist for defining sub-10 nm patterns and the hard mask for etching the underneath silicon material. The effects of SF6/C4F8 gas flow rates, chamber pressure, platen power and ICP power on the etch rate, selectivity, and sidewall profile are investigated. To minimize plasma-induced sidewall damage, moderate plasma excitation power (ICP power of 600 W) and low ion energy (platen power of 6–12 W) were used. Using the optimized etch process at room temperature (20°C), the authors have successfully fabricated sub-10 nm SiNWs, which have smooth vertical sidewall profile and aspect ratios up to ˜50:1. This optimized etch combined with a controlled thermal oxidation allows the realization of consistent, reproducible, and reliable SiNW devices with nominal widths from 100 nm down to sub-5 nm in silicon on top of SiO2 fabricated on silicon on insulator substrates

    Information Technology is All about the People

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    Author\u27s biography: Kevin Lee Elder is an associate professor of information systems at Georgia Southern University. He can be reached by e-mail at [email protected]

    Predicting It Trends: How’d I Do?

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    Author\u27s biography: Kevin Lee Elder is an associate professor of information systems at Georgia Southern University. He may be reached by e-mail at [email protected]

    Phonological resistance and innovation in the North-West of England.

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    Over the past few decades, studies of dialect levelling have concluded that phonological convergence amongst varieties of British English is rife. This review attempts to demonstrate the opposite, in the variety of English spoken in Liverpool. Despite various media reports predicting the death of Liverpool English, evidence is provided here that the variety appears to be resisting the innovation of ‘T-glottalling’, a feature which is frequent elsewhere, and instead shows signs of divergence from any kind of supra-local regional norm

    Application of a computational systematic search strategy to study polymorphism in phenazine and perylene

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    The materials phenazine and perylene have been previously reported to exhibit polymorphic behavior. Experimental evidence suggests that both molecules can exist in at least two polymorphic forms. In the case of phenazine, only one polymorph has a fully described crystal structure. In the case of perylene, two polymorphs have a reported structure, from single-crystal studies; however, one structure solution is of poor quality. This paper reports the results of a molecular modeling study and postulates crystal structures for the two polymorphs which lack a reliable experimental determination. Systematic searches of potential packing arrangements were conducted in the reported cells for both the solved and unsolved polymorphs of phenazine and perylene. A recently validated search method (Hammond, R. B.; Roberts, K. J.; Docherty, R.; Edmondson, M. J. Phys. Chem. B 1997, 101, 6532) was employed to rank packing arrangements by considering nonbonded atom-atom distances in combination with calculated lattice energies. The molecular packing arrangements were compared and contrasted using the packing energy breakdown routines within the program HABIT95 (Clydesdale, G.; Roberts, K. J.; Docherty, R. Quantum Chemistry Program Exchange 1996, 16, 1). © 1999 American Chemical Society.</p
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