24,532 research outputs found
Introduction: The Neronian (Literary) “Renaissance”
No full textNero's extraordinary love for and ambition in the arts created an environment in which art and literature could flourish. As the authors under Nero harked back to their Augustan predecessors and revived forms and genres practiced in this period they garnered Nero's reign the flattering epithet of the “Neronian Renaissance”. His eccentric personal conduct and capacity for ruthlessness and brutality, however, ensured that the cultural boom he facilitated would not outlast him. This chapter attempts to connect a few of the dots that link the oeuvres of the three most prominent Neronian writers, Seneca, Lucan, and Petronius, to shed some light on what is at stake in the Neronian literary Renaissance. In addition under Nero, politics and literature converged when teachers of rhetoric became senators and Seneca, the son of a rhetoric teacher, turned himself into the richest and most powerful man in Rome
Martin T. Dinter and Charles Guérin (Hg.): Cultural Memory in Republican and Augustan Rome. Cambridge, Cambridge University Press, 2023
No full textWalter U. Martin T. Dinter and Charles Guérin (Hg.): Cultural Memory in Republican and Augustan Rome. Cambridge, Cambridge University Press, 2023. Journal of Roman Studies. 2024
Christiane Reitz, Literatur im Zeitalter Neros, Klassische Philologie kompakt:Reviewed by Martin T. Dinter
No full textChristiane Reitz, Literatur im Zeitalter Neros, Klassische Philologie kompakt:Reviewed by Martin T. Dinter
No full textJack Alive / Martin Dead : The Location of the "Author" in Jack London\u27s Martin Eden
No full textThis essay is an attempt to read Martin Eden, Jack Londonʼs autobiographical novel, in terms of the inextricable relationship between the author and the protagonist. Critics have often taken the unbalanced plot and the lack of ironic distance between narrator and character in Martin Eden as the technical weakness of London, but this paper argues that the achievement of this novel owes a great deal to the attachment of London to Martin. The unbalanced structure is a necessary product of the severe struggle of the author to kill his romantic alter ego. // Martin, who aspires to win Ruth Morse, tries to cross class boundaries by making a career of a writer. Even after realizing the emptiness of Ruth, who turns out to be nothing but a typical figure of the bourgeoisie, he somehow persists in loving her. The notion underlying here is that, for Martin, love, career and art are fundamentally inseparable. He objects to the aestheteʼs view of Brissenden on account of his separation of art from career. Martinʼs identity and life consist only in the triunity of love/career/art; the alternative is the repudiation of life. Thus, the unnatural delay of his disappointment in love can be regarded as Londonʼs strategy to set the suicide of Martin as the necessary consequence of the story. // By finishing the story and killing Martin, London finally detaches himself from Martin, reconstructs his self, and, unlike Martin, survives as a professional writer. In this sense, Martin Eden is a story about “writerʼs self-reconstruction.
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Letter from Martin Chizzick
No full textCongratulations to Duane Pearsall for receiving the Enterpreneur of the Year award; note on the letter was written by Pearsall and it mentions that Martin, the author of the letter, died in a airplane accident
Robert Martin Tiffin's Mystery Man Newspaper Articles
No full textAdvertiser-Tribune newspaper clippings featuring a story about Robert Martin (written by Nancy Kleinhenz), a local author from Tiffin (Ohio) who wrote under the pseudonym of Lee Roberts, and two of his short stories. Martin wrote mystery novels in his spare time, creating more than 22 mystery novels. For more information about Robert Martin and a list of books go to http://www.mysteryfile.com/RMartin/JBennett.html
Experiences Using Large Scale Video Walls for Distance Education
No full textWe describe our experiences building and using the Rutgers Videowall, a low-cost telepresence system that has been used teaching 15 courses and colloquia. By relaxing typical spatial telepresence features, such as background continuity, we greatly reduced costs and gained flexibility in the rooms it could be deployed in. The lower costs and room flexibility enabled academic departments to use the wall, in contrast to traditional telepresence systems which remained inaccessible. We found that the Videowall’s spatial distortions did not have a significant impact on useability, as our initial survey results show that students had an overall positive experience.Technical report DCS-tr-72
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