839 research outputs found
Left-over spaces: The cinema of the Dardenne brothers
The object of this study is the presence and the operation of space in the films of the Dardenne brothers. In this paper, we will examine three films - Rosetta, The Child and The Silence of Lorna - and present the argument that they depict an original account of the contemporary European city as a totality (in this case an eastern Belgian steel town). The construction of the characters, their relationships, and the moral implications of their actions are usually the most discussed aspect of the Dardennes' cinema. Instead, we want to shift focus to the city, focusing on its concrete, visceral materiality. The aim of this paper is to chart out the leaden landscape of these films, by tracing the movements of the protagonists in two particular kinds of recurring spaces: the woods that lie next to motorways in Rosetta and The Silence of Lorna, and the motorways that feature prominently in The Child. Even though these spaces are the left-over spaces of the city, cut out and discarded from the inner spaces of the city, they are still heavily inscribed and symbolic sites. Not only do they move the plot forward and are expressive of the characters that inhabit them, they also engage in a sustained, though understated, political critique
Scaling up qualitative data: with Professor Ken Benoit
Professor Benoit is the Principal Investigator in an ERC funded project QUANTESS developing innovative methods for the quantitative analysis of textual data in the social sciences. He is the co-author with Paul Nulty of the R software package for text analysis “quanteda”, and working on a book Quantitative Text Analysis Using R covering methods for managing, processing, and analysing textual data using the R programming language. He has taught quantitative text analysis extensively and has published research in this area targeting both methodology and political science applications
Roberto Esposito, Communitas: The Origin and Destiny of Community & Bíos: Biopolitics and Philosophy; reviewed by Benoit Dillet
Roberto Esposito
Communitas: The Origin and Destiny of Community
Translated by Timothy Campbell, Stanford University Press, Stanford, 2009. 192pp., 22.50 pb
ISBN 978081664989
Book Review Janae Sholtz, The Invention of a People: Heidegger and Deleuze on Art and the Political (Edinburgh: Edinburgh University Press, 2015)
A book review of Janae Sholtz, The Invention of a People (Edinburgh: Edinburgh University Press, 2015)
Thesium philosophicarum fasciculus
quem ... praeside ... Io. Friderico Benoit ... publicè tutabitur Ioh. Rodolphus Kochius, HBernas, phil. stud. author & respondens, ad diem 5. Martii ...Diss. Hohe Schule Bern, 171
What is poststructuralism?
In this essay, I discuss the vitality and the limits of the poststructural archive. I argue against the temptation to essentialise poststructuralism or define its ‘ontology’, instead I present some of the avenues that can be taken to further its theoretical practice. With Trump and the rise of ‘post-truth’ politics, poststructural political thought has recently come back to the centre of political debate. By using Pierre Macherey and François Châtelet’s perspective on Marxism, I turn to contemporary problems and studies to imagine how to renew the poststructuralist experience of thought. Following Boris Groys, I suggest that by producing theory as form, artists had a more immediate recourse to theoretical practice, by using all sorts of media to perform knowledge. Finally, by mainly referring to the work of Gilles Deleuze and Michel Foucault, I present some elements of a poststructural critique of political economy. I do this not by forcing the application of poststructural theories or concepts onto a supposedly external reality, but by immanently integrating more and more social and political problems into the schemes of thought. A poststructural theoretical practice means integrating into thought problems and events, in order to compose with them, and not simply study discursive strategies.<br/
Proletarianization, Deproletarianization, and the Rise of the Amateur
In this article, I present the three forms of proletarianization found in Bernard Stiegler's work: the proletarianization of the producer, the proletarianization of the consumer, and generalized proletarianization. In the lectures included in this special issue, Stiegler refers to the proletarianization of sensibility, which belongs to this last form of proletarianization. I attempt to contextualize this new work in relation to Stiegler's past work on political economy, as well as some of his political positions about capitalism as a social organization. I explain where the notion of proletarianization gets muddled, and I also compare his position on new forms of capitalism to the influential work of André Gorz. Following Stiegler, I call the underlying political project of deproletarianization that he has developed “protentional politics.” I turn more specifically to the underdiscussed notion of “tertiary protention” and question its place in Stiegler's thought. Finally, I also explain why Stiegler's turn to the figure of the amateur, especially in the third lecture in this issue, is strategic in thinking of deproletarianizing practices
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