185,080 research outputs found
Dick Nagle and Sid Rankine
No full text"Dick Nagle NX 111390 Sid Rankine NX 131724 14th A.A.SC. 12th Division 46 & 62 Mile Camps C. Dec '42 - C. Sept. '44".Dick Nagle NX 111390. Sid Rankine NX 131724. 14th Anti Aircraft Search Light. 12th Division 46 & 62 Mile Camps C. December '42 - C. September '44
Dick Price photograph, C. Davis' AEC box lorry, 1980.
No full textC. Davis' AEC box lorry - registration 424BKK - circa 1980
Motion and mobility in the realist novels of Philip K Dick
No full textThis essay explores the ways that ideas of motion and mobility support readings of Philip K Dick's early novels that take full account of the changing geographical context. They are set during a period of rapid suburban expansion, the building of the interstate and the spread of automobility through car ownership, and their characters frequently exist in a state between continuity through conformity and the potential for change. The open ended forms of the novels reflect a world around Dick that was still under construction, and where alternative realities can be glimpsed between incomplete materialities
Dick Price photograph, Peterborough Expo Fair, 1984.
No full textC. Bishton's Twist - TW35 - photographed 1984
Bell Of Bells
No full textC majorModerato(From cover) "Dick Rabe, America's foremost and fastest piano tuner
Dick Price photograph, Bridgwater St. Matthews Fair, 1976.
No full textC. Heal's Dodgem - DG304a - photographed 1976
Specious Bedfellows: Ethnicity, Animality, and the Intimacy of Slaughter in Moby-Dick
No full text“Specious Bedfellows” argues that Moby-Dick is an exploration of the deeply affective relationships pre-industrial whaling ironically nurtured between whales and whalers through the very intimacy of the hunt. Melville’s portrayal of whaling animates a key trope of sentimentalism in its manifestations in mid-century political economy, research in natural history, and domestic ideology – the feeling animal – in order to reveal the self-serving relations at the heart of the discourse of sympathy. He represents both whales and whalers as affective, emotional subjects deserving of empathy from the emerging middle classes who had veracious appetites for sperm whale oil. His animals reveal the ways in which sentimental feeling, now widely recognized as the ideology of the antebellum middle class, both depended on using animal bodies for their own purposes and was increasingly dependent on the exploitative, unsympathetic labor practices facilitating the accumulation of capital. In Melville’s acerbic critique, sentimental intimacy may take the form of slaughter.Article copyright the author. Journal compilation copyright The Melville Society and Wiley Periodicals, Inc.Peer reviewe
Dick Scott-Stewart photograph, Chairoplanes artwork, 1974.
No full textC. Horsley's Chairoplanes - CP18 - rounding detail photographed August 1974
Dick, C, QX14602
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/381723Surname: DICK. Given Name(s) or Initials: C. Military Service Number or Last Known Location: QX14602. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 19701.211495
Item: [2016.0049.14016] "Dick, C, QX14602
Benson, Dick C.
No full textPhotograph from the C.R. Savage Portrait Studio. Name associated with the photograph: Dick C. Benso
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