55,715 research outputs found
Evaluating group-based programmes for individuals who use violence and abuse in their intimate relationships
This chapter will explore what we have learnt about working with those who use violence and abuse against their current or former intimate partner, with a particular focus on group-based programmes, and their evaluation. Drawing upon current evidence about the effectiveness of such programmes, the chapter will explore the underpinning research methods and how our understanding of whether group-based programmes are effective is inextricably linked to the design of studies and the methodological choices made. These are framed, in turn, by our broader understanding of what causes and sustains such behaviour. While the evidence to date questions whether group-based programmes are effective, this may be as much about the quality of research to date. There is some evidence that programmes do work for some individuals in some circumstances, but programmes are often attempting to work with too broad a range of characteristics and needs, including those who are mandated to attend by the criminal justice system alongside those who are voluntarily seeking help. Additionally, we need to better understand the role of group facilitators versus programme content in bringing about change. The chapter concludes by highlighting areas for consideration in future research studies
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
The road from London to Chichester in com, Suffex : containing 63 mile 2 furlongs vizt. : from ye standard in Cornhill London to Guilford in com Surry ...
Relief shown pictorially.; Road strip map in six sections, with numbered distances along road.; Orientation of north shown in each section..; Derived from John Ogilby's Britannia.; 39 in lower right corner.; Decorative cartouche around title statement
Citizen piece by Portland author John Preston on censorship.
Citizen piece by Portland author John Preston on censorship
Feature article on AIDS by Portland author John Preston.
Feature article on AIDS by Portland author John Preston
Polynesia [cartographic material] /
Map of Polynesia, with eastern Australia as Terra Australis, showing the Pacific islands, population, religions, number of missionaries and native assistants.; Imprint on map: London: Published by John Snow, 35 Paternsoter Row.; Prime meridian: Greenwich.; Plate from: A narrative of missionary enterprises in the South Sea Islands / John Williams. London : Published for the author, by J. Snow, 1837.; Also available in an electronic version via the internet at: http://nla.gov.au/nla.map-rm3970
Chili.
Relief shown pictorially.; Oriented with north to the left.; Representing part of Chile. East of the Andes is filled with decoration to make up for lack of knowledge. It includes a compass rose, rhumb lines, sailing ships and a large cartouche on top combining title and scales.; Arnold Montanus's maps from his atlas were sold separately and were included in John Ogilby's "America: being the latest and most accurate description of the New World adorned with maps and sculptures by John Ogilby.
Seeing the world anew : the radical vision of Martin Waldseemüller's 1507 & 1516 world maps /
9781929154470 (ISBN). 192915447X (ISBN). First edition 2012. Accompanied by 2 foldeds map in front and back pockets: 1507 map -- 1516 map.; Includes bibliographical references: pages 98-107.; Maps from pockets also available online http://nla.gov.au/nla.map-vn6254227; Original version of the 1507 map: Universalis cosmographiae secundum Ptholomaei traditionem et Americi Vespucii alioru que lustrationes. [St. Dié, France? : s.n., 1507]; Original version of the 1516 map: Carta marina, navigatoria Portugallen, navigationes atque tocius cogniti orbis terre marisque formam naturamq[u]e situs et terminos nostris temporibus recognitos et ab antiquorum traditione differentes eciam quor[um] vetusti non meminerunt auctores hec generaliter indicat / consumatum est in oppido S. Deodati compositione et digestione Martini Waldseemuller Ilacomili. [St. Dié, France? : s.n., 1516]. Prologue: In a Renaissance Vision, a Glimpse of the Modern / John W. Hessler -- "An island surrounded on all sides by sea" : The World Map, 1507 / John W. Hessler -- "Land of Cuba, part of Asia" : The Carta marina, 1516 / Chet Van Duzer -- Epilogue: A Renaissance That Resonates Still / John W. Hessler -- Notes -- Afterword / Ralph E. Ehrenberg -- About the authors -- Acknowledgments -- The Maps: The 1507 World Map, 12 sheets, with commentary -- Composite: front pocket -- The 1516 Carta marina, 13 sheets, with commentary -- Composite: back pocket
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