494 research outputs found
Circus Oz Ensemble handstand on Tour Truck.
No full textDigital copy (TIF) of colour photograph.Snapshot of Circus Oz ensemble and crew performing handstands on the roof of the tour truck on the 1997 tour of Western Australia: Derek Ives , Tim Coldwell, Michelle Stevens, Matt Yates, Michael Ling, Sebastien Dickens, Carl Polke and Toni Smith (L-R)
Flying Fruit Fly Circus Big Top, Swan Street (Richmond, Australia) [Performance Video Recording]
No full textDigital migration of VHS. Video type: performance. Venue type: Big Top. Venue name: Flying Fruit Fly Circus Big Top, Swan Street, Richmond. Producer: Circus Oz. Date: 11 November 1990. Circus Oz archive notes: Tent season in Punt Rd and Shaw Street, 3pm.Circus Oz video recording 1990 - Richmond, Australia - Flying Fruit Fly Circus Big Top, Swan Street - 11 November.0:00:08-0:04:00 Intro, Audience warmup --- 0:04:00-0:07:10 Kissing Booths 1 (Susie Dee, Alan Clarke) --- 0:07:10-0:17:00 Pole (Matthew Hughes, Derek Ives, Elaine Stevens, Natalie Dyball, Tim Coldwell, Alan Clarke, Lisa Small, Anni Davey) --- 0:17:00-0:19:03 Wheelbarrow (Peter Murphy, Natalie Dyball, Derek Ives) --- 0:19:03-0:23:30 Adagio (Lisa Small, Anni Davey) --- 0:23:30-0:23:55 Matt's hero 1 (Steven Richardson, Matthew Hughes) --- 0:23:55-0:28:35 Slackwire (David Joseph, Scott Grayland, Derek Ives) --- 0:28:35-0:30:20 Tightwire (Elaine Stevens, David Joseph) --- 0:30:20-0:31:49 Hero number 2 (Matthew Hughes, Susie Dee) --- 0:31:49-0:34:10 Blender (Derek Ives) --- 0:34:10-0:38:34 Hoops (Elaine Stevens, Scott Grayland, Matthew Hughes, Natalie Dyball, Alan Clarke, Lisa Small) --- 0:38:34-0:41:45 Teddy Bear Hoops (Matthew Hughes, Susie Dee) --- 0:41:45-0:45:23 Roofwalk (Tim Coldwell, Julie McInnes, David Joseph, Natalie Dyball) --- 0:45:05-0:49:15 Double Trapeze (Lisa Small, Anni Davey, Natalie Dyball, Steven Richardson) --- 0:49:15-0:51:00 Musical Transition --- 0:51:00-0:56:05 Trampoline (Matthew Hughes) --- 0:56:05-0:56:57 Umbrella Transition --- 0:56:56-1:02:23 Cloud Swing --- 1:02:23-1:08:24 Teddy Bear & Cannon (Alan Clarke) --- 1:08:24-1:09:50 Acrobatics --- 1:09:50-1:14:26 Wheelbarrow Rola Bola --- 1:14:26-1:18:35 Untitled --- 1:18:35-1:27:27 Trapeze --- 1:27:27-1:29:03 Kissing Booth 3 --- 1:29:03-1:34:24 Curtain Call --- 49:20:00-0:51:00 bells (Tim Coldwell, David Joseph, Derek Ives, Julie McInnes
Melbourne Town Hall (Melbourne, Australia) [Performance Video Recording]
No full textDigital migration of VHS. Video type: performance. Venue name: Melbourne Town Hall. Date: 14 September 1991. Circus Oz archive notes: Town Hall, Melbourne, 8:00 PM.Circus Oz video recording 1991 - Melbourne, Australia, Melbourne Town Hall - 14 September.0:00:00-0:06:16 audience warmup (Susie Dee, Derek Ives, Tim Coldwell) --- 0:06:16-0:08:18 Character intros (Tim Coldwell, Derek Ives, Susie Dee, Darren Perkins) --- 0:08:18-0:16:20 Pole (Simon Yates, Chris Sleight, Lisa Small, Tim Coldwell, Antonella Casella, Michael Ling) --- 0:16:20-0:25:42 Chairs (Julie McInnes, Tim Coldwell, Susie Dee) --- 0:25:42-0:29:02 adagio (Antonella Casella, Chris Sleight) --- 0:29:02-0:34:28 Group juggle (Michael Ling, Lisa Small, Peter Murphy, Derek Ives) --- 0:34:28-0:37:09 Duelling Accordions (Isabelle Servais, Shirley Billing) --- 0:37:09-0:40:09 Double Cello (Tim Coldwell, Isabelle Servais, Shirley Billing, Susie Dee, Julie McInnes) --- 0:40:09-0:43:06 Wheelbarrow (Michael Ling, Derek Ives) --- 0:43:06-0:49:46 Flying Burtons (Tim Coldwell, Julie McInnes, Simon Yates, Michael Ling, Isabelle Servais, Susie Dee, Lisa Small) --- 0:49:46-0:51:00 bells walk through (Susie Dee, Tim Coldwell, Derek Ives, Julie McInnes) --- 0:51:00-0:58:00 web (Antonella Casella, Chris Sleight) --- 0:58:00-1:00:56 bells (Shirley Billing, Susie Dee, Julie McInnes, Tim Coldwell) --- 1:00:56-1:07:18 Picnic (Tim Coldwell, Susie Dee, Simon Yates) --- 1:07:18-1:10:56 Cloudswing (Isabelle Servais) --- 1:10:56-1:16:15 Long legs/long arms (Antonella Casella, Chris Sleight, Darren Perkins, Shirley Billing) --- 1:16:15-1:19:20 upside down drumming (Tim Coldwell, Shirley Billing, Isabelle Servais, Simon Yates, Michael Ling, Susie Dee) --- 1:19:20-1:26:59 roofwalk (Tim Coldwell, Julie McInnes, Pete Murphy, Michael Ling) --- 1:26:59-1:29:00 Kissing Booths (Susie Dee, Simon Yates) --- 1:29:00-1:34:30 hoops (Michael Ling, Simon Yates, Lisa Small, Antonella Casella, Chris Sleight) --- 1:34:30-1:40:07 credits (Bill Vickers, Nicci Wilks, Carmel Duffy, Clare Gallagher, Tim Coldwell, Derek Ives, Susie Dee, Darren Perkins, Lisa Small, Scott Grayland, Chris Sleight, Simon Yates, Michael Ling, Natalie Dyball, Antonella Casella, Julie McInnes, Peter Murphy, Shirley Billing, Isabelle Servais, Pete Murphy
Melbourne Town Hall (Melbourne, Australia) [Performance Video Recording]
No full textDigital migration of VHS. Video type: performance. Venue name: Melbourne Town Hall. Camera position: Side of ring. Date: 1997. Digitisation notes: copy of SH97.15 (bad sound). Circus Oz archive notes: Melbourne, No.5.Circus Oz video recording 1997 - Melbourne, Australia - Melbourne Town Hall IV.0:00:00-0:01:13 Cello (Julie McInnes) --- 0:01:12-0:05:52 Pole (Zanette Clements, Tim Coldwell, Per Westman, Nicci Wilks, Michael Ling, Andrew Bright) --- 0:05:52-0:13:18 Hand Balance (Mathew Yates, Genevieve Morris, Zanette Clements, Michael Ling) --- 0:13:18-0:19:11 Double Trapeze (Nicci Wilks, Andrew Bright) --- 0:19:10-0:24:27 Lucky Seat Draw (Genevieve Morris, Tim Coldwell, Mathew Yates, Nicci Wilks) --- 0:24:27-0:33:50 Bullfight (Michael Ling, Tim Coldwell, Julie McInnes) --- 0:33:50-0:34:33 Tightwire Strike (Chris Lewis, Carl Polke, Julie McInnes) --- 0:34:33-0:37:42 Per's Getting Dressed Juggle (Per Westman) --- 0:37:19-0:42:56 The Acting Act (Nicci Wilks, Tim Coldwell, Genevieve Morris) --- 0:42:55-0:45:13 Derek's Animals (Derek Ives) --- 0:45:13-0:45:22 One Finger Handstand Announcement #1 (Genevieve Morris) --- 0:45:23-0:51:16 Fountains (Michelle Stevens, Mathew Yates, Michael Ling, Nicci Wilks, Tim Coldwell, Zanette Clements, Derek Ives, Per Westman, Genevieve Morris, Andrew Bright) --- 0:51:17-0:58:03 Orchestra (Mathew Yates, Carl Polke, Chris Lewis, Genevieve Morris, Michael Ling, Nicci Wilks, Per Westman, Tim Coldwell, Zanette Clements, Julie McInnes, Derek Ives, Michelle Stevens, Andrew Bright) --- 0:57:38-1:00:53 Honkerman (Chris Lewis) --- 1:00:53-1:01:03 One Finger Handstand Announcement #2 (Genevieve Morris) --- 1:01:03-1:07:26 Adagio (Zanette Clements, Mathew Yates) --- 1:07:26-1:07:32 One Finger Handstand Announcement #3 (Genevieve Morris) --- 1:07:32-1:12:06 Soap Opera (Nicci Wilks, Tim Coldwell, Genevieve Morris) --- 1:12:05-1:13:27 One Finger Handstand (Mathew Yates) --- 1:13:28-1:19:34 Roofwalk (Tim Coldwell) --- 1:19:34-1:24:42 Hoops (Andrew Bright, Michael Ling, Nicci Wilks, Per Westman, Zanette Clements) --- 1:24:42-1:27:32 Credits (Mathew Yates, Sebastian Dickins, Carl Polke, Chris Lewis, Genevieve Morris, Michael Ling, Nicci Wilks, Per Westman, Tim Coldwell, Zanette Clements, Julie McInnes, Derek Ives, Michelle Stevens, Andrew Bright) --- 1:27:32-1:33:25 Post-Sho
Outdoor Rig (Karratha, Australia) [Performance Video Recording]
No full textDigital migration of VHS. Video type: performance. Venue type: outdoors. Venue name: outdoors. Producer: Circus Oz, The Walkington Theatre. Date: 25/07/1997. Circus Oz company notes: Karratha, WA.Circus OZ video recording 1997 - Karratha, Australia, Outdoor Rig - 25 July0:01:50-0:03:57 Preshow (Carl Polke, Michael Ling, Chris Lewis, Genevieve Morris, Julie McInnes, Tim Coldwell) --- 0:01:50-0:04:03 Preshow --- 0:03:57-0:10:15 Pole --- 0:10:15-0:11:10 Set change --- 0:11:10-0:21:10 Fartimart (Matt Yates, Genevieve Morris) --- 0:21:10-0:32:10 Tightwire (Tim Coldwell, Michael Ling) --- 0:32:01-0:38:06 Double Trapeze (Sebastian Dickins, Nicci Wilks) --- 0:38:06-0:44:20 The Acting Act (Nicci Wilks, Tim Coldwell, Genevieve Morris) --- 0:44:20-0:44:40 Interval --- 0:44:40-0:55:10 Orchestra (Carl Polke, Michael Ling, Tim Coldwell, Julie McInnes, Genevieve Morris, Chris Lewis, Matt Yates, Nicci Wilks, Sebastian Dickins) --- 0:55:10-0:58:02 Honkerman (Nicci Wilks, Chris Lewis) --- 0:58:02-0:58:45 Adagio moment (Zanette Clements, Matt Yates) --- 0:58:45-1:03:25 Cloudswing (Toni Smith) --- 1:03:15-1:14:02 Untitled --- 1:03:25-1:10:52 Adagio (Zanette Clements, Matt Yates) --- 1:10:52-1:15:00 The Soap Opera (Nicci Wilks, Tim Coldwell, Genevieve Morris) --- 1:15:00-1:16:25 The One Finger Hand stand (Matt Yates) --- 1:16:25-1:18:22 Derek's Animals (Derek Ives) --- 1:18:22-1:24:00 Fountains (Carl Polke, Julie McInnes, Derek Ives, Michael Ling, Tim Coldwell, Genevieve Morris, Chris Lewis, Matt Yates, Nicci Wilks, Sebastian Dickins, Toni Smith, Zanette Clements) --- 1:24:00-1:27:25 Credits (Kevin Miah Fregon, Gina Gascoigne, Michelle Stevens, Carl Polke, Michael Ling, Tim Coldwell, Julie McInnes, Genevieve Morris, Chris Lewis, Matt Yates, Nicci Wilks, Sebastian Dickins, Toni Smith, Zanette Clements, Derek Ives) --- 1:25:55-1:36:42 Encore percussion --- 1:27:40-1:30:15 Preshow --- 1:30:15-1:41:02 Pole (Michael Ling) --- 1:30:15-1:41:02 Pole (Michael Ling, Tim Coldwell, Matt Yates, Nicci Wilks, Sebastian Dickins, Toni Smith, Zanette Clements, Derek Ives
Title Unknown (Hilda Ives Chapel Sermon)
No full textThis audio recording contains three speakers on various occasions. The first sermon was delivered by Dr. Hilda Ives on February 21, 1961. Dr. Ives discusses the three things she deems necessary for men and women within the ministry. The second portion of audio is delivered by an unidentified speaker. The speaker is discussing various types of churches. The third portion of the recording is delivered by a second unidentified speaker. This speaker explains to audience how to fill out various forms and maps that are a necessity for the management of churches. Dr. Hilda Ives finishes at 22:12. Unknown speaker 1 starts at 25:08. It is very hard to understand the speakers in this segment. They may be having a budget hearing. Unknown speaker 2 cuts in at 48:18. Audio cuts out at 56:22 and cuts back in at 56:37. The audio blanks at 1:16:17
Community Sport Coaching and Impression Management
No full textThis chapter positions community sport coaching work as a social, interactive performance. It begins by introducing the concept of dramaturgy and Erving Goffman’s ground-breaking work addressing ‘the presentation of the self in everyday life. This background information is then followed by an exposition of some of Goffman’s central dramaturgical concepts and the ways in which they connect with, and could be used to inform, everyday community sport coaching practice. Here, Callum, the last author, provides detailed examples of how he has utilised these dramaturgical concepts to inform the ways in which he performs his community sport coaching role. Finally, the conclusion summarises the central arguments and issues raised in this chapter and provides some critical questions to stimulate your reflection on the dramaturgical dimensions of everyday practice
The Boys of the Island : P.I.\u27s in the Maine Lumberwoods
No full textOn the evening of March 19, 1984. a large crowd of Island folklore enthusiasts braved a snowy night and the threat of a power blackout to attend a lecture by Sandy Ives, author of books on Island folksong makers Larry Gorman and Lawrence Doyle. The event was memorable; Professor Ives shared his subject with new friends and old, told the stories and sang the songs. The lecture was part of the Second Annual Island Lecture Series. Leaving Home: Migration from P.E.I
A Composite Approach to Ives' "Cage"
No full textThis is the published version.In his book "A Union of Diversities," Larry Starr's analysis of Charles Ives' "The Cage" contrasts with most readings of the song in that he focuses on how the points of congruence between the highly dissimilar vocal and piano parts form a "powerful unity" but provides no specific analytical method for examining this unity more closely. A study is presented that offers one such method for "The Cage," revealing a path within a virtual, bounded space that correlates with some of the syntactic and semantic aspects of the song's text. The author shows how these syntactic correlations also hold true in a similar passage in Ives' song "Majority.
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[Presentation on Research of Peter Ives]
No full textPresentation on research interests of the author. This presentation is from the Conference on Language Endangerment and Political Instability held at the University of North Texas in Denton, Tx on October 4-6, 2018
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