10,259 research outputs found
La pittura mediterranea di Giovanni De Simone
No full textIl contributo prende in esame per la prima volta la produzione pittorica di Giovanni De Simone in relazione alla sua originale ricerca nel campo della ceramica, suo strumento espressivo privilegiato. Il saggio indaga i nodi cruciali della formazione di De Simone in relazione al vivace milieu culturale palermitano e alla luce dell'influenza esercitata da maestri del XX secolo come Pablo Picasso, Henry Matisse e Marc Chagall.The contribution examines for the first time the pictorial production of Giovanni De Simone in relation to his original research in the field of ceramics, his privileged expressive tool. The essay investigates the crucial points of De Simone's training in relation to the lively cultural milieu of Palermo and the influence exercised by 20th century masters such as Pablo Picasso, Henry Matisse and Marc Chagall
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No full textSupplementary Figure 1- List of Vibrio cholerae [toxin A (P01555), B (P01556), and P (P29485)] synthetic peptides and position in the cellulose membrane of Spot synthesis.Supplementary Table of the manuscript "Fine epitope mapping of the Vibrio cholera toxins A, B, and P and an ELISA assay " by: De-Simone, S.G; Napole-ão-Pêgo, P.; Gonçalves, P.S; Lechuga, G.C.; Cardoso, S.V.; Provance, D.W; Morel, C.M.; Silva, F.R.. Title. Fine epitope mapping of the Vibrio cholerae toxins A, B and P and an ELISA assay. Int. J. Mol. Sci. 2022, 23, x. https://doi.org/10.3390/xxxxx
Academic Edit
Salvatore G. De-Simone 1,2,4,*, Paloma Napoleão-Pêgo 1,2, Priscilla S. Gonçalves 1,2,4, Guilherme C. Lechuga 1,2, Sergian V. Cardoso 3, David W. Provace 1,2 , Carlos M. Morel1 and Flavio R da Silva 1,
Mεταξύ: Consideracions per a l’amor contemporani, de Simone Weil a Diotima de Mantinea
Full text link[cat] Aquest present estudi analitza la relació entre Simone Weil i Plató, a través de la noció de μεταξύ i el platonisme que s’hi vincula. Aquesta noció és estudiada a través del diàleg platònic del Convit i més concretament el discurs de Diotima de Mantinea, i dins de totes les obres de Simone Weil. L’estudi de l’obra de Simone Weil porta a identificar una «platonicitat» que hem intentat classificar dins dels estudis platònics. D’afegitó l’estudi de μεταξύ en la obra weiliana ens ha permès establir una relació de l’autora dins del marc de la filosofia del segle XX. D’aquesta manera a través de la comprensió del text platònic i de la seva traducció, i posant-la en relació amb les interpretacions d’en Jordi Sales, Stanley Rosen i Giovanni Reale hem establert una relació entre el concepte de μεταξύ que tenia Plató i el que tenia Simone Weil. Finalment, hem establert que el concepte μεταξύ es tracta d’una noció fonamental per tal d’entendre la filosofia i que ens permet una comprensió més profunda del significat que suposa l’amor.[eng] This essay demonstrate the relationship between Simone Weil and Plato, through the concept of μεταξύ and the Platonism associated with it. We find this notion in the Platonic dialogue the Symposium, more specifically in the discourse of Diotima of Mantinea, and furthermore in Simone Weil’s work. Subsequently, Simone Weil's work leads to the identification of a «Platonism» that we have tried to classify within the Platonic studies. In addition, the study of μεταξύ in Weil’s work has allowed us to establish a relationship between her and the framework of twentieth-century philosophy. Hence, through the understanding of the Platonic dialogue and its translation, and the interpretations of Jordi Sales, Stanley Rosen and Giovanni Reale, we have settled a correlation of the concept of μεταξύ in Plato and in Simone Weil. Finally, we have bestowed μεταξύ as a fundamental notion in order to understand philosophy, which allows us to a deeper understanding of the meaning of Love
A bibliographical (and not only) correspondence: letters of Simone Assemani to Giovanni Bernardo De Rossi
Full text linkSimone Assemani and Giovanni Bernardo De Rossi, the most famous and important Hebrew language scholar of his time in the Italian Catholic sphere, were in correspondence for about 25 years (1788-1814). The paper is focused on their letters, in particular on the main topics discussed by the two scholars: the controversy with Oluf Gerhard Tychsen over the so-called "Chair of St. Peter" (a marble seat located in the Basilica of St. Peter of Castello in Venice), the so-called "Arabic imposture” of Giuseppe Vella and the communication of literary new
Giovanni De Simone: Arte, Memoria e Territorio
No full textThe essay analyses Giovanni De Simone's artistic career from the beginning to the last period of his production, contextualising it with the historical-artistic panorama of the period
Roma per sempre : Le passioni italiane di Simone de Beauvoir
No full textInternational audience« Roma per sempre : Le passioni italiane di Simone de Beauvoir », Giovanni Spani (dir.), L'altro inside and out : l'Italia e il Mediterraneo, Echi Oltremare, p. 102-109
"Zoom in on Masters: IISMC Online Conversations" 1 Kudsi Erguner and the Bîrûn Project
No full textZoom in on Masters is a new project created by the Intercultural Institute of Comparative Musical Studies (IISMC) and focused on “masters” of important musical and dance traditions, who had been due to perform on the island of San Giorgio. In a virtual space, they converse on music topics of common interest and describe their own activities as well as some IISMC projects which, because of the international coronavirus health emergency, have inevitably been suspended but will resume as soon as possible.
In the first conversation, online at: https://www.youtube.com/watch?v=ERA5MIhueWc, Kudsi Erguner, artistic director of the long-standing Bîrûn project devoted to Ottoman classical music, talks to Giovanni De Zorzi (Ca’ Foscari University of Venice) and some musicians who participated in previous Bîrûn workshops as scholarship holders. They will reflect on the overall value of the project and its benefits for training and research. They will also introduce the theme of the next seminar: the instrumental compositions of Prince Dimitri Cantemir (1673-1723).
Music performance:
Pencgâh Saz Semâ‘î, Dimitrie Cantemir (ney solo) at 20:30
Bûselik Peşrev, Dimitrie Cantemir (ney & viola) at 26:22
Rast Berefşan Peşrev Dimitrie Cantemir (tutti) at 50:02
Online conversation published on 4 June 2020
Conversation moderated by Giovanni De Zorzi (Ca’ Foscari University of Venice)
Project coordinated by Simone Tarsitani (Durham University)
In order of appearance:
Giovanni Giuriati
Giovanni De Zorzi
Kudsi Erguner
Selman Erguner
Tristan Driessens
Michalis Cholevas
Giannis Koutis
Reza Mirjalali
Zeynep Yıldız Abbasoğl
Correction: Metabolic syndrome increases the risk of upgrading and upstaging in patients with prostate cancer on biopsy: a radical prostatectomy multicenter cohort study (Prostate Cancer and Prostatic Diseases, (2018), 21, 3, (438-445), 10.1038/s41391-018-0054-9)
No full textThe original version of this Article contained an error in the spelling of the authors Cosimo De Nunzio, Aldo Brassetti, Giuseppe Simone, Riccardo Lombardo, Riccardo Mastroianni, Devis Collura, Giovanni Muto, Michele Gallucci and Andrew Tubaro, which were incorrectly given as De Nunzio Cosimo, Brassetti Aldo, Simone Giuseppe, Lombardo Riccardo, Mastroianni Riccardo, Collura Devis, Muto Giovanni, Gallucci Michele and Tubaro Andrea. This has now been corrected in both the PDF and HTML versions of the Article
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