7,620 research outputs found
Stuart Davis
No full textStuart Davis, CIIC Business Adviser during a CIIC Business Review in Adelaide, 2015
New York-Paris No.3 de Stuart Davis : dialogues transatlantiques
No full textStuart Davis (1892-1964), New York-Paris No 3, 1931 Huile sur toile, 99,5 x 132,1 cm Collection particulière, DR. * Introduction En 1992, année du centième anniversaire de la naissance du peintre américain Stuart Davis, le Metropolitan Museum of Art organisait une exposition rétrospective de son œuvre intitulée « Stuart Davis, American Painter ». Plus récemment, en 2003, le musée d’art américain de Giverny montait « Paris, Capitale de l’Amérique ». La couverture de son catalogue arborait une..
Perry County - Bobby Davis Park
No full textA history of Bobby Davis Park in Hazard, Perry County, Kentucky written in 1982 by Stuart S. Sprague
Tennessee roads / Jesse Stuart. In Mountain herald / Lincoln Memorial University.
No full textThis picturesque poem was written by then-sophomore (and future celebrated author) Jesse Stuart about the roads of Tennessee
Shared Idiosyncrasies: Stuart Davis and Giorgio de Chirico
No full textWithin the scholarship produced on Stuart Davis, the influence of twentieth century European avant-garde artists has been identified as critical to his growth and establishment of an idiosyncratic style. Missing in these studies is the exposure and impact of the Metaphysical paintings of Giorgio de Chirico on works produced by Davis between late 1927 through 1929. The influence of de Chirico’s Metaphysical paintings on Davis becomes evident when comparing stylistic techniques applied by Davis to those pioneered by the Metaphysical artist
Entrevista - Stuart Davis: Literacia além da mídia
No full textEntrevista - RCM Vol. 10, n. 3, set./dez. 201
Sourcing sorcerers
No full textA new IT super exec wizard is emerging to manage strategic outsourcing requirements, write Gerry Davis and Stuart Sadick
Le cycle in-fini chez Stuart Davis
No full textLes œuvres sérielles du peintre américain Stuart Davis sont un travail sur la simultanéité, la durée, la continuité, autant que sur la différence. J’analyse ici les œuvres que Davis produit après 1940, dans leur relation les unes aux autres, et aux œuvres de jeunesse. Prises dans un circuit fermé, les œuvres superposent passé, présent, et annoncent le futur, offrant une expérience simultanée de temps multiples. La continuité qui se produit ainsi est le principe même de la création, qui est recherche perpétuelle, et mouvement ininterrompu, in-fini, autant qu’elle est latence, attente, report.American painter Stuart Davis’s serial work explores simultaneousness, duration, continuity, as well as/through difference. In this article, I look at Davis’s post-World War 2 works in their relation to one another and to earlier works. Davis painted in a “closed-circuit” in which past, present and future are superimposed, offering a simultaneous experience of multiple times. The continuity that is thus produced is the principle of creation in Davis’s work, which is research in process, uninterrupted, unending and infinite movement as much as it is latency, delay, and expectation
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