18,175 research outputs found
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Moore's axiom 5₁
No full textIn any space satisfying Axioms 0, 1, 2, 3, 4, and 5 of R.L. Moore's Foundations of Point Set Theory a large body of Plane Analysis Situs theorems hold true. Nevertheless, not every such space is a subset of the plane even if completely separable. However, Moore has shown that if such a space satisfies certain additional axioms, it is a subset of a plane. This problem has also been studied by Leo Zippin and, more recently, by J.H. Roberts. In this paper the problem is again attacked, and the treatment emphasizes the rather peculiar role played by connectedness. As a matter of fact, connectedness enters into all of the axioms used by the author except Axioms 0, 1, and 6. In Part I a certain space is studied which, although not necessarily a subset of a plane, nevertheless, possesses many of the properties of a plane. However, if the space of Part I is completely separable or metric, it is shown to be a subset of a plane or a sphere. Definitions of terms peculiar to the treatment are given in the text. For the definition of terms not defined, the reader is refered to R.L. Moore's Foundations of Point Set Theory. Many of the notational conventions of this work are also used here without explanation.Mathematic
S. F. Moore & B. G. Myerhoff, eds., Secular Ritual
No full textHicks David. S. F. Moore & B. G. Myerhoff, eds., Secular Ritual. In: L'Homme, 1979, tome 19 n°2. pp. 82-83
Enchanting David Bowie
No full textA longstanding, successful and frequently controversial career spanning more than four decades establishes David Bowie as charged with contemporary cultural relevance. That David Bowie has influenced many lives is undeniable to his fans. He requisitions and challenges his audiences, through frequently indirect lyrics and images, to critically question sanity, identity and essentially what it means to be 'us' and why we are here.
Enchanting David Bowie explores David Bowie as an anti-temporal figure and argues that we need to understand him across the many media platforms and art spaces he intersects with including theatre, film, television, the web, exhibition, installation, music, lyrics, video, and fashion. This exciting collection is organized according to the key themes of space, time, body, and memory - themes that literally and metaphorically address the key questions and intensities of his output
Observation of Stress Corrosion Cracking of Stainless Steel Using Real-Time In-Situ High-Speed Atomic Force Microscopy and Correlative Techniques
No full textData used within paper titled "Observation of Stress Corrosion Cracking of Stainless Steel Using Real-Time In-Situ High-Speed Atomic Force Microscopy and Correlative Techniques" by Stacy Moore, Robert Burrows, David Kumar, Maximilian Kloucek, Alexander Warren, Peter Flewitt, Loren Picco, Oliver Payton, and Tomas Martin.
Data includes: Raw data files and final figure .jpgs for Figures 1-6, and Supplementary Figure 1
Observation of Stress Corrosion Cracking of Stainless Steel Using Real-Time In-Situ High-Speed Atomic Force Microscopy and Correlative Techniques
No full textData used within paper titled "Observation of Stress Corrosion Cracking of Stainless Steel Using Real-Time In-Situ High-Speed Atomic Force Microscopy and Correlative Techniques" by Stacy Moore, Robert Burrows, David Kumar, Maximilian Kloucek, Alexander Warren, Peter Flewitt, Loren Picco, Oliver Payton, and Tomas Martin.
Data includes: Raw data files and final figure .jpgs for Figures 1-6, and Supplementary Figures 1-8
Of Little Consequence: the Early Career of Thomas Moore
No full textThis paper argues that a narrow focus on Moore\u27s Irishness and Irish writings does not adequately represent his relevance and importance in nineteenth-century literature and culture. It draws attention to the early phase of Moore s writing career (from 1800-06) in order to illustrate that this neglected period was formative in shaping his authorial persona, his literary reputation, and his approach to communicating meaning in his work. Because Moore s developing views on these subjects are evident in the writings and events of his early career, the period is crucial for a comprehensive understanding of his mature work. However, the early writings have suffered from scholarly neglect partly because of the absence of Irish issues and perspectives that dominate later works such as the Irish Melodies and Captain Rock.In order to argue that greater attention be devoted to this period, this paper examines the heteroglossia and multiple personae in Moore s first three books, and the influence of critical responses to these writings on shaping the author s subsequent aesthetic strategies. Understanding these topics enables both a broader recognition of the importance of Moore to the literary world of the nineteenth century, and a more nuanced appreciation of his legacy to Irish literature and culture
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Charles B. Moore Family papers, 1832-1917
No full textPostcard that was sent to Henry S. Moore on August 1, 1893. The postcard is badly torn which makes it difficult to tell what is being said. It appears the author is writing about having a good time at a crowded event and the weather
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Charles B. Moore Family papers, 1832-1917
No full textThe author says that everyone is doing fine. They had a little bit of horse trouble, some of the horses got scared and loose and ran away. They were able to recover the horses though. The author went hunting in Cooke county, which didn't go well, but he found a bee tree
Alan Moore Comics as Performance, Fiction as Scalpel
No full textEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Intro -- Contents -- Preface and Acknowledgments -- Introduction -- CHAPTER 1. Formal Considerations on Alan Moore's Writing -- CHAPTER 2. Chronotopes: Outer Space, the Cityscape, and the Space of Comics -- CHAPTER 3. Moore and the Crisis of English Identity -- CHAPTER 4. Finding a Way into Lost Girls -- Conclusion -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- ZEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Charles B. Moore Family papers, 1832-1917
No full textPostcard that was sent to Henry S. Moore on August 1, 1893. The postcard is badly torn which makes it difficult to tell what is being said. It appears the author is writing about having a good time at a crowded event and the weather
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