2,954 research outputs found
Faces and places from English history: a complete set of thirty fine prints
No full textThe series Faces and Places from English History is a set of thirty lithographic/digital fine prints in an edition of twelve. The Edition was produced at the Curwen Studio Cambridge, UK. The series was part funded by the Arts and Humanities Research Council. The Curwen Studio is one of the acknowledged international publishers of the fine print. Elected A.R.E. Diploma. From the Royal Society of Painter Printmakers, for continued services to British Printmaking, London. 2006. The series Faces and Places from English History was presented as the 2006 Diploma application. Awarded 'The Centre for Fine Print Research, of the University of The West of England, Printmaking Award from the Royal Society of Painter Printmakers, 2006.' Three images from the series Faces and Places from English History, were exhibited for selection for this award David Ferry, Guest of the Week, Resonance 104.4 FM Radio, London. The Jack Thurston Show. Broadcast live 17 January 2005. David Ferry explained the series Faces and Places from English History on air. Ashmolean Museum, Oxford. UK. R.E. Diploma Print Collection. Collected 2006. A single image from the series Faces and Places from English History was presented to the Ashmolean by the Royal Society of Painter Printmakers in 2006. University of Utah, USA. Collected 2002. A single image from the series Faces and Places from English History was presented to the University of Utah by the curator Justin Diggle as part of a folder of contemporary printmaking called Tracing Times. This folder was exhibited in the National Museum of South Africa, Cape Town
Aspects of our national heritage
No full textSet of fifteen original books each containing between 50 and 200 original photomontage defilments from the original source material. In curatorial terms these books could be defined as being altered. The following specific artist book titles from this on going set of Fifteen Artists Books are now in the following public collections: Joan Flaesh Collection of Book Arts, John Flaxman Library, Art Institute of Chicago, USA. 'The Lake District'. Polish National Museum of Book Arts, Lodze, Poland. 'selected images from 'the Lake District' as a presentation folder. All Saints library collection of Book Arts. Manchester University, UK. 'David Ferry's Aspects of our National Heritage' Catalogue. University of Southampton, special collections (book arts). Winchester School of Art Library.'Buckinghamshire Footpaths'. Clive Jennings Fine Art London, 'A Picture History of England ...mainly in Black and White.' ESTEEM. Awarded the Bronze Medal at the First International Book Arts Competition, Seoul, Korea. 2005. for artists book 'A picture History of England'. International Jury, Prize awarded on behalf of the Korean Minister for Culture and Tourism Awarded Special Commendation Award Second International Book Arts Competition, Seoul, South Korea, June 2006. for artists book 'Colourful England in Colour'. Delivered keynote seminar 'Crimes of Passion' Third Seoul international Book Arts Fair. COEX Centre, Seoul, South Korea, June 4 2006. Abbreviated essay by David Ferry published by the Korean Book Press Association in the commemorative catalogue that accompanied the international event. Awarded a small grant by the Korean Ministry of Culture for the delivery of the seminar
Financial integration and European priorities. Bruegel Third-Party Papers, November 2006
No full textPaper for the third conference of the Monetary and Stability Foundation, 'Challenges to the financial system –ageing and low Growth' Jean Pisani-Ferry discusses the fact that Europe's financial integration is significantly more advanced than the integration of products and labour markets. He advocates a more strategic approach to financial sector reforms and an explicit identification of the way in which they can help to alleviate the main constraints on growth or contribute to improving the stability of the euro area
The window seat series
No full textThe Window Seat Series is a completed set of 24 photomontage images depicting a personal travel across North America between 2000 and 2001. The Avram Gallery is an established venue on Long Island, New York, and has exhibited works in previous exhibitions of artists such as Larry Rivers, de Kooning, Roy Nicholson, Eric Fishel and Willie Cole. The gallery is an established part of the New York 'East End' ( the Long Island artists community) scene It was from this initial exhibition of The Window Seat series at the Avram Gallery, New York, 2002, that I was able to substantiate a successful application for a major Pollock/Krasner grant in 2002. The Pollock/Krasner Foundation Grant is one of the most respected international art awards available to individual artists and is specific in its criteria and application procedure. 'The Window Seat' exhibition was reviewed, and illustrated in colour in the 'New York Times' (under the heading "David Ferry, a tourist who seeks sensations not sights") by one of their senior critics, Helen Harrison on 24th November 2001, the exhibition also attracted reviews and pictures in the 'Southampton Press' of Long Island and the 'East Hampton Star' also from Long Island. This exhibition attracted direct funding from Long Island University (Southampton College) and was also awarded a 'John P Magrath Exhibition Award' from The Avram Family Foundation of Long Island University. On reading the review in the New York Times the New York curator Catherine Bernard invited me to exhibit at the Amiellie Wallace Gallery at the University of New York's campus at Old Westbury, also on Long Island. This venue is again influential in its back catalogue of exhibitions of the New York Scene. Dr Catherine Bernard studied at the Sorbonne in Paris and is a respected curator and critic and a contributor to Freeze and Parket magazine. I was awarded funds from the Amiellie Wallice Foundation Exhibition Award from SUNY, at Old Westbury New York, for this exhibition renamed 'Montage Projects' in 2003. Four images from this same series were exhibited at the Crawford Municipal Art Gallery in Cork, Ireland, as part of the internationally juried 'Crawford Open' Exhibition in 2002 curated by Dawn Williams and selected by jury, Valerie Byrne, Anne Tallentire, and Suzanne Woods, Director of the Model Arts & Niland Gallery, Sligo. Other exhibiting artists included Deirdre Power, Sarah Iremonger, and Mary Kelly. The Crawford Open Exhibition is one of the leading contemporary art exhibitions on the Irish scene. The publication 'Crawford Open 1-4' was published by Gandon Editions (a leading Dublin based publishing house) in 2003. ISBN 0946846855. I have a citation and images in this publication on page 20 and 110-111, (of 288 pages) in an essay by Peter Murray titled 'Through the Lens'. I was invited to lecture at both the National College of Art and Design in Dublin and the Crawford College of Art and Design in Cork as a result of this exhibition. Reviews of this exhibition as a whole were made in the Irish Times and many Cork based publications and listings. The complete set of images from the 'Window Seat' series were reproduced in the limited edition catalogue/artists book 'Views from the Window Seat' published by the Avram Gallery, New York and supported by the Arts and Humanities Research Board. The essay in the publication 'Long Island Ferry' was written by Bernard Sharratt (former Professor of Image and Communication Studies at University of Kent at Canterbury, and now a reviewer for the New York Review of Books). The design for this publication was by the British designer and curator John Gillett, Director of The Winchester Gallery, UK. This catalogue/Artists book is in the book arts collection of The Crawford College of Art Design, Ireland, and is marketed in the UK by The 'Bookarts Bookshop' in Hoxton Square, London, (a leading edge book arts venue and distribution outlet). It was also included in the publication 'Artist Book Year Book' published by Impact Press UK. Page 186 of 220. ISBN 0953607690. The Window Seat series was further exhibited in 2004 in an exhibition titled 'Double Gaze' at the 'Gallery ON' venue in Poland. This was a two person exhibition with the Polish/British film maker George Saxon. The exhibition was curated by Dr Joanna Hoffmann from the ON Gallery and the Academy of Fine Arts in Poznan. A record of the exhibition was published in 'ON Gallery 25 Year Anniversary Catalogue' Edited by Slawek Sobczak. Published in 2005 by Fundacua Akademii Sztuk W Pieknych W Poznan. David Ferry /George Saxon images and text pages 71-73 from 112 pages
Recall this Book 55: David Ferry, Roger Reeves, and the Underworld
No full text"Their tongues are ashes when they'd speak to us" David Ferry, Resemblance. The underworld, that repository of the Shades of the Dead, gets a lot of traffic from time to time, especially from heroes (Gilgamesh, Theseus, Odysseus, Aeneas) and poets (Orpheus, Virgil, Dante). Some come down for information or in hopes of rescuing or just seeing their loved ones, or perhaps for a sense of comfort in their grief. They often find those they have loved, but they rarely can bring them back. Comfort they never find, at least not in any easy way. In conversation with Elizabeth for this episode of Recall this Book, poets Roger Reeves and David Ferry join the procession through the underworld, each one leading the other. They talk about David's poem Resemblance, in which he sees his father, whose grave he just visited, eating in the corner of a small New Jersey restaurant and "listening to a conversation/With two or three others Shades of the Dead come back/From where they went to when they went away?" Roger reads "Grendel's Mother," in which the worlds of Grendel and Orpheus and George Floyd coexist but do not resemble each other, and where Grendel's mother hears her dying son and refuses the heaven he might be called to, since entering it means he'd have to die
Euro area governance: What went wrong in the euro area? How to repair it?
No full textBruegel Director Jean Pisani-Ferry focuses on the institutional response to the euro area crisis with the Van Rompuy Task Force being set up to reform economic governance. The task force is due to present its progress report shortly and the author examines two basic questions in this contextÂ? what went wrong in the euro area (and the lessons learnt from this) and consequently what are the three choices for reforming governance. He explains why implementation of existing rules need to be strengthened and why the Van Rompuy Task Force should revisit the fundamental principles on which the EMU is founded and resist the temptation to solely address divergences.
Euro area governance: What went wrong in the euro area? How to repair it? Bruegel Policy Contribution 2010/05, June 2010
No full textBruegel Director Jean Pisani-Ferry focuses on the institutional response to the euro area crisis with the Van Rompuy Task Force being set up to reform economic governance. The task force is due to present its progress report shortly and the author examines two basic questions in this context– what went wrong in the euro area (and the lessons learnt from this) and consequently what are the three choices for reforming governance. He explains why implementation of existing rules need to be strengthened and why the Van Rompuy Task Force should revisit the fundamental principles on which the EMU is founded and resist the temptation to solely address divergences
Oral History Interview: John D. Ferry (0314)
No full textBackground; Dawson, Yukon; Yukon Gold (1971); mining; Stanford University; James William McBain; National Institute for Medical Research in London, England; Sir MacFarlane Burnet; George Parks; David Spence; Research work at Harvard; Edwin Cohn; J. L. Oncley; L. J. Henderson; Jack Williams; Farrington Daniels; War work; Appointment at UW; Chemistry Department; Edwin Fitzgerald; Williams-Landel-Ferry (WLF) equation; Chemistry Building; Chairmanship; Irving Shain; Research
Asia-Europe: the third link
No full textThe report provides a comprehensive analysis of Europe-East Asia interdependences (in terms of relative economic weights, trade and financial integration, trade and financial flows, exchange rate and wealth transfers). The prime motivation of the paper is that linkages between Europe and East Asia remain frequently underestimated. While the “third link†between them is in many respects as important as the linkages between the two regions and North America, it is too often regarded only as of secondary importance.Regional integration, Financial integration, Trade integration, East Asia, European Monetary Union, Pisani-Ferry , Cohen-Setton
Kutenai family of Simon David, Bonner's Ferry, Idaho, 1914
No full textMan in beaded vest, belt & necklace over long shirt stands by doorstep; seated are boy in vest and woman with shawl over dress & scarf on head.
Caption on image: Siwash Indian Family. Bonner's Ferry Idaho.
Note from unidentified source: Simon David, son of Chief David, and family. Simon David's son is Adrian. Photographed in 1914, Bonner's Ferry, I
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