81,752 research outputs found

    The Profundity of Polychoralism: Exploring the work of Jonathan David Little [Interview and CD review]

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    Extended (7000-word) composer interview and CD review of "Woefully Arrayed: Sacred & Secular Choral & Polychoral Music of Jonathan David Little", by London-based international music critic, Colin Clarke. [INTERVIEW:] "The disc of sacred and secular choral and polychoral music by Jonathan David Little, Woefully Arrayed … is nothing short of remarkable. Stunningly recorded, the pure sonic joy is visceral. On a personal level, I haven’t experienced such revelation in choral terms since the Tallis Scholars’ first recording of the Allegri Miserere. As an interviewee, it turns out, Little is every inch as fascinating as his music. The following in-depth interview may be seen as an indispensable complement to the listening experience itself." [CD REVIEW:] "Jonathan David Little is a composer whose music is vital, urgent and yet somehow timeless at the same time. … Woefully Arrayed has a mesmeric element to it … [and] is a masterpiece of time-stretching. As lines float and interact throughout the soundspace, there is a distinct impression of atemporality, of altering the way the listener experiences time. … sound is superb, full and reverberant … magnificently handled … A superb disc, one that simply gets better on each and every listening. There is a radiance to Little’s writing that seems shot through with spiritual light and which speaks on a very deep level to the listener." PROJECT OVERVIEW: International Polychoral Music Composition, Recording and Dissemination Project (2015-17) “The lost potential of the acoustics of performing spaces begins to be rediscovered in these works.” A complex and ambitious, large-scale, two-year “polychoral” music creation and recording project was commissioned by the Australia Council – involving communicating how “re-discovered” ancient Renaissance and Baroque techniques of acoustically-innovative performer placement may be revived within new, original, contemporary contexts. One aim was to generate interest in largely long-forgotten, but still hugely useful and aurally impressive composition methods. Following a period of research and experimentation, several new, accessible choral works were created – most featuring intricate, a cappella, polychoral-inspired techniques. Therefore different sections of the choir, or different “sub-choirs” and/or vocal soloists, are sometimes placed in various arrangements around and above the audience (occasionally also involving movement). Due to the incorporation of such techniques, a striking extra dimension is added both to recordings and live performances – where the aural “spatial” interest creates a quasi-theatrical effect. OPEN-ACCESS ONLINE CD BOOKLET (including contextual essay, spatial configuration diagrams, lyrics, pictures and notes): http://www.navonarecords.com/catalog/nv6113/booklet---woefully-arrayed---jonathan-little.htm

    Citizen participation in news

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    The process of producing news has changed significantly due to the advent of the Web, which has enabled the increasing involvement of citizens in news production. This trend has been given many names, including participatory journalism, produsage, and crowd-sourced journalism, but these terms are ambiguous and have been applied inconsistently, making comparison of news systems difficult. In particular, it is problematic to distinguish the levels of citizen involvement, and therefore the extent to which news production has genuinely been opened up. In this paper we perform an analysis of 32 online news systems, comparing them in terms of how much power they give to citizens at each stage of the news production process. Our analysis reveals a diverse landscape of news systems and shows that they defy simplistic categorisation, but it also provides the means to compare different approaches in a systematic and meaningful way. We combine this with four case studies of individual stories to explore the ways that news stories can move and evolve across this landscape. Our conclusions are that online news systems are complex and interdependent, and that most do not involve citizens to the extent that the terms used to describe them imply

    Two Old Boys, Two Music Paths, One Common Artistic Drive

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    [INTERVIEW PREFACE:] "The artistic skills learned by choristers at the National Boys Choir of Australia are skills they retain for life. Voice-change, or early retirement, doesn’t necessarily mean the end for NBCA choristers. All who depart the community do so with a skillset with which they can champion their lives’ paths. For two NBCA Old Boys, choir life has meant the beginning of pursuing a professional career path in their chosen artistic fields. Christopher Diffey is now an accomplished professional tenor based in Mannheim, Germany who is about to start a new season at the Nationaltheater. Jonathan David Little is an acclaimed composer based in the U.K. and has just released his latest body of work on a CD titled Woefully Arrayed. Here are two Old Boys telling the story from both sides of the artistic ‘fence’, each with rich experience and advice to choristers who are considering turning their art into a career.

    Jonathan David Katz: How AIDS Changed American Art

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    Queer Arts Festival and SFU\u27s Vancity Office of Community Engagement presented a lecture by Jonathan David Katz, PhD, on the exhibition ART/AIDS/AMERICA at the Tacoma Art Museum from now until Jan 10, 2016. Generally considered merely a tragic tangent to US culture, AIDS has in fact been one of the most powerful shaping forces in American culture since the 1980\u27s. We have repressed AIDS’ role in the making of our culture in keeping with our longstanding, repression of AIDS in general. But repression, as known from psychoanalysis, is the sign of great power. The lecture was followed by a Q&A with Dr. Katz.Jonathan David Katz is a pioneering academic and gay activist who works at the intersection of art history and queer history. Widely recognized as a leading authority in queer art history, his work as curator, scholar, and activist has had a profound impact on the understanding of queer art and artists in both academia and the larger world. Katz founded the Harvey Milk Institute, the world’s largest queer studies institute, and serves as president and chief curator of New York City\u27s Leslie Lohman Museum of Gay and Lesbian Art. His recent work includes co-curating “Hide/Seek: Difference and Desire in American Art,” an exhibition at the Smithsonian National Portrait Gallery that broke ground by focusing on LGBTQ (lesbian, gay, bisexual, transgender and queer) issues. Katz directs SUNY Buffalo’s PhD program in visual studies. Katz is currently co-curating ART/AIDS/AMERICA at the Tacoma Art Museum from now until January 10, 2016, and will curate the 2016 Queer Arts Festival visual arts exhibition this coming June

    UW Symphony David Alexander Rahbee Music Director and Conductor with Jonathan Biss, piano December 9, 2016

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    Concert ProgramUW Symphony David Alexander Rahbee Music Director and Conductor with Jonathan Biss, piano December 9, 201

    Reconciliation between David and Absalom [i.e. Jonathan] [picture] /

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    Condition: Good.; Part of the collection: Mortimer Menpes collection of reproductions of the Great Masters.; Original: David and Jonathan / Rembrandt Harmenszoon van Rijn, 1642, oil on panel, 73 x 61.5 cm. Original in State Hermitage Museum, St. Petersburg, Russia.; Title from 'Catalogue of the Mortimer Menpes collection of reproductions of the Great Masters' (Cat. no. 19). See file 202/04/00114.; Inscription: "R -; 4"--Handwritten on verso.; Rembrandt / Mortimer Menpes with an essay on the life and work of Rembrandt by C. Lewis Hind. London : Adam and Charles Black, 1905. p. 18

    Oral history interview with Johnny (David Jonathan) Lee and Delores Lee, November 20, 1999

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    1 electronic record(s) and derivatives. 1 audio file(s) in 2 parts (wav, mp3) 1.72 GB (1,857,975,816 bytes). 02:33:13. 3 PDF documents (3 scans, jp2). Bag approx. 2.25 GB (2,426,447,140 bytes).Oral history interview with Johnny (David Jonathan) Lee and Delores Lee, November 20, 1999. Hoboken (Ga.). Fieldworker: Laurie K. Sommers. Audio file digitized from DAT tape. Part of the Sacred Harp Series: South Georgia Folklife Project at Valdosta State University Archives and Special Collections

    Jonathan David Knott

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    Program for the funeral of Jonathan David Knott, held at First Baptist Church of Orlando on April 15, 2025.https://digitalcommons.georgiasouthern.edu/willowhillheritage-obituaries/12355/thumbnail.jp

    The Covenant of David and Jonathan: An Exegetical Study of 1 Sam 20:1-21:1

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    The narrative of David and Jonathan in the Hebrew Bible is one of the most beloved stories of friendship and loyalty. This thesis is an exegesis of 1 Sam 20:1-21:1 which recounts David and Jonathan’s parting after David discovers, with the help of Jonathan, what were Saul’s true intentions towards him. The primary aim of this study will be to explore the covenant between Jonathan and David by asking questions such as the following: What kind of covenant was it? What did it entail? Why did they make it? To answer these questions, this thesis also investigates the history of interpretation of the passage and the concept of covenant in the Hebrew Bible. It argues that David and Jonathan shared a parity covenant which, while serving their respective political needs, also became a self-giving and self-emptying friendship.Master of Arts (MA

    Are There Really Any Dual-Character Concepts?

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    This is the repository with all of the materials, data, analysis code, and a technical summary of the experimental and analysis details for the paper "Are There Really Any Dual-Character Concepts?" by Jonathan Phillips and David Plunkett
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