1,721,152 research outputs found
Conversation with David Bryant
No full textA conversation with David Bryant, an active protester in opposition to the actions of Kim Davis, for the Rowan County Marriage Equality and Religious Liberty Oral History Project
David Bryant and Sharon Niemczyk
No full textDavid Bryant and Sharon Niemczyk at the Center for the Moving Image Reunion at Portland State University Library.
Photographer: Scott Weberhttps://pdxscholar.library.pdx.edu/cmi_oralphotos/1034/thumbnail.jp
David Bryant and Bill Bowling
No full textDavid Bryant and Bill Bowling at the Center for the Moving Image Reunion at Portland State University Library.
Photographer: Scott Weberhttps://pdxscholar.library.pdx.edu/cmi_oralphotos/1021/thumbnail.jp
Anne Richardson and David Bryant
No full textAnne Richardson and David Bryant at the Center for the Moving Image Reunion at Portland State University Library.
Photographer: Scott Weberhttps://pdxscholar.library.pdx.edu/cmi_oralphotos/1025/thumbnail.jp
David Bryant, 1969-1970 Mimosa Staff
No full textDavid Bryant was a student at Jacksonville State University in the 1960s. In 1969-1970 he was the Co-Editor for the Mimosa staff. Shown he stands outside with Photographer Opal Lovett.https://digitalcommons.jsu.edu/lib-ac-histimg/22095/thumbnail.jp
David Bryant, Bill Bowling and Yun Long Ong
No full textDavid Bryant, Bill Bowling and Yun Long Ong at the Center for the Moving Image Reunion at Portland State University Library.
Photographer: Scott Weberhttps://pdxscholar.library.pdx.edu/cmi_oralphotos/1013/thumbnail.jp
John David Bryant oral history interview 2021-05-10
No full textThis interview features John David Bryant as he discusses his memories of working as a National Guardsman in the aftermath of the May 11, 1970 Lubbock tornado. Bryant also recalls his fondness for football and his time playing football in college and coaching football while he was getting his masters degree. The interview ends with Bryant explaining his Coca-Cola collection and his antique collecting habits
Cell scientist to watch−David Bryant
No full textABSTRACT
David Bryant studied music composition and biological science at the University of Queensland, Brisbane, Australia, and graduated with a BSc in biochemistry. He pursued his PhD in the laboratory of Jennifer Stow at the Institute for Molecular Bioscience with a focus on cellular trafficking mechanisms for E-cadherin. David then moved to San Francisco for his postdoctoral work on apical polarity establishment in a three-dimensional context in the laboratory of Keith Mostov. After an NIH Pathway to Independence (PI) award in 2012, David moved to the University of Glasgow, where he established his own research group in 2014 at the Cancer Research UK Beatson Institute. His work focuses on collective cell polarity in 3D tumours, and how the gain and loss of polarity influences development, as well as cancer invasion and progression.</jats:p
Cell scientist to watch−David Bryant
Full text linkDavid Bryant studied music composition and biological science at the University of Queensland, Brisbane, Australia, and graduated with a BSc in biochemistry. He pursued his PhD in the laboratory of Jennifer Stow at the Institute for Molecular Bioscience with a focus on cellular trafficking mechanisms for E-cadherin. David then moved to San Francisco for his postdoctoral work on apical polarity establishment in a three-dimensional context in the laboratory of Keith Mostov. After an NIH Pathway to Independence (PI) award in 2012, David moved to the University of Glasgow, where he established his own research group in 2014 at the Cancer Research UK Beatson Institute. His work focuses on collective cell polarity in 3D tumours, and how the gain and loss of polarity influences development, as well as cancer invasion and progression
Written and Unwritten Practices in the Tradition of Cori Spezzati. Gabrieli's Contribution in Context
No full textThough double- and multi-choir music as compositional practice and Giovanni Gabrieli's personal contribution to the repertoire have long attracted the attention of musicologists, relatively little is known about Cori Spezzati as sound, above all in the contexts of music-making in minor churches and the often obscure relationship between compositional style and the potentially multiple locations, functions and economics of performances. The present contribution looks at unwritten practices in the tradition of Cori Spezzati in Venice and elsewhere on the Italian peninsula with the aim of placing the written contributions by Gabrieli and others in a broader historical perspective which takes account of the real sounds of music in everyday performance
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