7,798 research outputs found
[Danny Lewis at TCAFS Annual Meeting]
No full textPhotograph of Danny Lewis, TX Parks & Wildlife Research Specialist, logs in PowerPoint presentatons given at the Texas Chapter of the American Fisheries Society Annual Meeting
W. Lewis Civil War letter
No full textThis collection contains a letter written in November 1864 by W. Lewis, then stationed at DeValls, Bluff, Ark. The author is believed to be Walter Lewis of Company F of the 20th Iowa Infantry
Michael Lewis: Journalist and Bestselling Author
No full textMichael Lewis is a New York Times bestselling author who has written more than a dozen books on subjects ranging from politics to Wall Street. His recently released book, Fifth Risk, explores mismanagement in federal government.
His other books include The Big Short, Moneyball and The Blind Side - all of which were made into movies. Another, Liar\u27s Poker, was based partly on his experience as a bond salesman at Salomon Brothers.
Lewis is a sharp observer of politics, finance and the evolution of American culture, combining keen insight with a sharp sense of humor. He is a columnist for Bloomberg News and a contributing writer to Vanity Fair. His articles have also appeared in The New York Times Magazine, The New Yorker and Sports Illustrated
Chata, Teeter and Danny
No full textBlack and white photo. Chata and Teeter Contreras and Danny (Unreadable) Prettiest house on Lewis SW, Enferma Juanita Contreras in ink on back of photo
John Henry
No full textThis is from a Guitar Styles Concert organized by David Holt and takes place in Kitteredge Theater on the Warren Wilson College campus. This is a group number following the individual performances. Ralph Lewis is playing the mandolin with Herman Fox on the electric guitar, Bucky Hanks, Marty Lewis, and Danny Johnson on acoustic guitars
Will the Circle Be Unbroken
No full textThis is from a Guitar Styles Concert organized by David Holt and takes place in Kitteredge Theater on the Warren Wilson College campus. This is a group number following the individual performances. Ralph Lewis is singing and playing the mandolin with Herman Fox on the electric guitar, Bucky Hanks, Marty Lewis, and Danny Johnson on acoustic guitars
Sinclair Lewis Society Newsletter, Vol 32, No. 2
No full text“Taking a Chance on Love: A Review of the Play Free Air,” by Deborah Brown
“Lewis on Stage: In the Audience for Free Air and Babbitt,” by Sally E. Parry, Illinois State University
“Quiet Desperation: Matthew Broderick’s George Babbitt Conforms to Stage,” by Cassandra Csencsitz
“Nothing in Particular: A Review of Joe DiPietro’s Play at the La Jolla Playhouse,” by Ralph Goldstein
“Lewis and Rome”
“Move of Arrowsmith Restored”
“Danny Klecko and Sinclair Lewis”
“It Can’t Happen Here in Smithsonian Magazine”
In Memoriam: Carol Dahlquisthttps://ir.library.illinoisstate.edu/slsn/1098/thumbnail.jp
Early Risk, Attention, and Brain Activation in Adolescents Born Preterm
No full textThe relations among early cumulative medical risk, cumulative environmental risk, attentional control, and brain activation were assessed in 15 – 16-year-old adolescents who were born preterm. Functional magnetic resonance imaging found frontal, temporal, and parietal cortex activation during an attention task with greater activation of the left superior-temporal and left supramarginal gyri associated with better performance. Individual differences in early cumulative risk are related to patterns of brain activation such that medical risk is related to left parietal cortex activation and environmental risk is related to temporal lobe activation. The findings suggest that early risk is related to less mature patterns of brain activation, including reduced efficiency of processing and responding to stimuli.This is the accepted version of the following article: Carmody, D. P., Bendersky, M., Dunn, S. M., DeMarco, J. K., Hegyi, T., Hiatt, M. and Lewis, M. (2006), Early Risk, Attention, and Brain Activation in Adolescents Born Preterm. Child Development, 77: 384–394, which has been published in final form at http://onlinelibrary.wiley.com/doi/10.1111/j.1467-8624.2006.00877.x/abstract.Peer reviewe
Lewis Phillip Hall, Local Historian and Author
No full textLewis Phillip Hall-local historian and autho
The Son and the other stars: Christology and cosmology in the imagination of C.S. Lewis
No full textThis dissertation treats the theory and practice of C. S. Lewis's theological imagination,
focussing upon the imaginative use he made of his professional expertise in medieval and
renaissance literature. Its approach is principally expository rather than an evaluative.
Chapter One outlines the centrality of the imagination to a proper understanding of Lewis's
works.
Chapter Two examines Lewis's own theory of imagination and surveys how he practised it
as a literary critic. We compare and contrast Lewis's theory and practice of imagination
with that of his friend, the theologian, Austin Faffer.
Chapter Three looks in more detail at Lewis's imaginative practice, in particular his
fascination with the images supplied by the seven planets of the Ptolemaic cosmos, which
he termed 'spiritual symbols of permanent value'. We analyse what he meant by 'sprit'
and 'symbol'.
Chapter Four introduces the main argument of the dissertation namely that these seven
spiritual symbols structure the works for which Lewis is best known, the seven 'Chronicles
of Narnia'. We claim to have uncovered the governing imaginative blueprint of the septet.
We address Lewis's capacity for and interest in secrecy and consider why this planetary
theme has remained hitherto undetected.
In Chapters Five to Eleven we take the seven planets in turn and trace the use Lewis made
of them through out his writings. We analyse the planetary symbolism undergirding each
Chronicle and conclude each chapter with an exegesis of the Christological message of each
book so understood.
Chapter Twelve examines factors which motivated Lewis to focus his imaginative energies
upon Ptolemaic cosmology and suggests one particular occasioning factor behind the
composition of the Chronicles. In addition, we consider theological and pedagogical reasons
why he kept silent about the planetary theme. We conclude by indicating certain
consequences that our argument has for future readings of these seven works
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