316 research outputs found
Italy
Since 2003 the Chapter on Italian Copyright Law in the Treatise is written and updated every year by A. Musso (M. Fabiani had written it through 2002). As well as all the other national chapters (plus a chapter on European Law and a general Introduction), the "Italian" chapter deals with the Italian Law on Copyright and related rights, updated every year with all the relevant new provisions and the main decisions of higher and lower courts. In this 23rd release, a substantial and deeper review/update off all the issues related to copyright or related rights has been made by the Author, especially on links with international subject-matter (e.g. comparison of terms), on-line uses and possible infringement by Internet Service Providers (with changes in the main index, too). Due to the many entries in alphabetical order, every new release is divided in two papery volumes: the entry "Italy" is in Volume 2
Coexistence of two vector order parameters: A holographic model for ferromagnetic superconductivity
We study a generalization of the standard holographic p-wave superconductor featuring two interacting vector order parameters. Basing our argument on the symmetry and linear response properties of the model, we propose it as a holographic effective theory describing a strongly coupled ferromagnetic superconductor. We show that the two order parameters undergo concomitant condensations as a manifestation of an intrinsically interlaced charge/spin dynamics. Such intertwined dynamics is confirmed by the study of the transport properties. We characterize thoroughly the equilibrium and the linear response (i.e. optical conductivity and spin susceptibility) of the model at hand by means of a probe approximation analysis. Some insight about the effects of backreaction in the normal phase can be gained by analogy with the s-wave unbalanced holographic superconductor. © 2014 The Author(s).SCOPUS: ar.jinfo:eu-repo/semantics/publishe
ITALY
From 2003 to 2016, Prof. Alberto Musso has written and up-dated every year this Chapter, priorly written by Prof. Mario Fabiani. In particular, since 2003, the Chapter has analyzed the main changes in Italian Copyright Law, both from European sources - the Italian implementation of Directive 2001/29/EC on the harmonisation of certain aspects of copyright and related rights in the information society (legislative decree N° 68/2003); of Directive 2001/84/EC on the resale right for the benefit of the author of an original work of art (Legislative Decree N° 118/2006); of Directive 2011/77/EU on the term of protection of copyright and certain related rights (Legislative Decree N° 22/2014); of Directive 2012/28/EU on certain permitted uses of orphan works (Legislative Decree N° 163/2014) - and from only national provisions (e.g. Articles 15, sec. 3, and 15-bis of the Italian Copyright Act on public performances of protected works in libraries, museums or cultural clubs.; the link with the Regulation of the Italian Authority on Communication about copyright protection on the net, pursuant to Article 32-bis of Legislative Decree N° 177/2005, and to Legislative Decree n° 9/2008 on audiovisual rights on sport events, etc.). These positive sources are always accompanied - also with criticism - by a wide description of case law and scholars' constructions of law and pratice of copyright and related rights in text and footnotes
Chasing the cuprates with dilatonic dyons
Abstract: Magnetic field and momentum dissipation are key ingredients in describing condensed matter systems. We include them in gauge/gravity and systematically explore the bottom-up panorama of holographic IR effective field theories based on bulk EinsteinMaxwell Lagrangians plus scalars. The class of solutions here examined appears insufficient to capture the phenomenology of charge transport in the cuprates. We analyze in particular the temperature scaling of the resistivity and of the Hall angle. Keeping an open attitude, we illustrate weak and strong points of the approach
I Santi Girolamo e Francesco Saverio: da ex-chiesa dei Gesuiti a Biblioteca della Regia Università di Genova (1926-1935)
Adiacente al Palazzo dell’Università di Genova, già sede del Collegio dei Gesuiti, arretrata rispetto al fronte stradale creato con la costruzione dei Palazzi dei signori Balbi , sorge la ex Chiesa dei Santi Girolamo e Francesco Saverio. Essa fu fatta erigere da Francesco Maria Balbi sul sedime della preesistente Chiesa di San Girolamo del Roso e ultimata nel 1668. Dopo alcune trasformazioni per adattarla a usi diversi a seguito della espulsione dei Gesuiti da parte della Repubblica di Genova nel 1773, nel 1935 la ex Chiesa fu inaugurata come sede della Nuova Biblioteca Universitaria. Questo uso, che oggi definiremmo non compatibile con la conservazione del manufatto, ne stravolse lo spazio interno, costituito da un’unica ampia navata coperta da volta a botte, da quattro cappelle laterali (in parte di epoche successive al primo impianto) e dal profondo presbiterio con abside a terminazione rettilinea, con l’inserimento di un solaio a quota intermedia, sotto l’imposta della volta, per ricavare, al di sotto, un ampio deposito librario e, al di sopra, la sala di lettura la cui parte di maggior pregio è costituita dal presbiterio, affrescato da Domenico Piola. Il saggio ripercorre la storia delle trasformazioni di questo spazio nell'arco di un decennio, in attesa di una futura nuova riconfigurazione
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