3,976 research outputs found

    Text, Performance, and the Production of Religious Knowledge:The Protestant Passion Play and the Catholic Saint Play

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    The article by Claudia Daiber and Elke Huwiler examines two specific types of theatre plays of the German-speaking theatre history of the Late Medieval and Early Modern period: The Passion Play and the Saint Play. In general, German-speaking theatre of the 16th and 17th century was characterized by the Reformation and Counter Reformation movements, and performances of theatre plays were, amongst other things, meant to spread religious beliefs and to show citizens the 'right' way to believe and to behave. Also, performance practices as such were influenced by these movements: on the one hand, Reformation theatre rolled back the aspect of seeing, thus spectacle; on the other, the Counter Reformation tried to uphold the traditions of the 'old' faith, an effort which is seen in the staging of Saint Plays, rejecting by their very nature the solus Christus dictum of the Protestant faith but also upholding pre-reformatory performance practices. The drama texts analysed in the article show the reaction of theatre to socio-religious developments by enacting specific content and performative features and hereby shaping the history of Christendom as well as theatre history

    Claudia Rankine: An Evening with Claudia Rankine

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    An initiative of the National Endowment for the Arts in partnership with Arts Midwest, the NEA Big Read broadens our understanding of our world, our communities, and ourselves through the joy of sharing a good book. For NEA Big Read: Hampton Roads, that book is Citizen: An American Lyric. NEA Big Read: Hampton Roads, the President\u27s Lecture Series, and the President\u27s Task Force on Inclusive Excellence invite you to a powerful evening with Claudia Rankine, the book\u27s author, hosted by Tim Seibles, Poet Laureate for the Commonwealth of Virginia, and opening with readings by local youth poets. Claudia Rankine has written five collections of poetry, including Citizen: An American Lyric, which was selected for the National Endowment for the Arts\u27 Big Read, and two plays. She also has participated in several video collaborations and edited anthologies including The Racial Imaginary: Writers on Race in the Life of the Mind. Rankine has received fellowships from the MacArthur and Guggenheim foundations. Citizen won several honors, including the National Book Critics Circle Award for Poetry, the PEN Open Book Award and the NAACP Image Award. Citizen also was the only poetry book to be a New York Times nonfiction bestseller. She is the Frederick Iseman Professor of Poetry at Yale University and chancellor of the Academy of American Poets

    Daiber, Claudia

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    Portrait of Claudia Lynn Pittman.

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    Handwritten inscription: Claudia Lynn Pittman, 20 yrs old, Hattiesburg.https://egrove.olemiss.edu/joephoto_c/1129/thumbnail.jp

    Homonoia - Concorda - Sammanasya

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    Analysis of the divine figures of Homónoia in the Greek pantheon, Concordia in the Roman pantheon, and Sammanasya in the Vedic pantheon. Claudia Santi is the author of Homónoia; Andrzej Gillmeister is the author of Concordia; Antonio Salvati is the author of Sammanasya. As regards Homónoia, the origin of this personified abstraction seems to be traced back to the political debate of Athens in the last 5th century. Maybe it was created by Antiphon as opposed to stásis, both in the meaning of ‘psychic conflict’ and ‘internal political dissensions, civil war’

    Claudia Emerson, 31st Annual ODU Literary Festival

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    Claudia Emerson was awarded the 2006 Pulitzer Prize in Poetry for her book Late Wife: Poems (LSU Press, 2005). She is also the author of the poetry collections Pharaoh, Pharaoh, and Pinion: An Elegy; all volumes are published in Dave Smith’s Southern Messenger Poets series. Her poems have appeared in Poetry, Southern Review, Shenandoah, TriQuarterly, New England Review and other journals. Emerson is the recipient of a Witter Bynner Fellowship from the Library of Congress and fellowships from the National Endowment for the Arts and the Virginia Commission for the Arts. She is an associate professor of English at the University of Mary Washington in Fredericksburg, Va

    Interview with Claudia Verhoeven, May 13, 2010

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    Interview Themes: What Verhoeven hoped to achieve with The Odd Man Karakazov (00:58) Greatest challenge of writing the book (10:02) How historians learn to recognize the new in history (16:29) Primary influences on Verhoeven's research and writing thus far (24:44) Implications of Verhoeven's work for the field of Russian history (31:38) Recent works published that suggest what is interesting now (38:00) Verhoeven's plans for future research (40:05)Interview with Claudia Verhoeven, Assistant Professor of History at Cornell University, conducted in Ithaca, NY on May 13, 2010. Professor Verhoeven is author of "The Odd Man Karakazov: Imperial Russia, Modernity and the Birth of Modern Terrorism," published by Cornell University Press in 2009.1_yanxzrv61_iabh8g0

    Rezension zu: Gabriela Signori: Von der Paradiesehe zur Gütergemeinschaft. Die Ehe in der mittelalterlichen Lebens- und Vorstellungswelt.: Das Institut der Ehe im Mittelalter

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    Based on archival research of city culture within the Old Swiss Federation at the end of the Late Middle Ages, the author examines which legal constructions have been used in order to organize marriages. The observation is that documented marriage arrangements in the first place reflect the economic interests of the involved families and only in the last place that of the spouses concerned. Although this finding is not that unexpected, it renders further findings of even greater interest such as the functioning of the oral and the written culture alongside each other and the position of women within this process

    A brilliant blackness emerging from the deep Sea: an ancient story of slavery told to repair the future

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    The Book of Drexciya tells ancient stories coming to the surface. The twelve images are part of the project The Drexciyan Empire: five chapters of the first volum from the ancient times to the present. Drexciya can be considered one of the most powerful image of Afrofuturism. Author Claudia Attimonelli and artist Abu Qadim Haqq are together in a dialogue between imagery and theory

    Claudia Daiber on the "Judensau" and "Practicing Pogroms Against Jewish Populations on Stage"

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    As announced in a previous post, scholars from several different fields will come together for two sessions entitled "Fear, Love and Loathing in the Middle Ages: Emotions and the body in polemic and boundary-making". Within the sessions, Claudia Daiber's paper "Practicing Pogroms Against Jewish Populations on Stage" will deal with the important theme of anti-Jewish polemics. The paper will focus on a carnival play authored by Nuremberg-based meistersinger Hans Folz (1435/40-1513), a barber an..
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