445 research outputs found
Teatro x la Memoria desde dos dramaturgas mendocinas: Sonnia De Monte y Susana Tampieri
Get PDFSe realizará un camino para ir desde la macro a la micropolítica de la historia Argentina de la Posdictadura, para poder focalizar en el Teatro x la Memoria en los textos seleccionados de las dramaturgas mendocinas: Sonnia de Monte y Susana Tampieri. ¿Cómo son las mujeres que escriben lo que escriben? ¿por qué escriben lo que escriben? ¿Qué quieren o intentan transmitir en sus escritos? ¿Qué representan cuando escriben? Y desde las posibles respuestas, encontrar un “nuevo camino” en la enunciación para poder abordar sus dramaturgias.This paper deals about the process of building a path between the enunciations in macro and micro Argentine History’s post dictatorship politics, so to put focus on the category of Teatro x la Memoria through the selection of plays by Sonnia De Monte and Susana Tampieri. Questions such as: How are the women who write? Why do they write what they write? What do their plays want to tell or say? What do they represent in their texts?. Help us in the constructiuons of that “new path” of studies in their ways enunciation as to approach to understand the topic and content in their playwriting.Será feito um caminho para ir da macro à micropolítica da história argentina da Pós-Ditadura, para poder focar Teatro x Memória nos textos selecionados das dramaturgas mendocinas: Sonnia de Monte e Susana Tampieri. Como são as mulheres que escrevem o que escrevem? Por que eles escrevem o que escrevem? O que eles querem ou tentam transmitir em seus escritos? O que eles representam quando escrevem? E a partir das respostas possíveis, encontrar um “novo caminho” na enunciação para poder abordar suas dramaturgias.Fil: Calabrese, Daiana Marcela. Universidad Nacional de San Luis; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentin
Las veladuras de las problemáticas de género en dos obras cuyanas
Get PDFEn el proceso de desenmascaramiento y deconstrucción de los modos canónicos dedenominar al teatro, al menos en Argentina, nuestra propuesta consiste en trabajar textos de laregión de Cuyo. Por otra parte, abordando también la perspectiva de género ponemos entensión dos textos de autoras, una mendocina y la otra sanluiseña en la temática de laviolencia de género y los modos de decir en el lapso de casi veinte años.Principalmente a través de los recursos del teatro épico en Vadebona, y de las propuestasestéticas de una teatralidad más actual en la otra obra, El olor del miedo, encontramos que seexpone la temática del patriarcado en relación con las relaciones humanas. Comprobamos sinembargo, que pese al paso del tiempo, de las militancias y leyes en cuanto a derechosadquiridos en las problemáticas de género, el abuso de autoridad, la impunidad y laincuestionabilidad de la violencia patriarcal siguen vigentes.Finalmente terminando de enlazar ambas obras comprendemos el discurso a través demetáforas y eufemismos en la obra de De Monte y en la presencia del silencio que operacomo efecto de patriarcado en el caso de Domínguez; se puede percibir ese patriarcado comopersonaje referido, una entidad de la cual no se puede hablar ni mencionar.En ambos casos, siempre hay víctimas cuerpos que son corregidos, vejados o desaparecidoscomo venganza y ejercicio del poder en tanto a modo ejemplificador.Fil: De la Torre, Patricia. Universidad Nacional de Cuyo; ArgentinaFil: Calabrese, Daiana Marcela. Universidad Nacional de San Luis; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - San Luis; Argentin
Las veladuras de las problemáticas de género en dos obras cuyanas
Get PDFEn el proceso de desenmascaramiento y deconstrucción de los modos canónicos dedenominar al teatro, al menos en Argentina, nuestra propuesta consiste en trabajar textos de laregión de Cuyo. Por otra parte, abordando también la perspectiva de género ponemos entensión dos textos de autoras, una mendocina y la otra sanluiseña en la temática de laviolencia de género y los modos de decir en el lapso de casi veinte años.Principalmente a través de los recursos del teatro épico en Vadebona, y de las propuestasestéticas de una teatralidad más actual en la otra obra, El olor del miedo, encontramos que seexpone la temática del patriarcado en relación con las relaciones humanas. Comprobamos sinembargo, que pese al paso del tiempo, de las militancias y leyes en cuanto a derechosadquiridos en las problemáticas de género, el abuso de autoridad, la impunidad y laincuestionabilidad de la violencia patriarcal siguen vigentes.Finalmente terminando de enlazar ambas obras comprendemos el discurso a través demetáforas y eufemismos en la obra de De Monte y en la presencia del silencio que operacomo efecto de patriarcado en el caso de Domínguez; se puede percibir ese patriarcado comopersonaje referido, una entidad de la cual no se puede hablar ni mencionar.En ambos casos, siempre hay víctimas cuerpos que son corregidos, vejados o desaparecidoscomo venganza y ejercicio del poder en tanto a modo ejemplificador.Fil: De la Torre, Patricia. Universidad Nacional de Cuyo; ArgentinaFil: Calabrese, Daiana Marcela. Universidad Nacional de San Luis; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - San Luis; Argentin
Author Correction: Gluten consumption and inflammation affect the development of celiac disease in at-risk children
No full textThe original version of this Article contained an error in the spelling of the authors Renata Auricchio, Ilaria Calabrese, Martina Galatola, Donatella Cielo, Fortunata Carbone, Marianna Mancuso, Giuseppe Matarese, Riccardo Troncone, Salvatore Auricchio & Luigi Greco which were incorrectly given as Auricchio Renata, Calabrese Ilaria, Galatola Martina, Cielo Donatella, Carbone Fortunata, Mancuso Marianna, Matarese Giuseppe, Troncone Riccardo, Auricchio Salvatore & Greco Luigi. The original article has been corrected
Capillary thinning analysis
No full textThe data analysis package is composed of three distinct scripts designed to be run in Matlab with png image files. ContactAngle.m measures the contact angle of a liquid bridge and the spreading distance on the substrate for a series of images during liquid bridge thinning. Startpoint_Symmetry finds the minimum radius for a series of liquid bridge thinning images, identifies the start and end point of thinning, and gives information about the overall symmetry of the trials. EC_binning identifies the fitting region, fits and reports relaxation time for elastocapillary thinning fluids. For all three scripts, an example dataset is provided to demonstrate script functionality.This collection of scripts is a package for analyzing extensional rheology data of liquid bridges. While this was created with Dripping-onto-Substrate datasets, this data analysis package may be useful for other liquid bridge thinning applications such as CaBER. Any pre-processing of images, such as binarizing, converting to png or cropping, can be completed with ImageJ.This material is based upon work supported by the National Science Foundation Graduate Research Fellowship under Grant No. CON-75851, project 00074041. Any opinions, findings, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the National Science Foundation.Lauser, Kathleen T; Calabrese, Michelle A. (2022). Capillary thinning analysis. Retrieved from the University Digital Conservancy, https://doi.org/10.13020/gkz4-8z17
Corrigendum to “Esophageal motility disorders among elderly patients: An international multicenter study” [Digestive and Liver Disease 57 (2025) 1615-1621]
No full textThe authors regret that the name of author Francesco Calabrese was spelt incorrectly. The correct spelling appears above and the online article has been amended. The authors would like to apologise for any inconvenience caused
The bridge: suggestions about the meaning of a pictorial motif
No full textDeveloping research begun at the Warburg Institute in 1983, this paper reflects on the construction of meaning in a work of art, through the analysis of the bridge’s function in painting. It tries to reply to some objections the author received there from Gombrich, about the chance of finding a stable content in the configuration of the bridge. Hence, the study reconsiders the concept of ‘motif’ applied to this structure. In a semiotic perspective a motif is partially independent as regards to a single textual organization, because it has a mobile and migrant feature. However, it is also partially flexible as it depends upon the same organization. The inquiry shows that bridge’s internal structure corresponds to the category of a ‘junction’, with two opposite items, ‘conjunction’ and ‘disjunction’. The development of this theoretical object can be carried out also by figures that are not ‘bridges’, in the natural sense of the word. Furthermore, its meaning does not depend upon the number of examples we can find but only upon their relevance for constructing a ‘grammar of cases’. Differently from the traditional iconographical approach, but also from panofskian iconology, the analysis moves not only towards the simple or complex content of a figure but also towards its description
Relative entanglement entropies in 1 + 1-dimensional conformal field theories
Get PDFWe study the relative entanglement entropies of one interval between excited states of a 1+1 dimensional conformal field theory (CFT). To compute the relative entropy S(ρ1‖ρ0) between two given reduced density matrices ρ1 and ρ0 of a quantum field theory, we employ the replica trick which relies on the path integral representation of Tr(ρ1ρn−10) and define a set of R\'enyi relative entropies Sn(ρ1‖ρ0). We compute these quantities for integer values of the parameter n and derive via the replica limit, the relative entropy between excited states generated by primary fields of a free massless bosonic field. In particular, we provide the relative entanglement entropy of the state described by the primary operator i∂φ, both with respect to the ground state and to the state generated by chiral vertex operators. These predictions are tested against exact numerical calculations in the XX spin-chain finding perfect agreement. © 2017, The Author(s)
La dramaturgia de mujeres mendocinas enmarcadas en las memorias sociales de la Postdictadura
No full textBehavioural competences through the outcomes of the IPMA research community
No full textThe model of IPMA about the competences in project management is codified in the IPMA Competence Baseline (ICB). Those competences should be part of the knowledge and know-how of project managers as crucial factors to be effective and competitive. But it is quite common sense that effectiveness and competitiveness in a project require people to be innovative and effective. Behavioural competences are considered as one of the three key areas within the ICB, but surprisingly they seem to be quite neglected among the research community at IPMA World Congresses. A first attempt to analyse to what extent the various competences of the ICB model was done by the author in a paper discussed at the IPMA World Congress 2008; this paper is the continuance of that research, with a more focused interest and with more collected data.
This paper aims also to find which are the main behavioural competences discussed in the papers of the last three IPMA World Congresses and the areas where researchers and practitioners seem to be more trusted in.
This could be the starting point for discussing if the less popular topics (among the ICB 3.0 competences) are really relevant and if they should be considered for being discussed more in detail within the next edition of the ICB. Or conversely if IPMA should be encouraged to study and circulate experiences about them more effectively and frequently
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