1,353 research outputs found
Whiteman, David Ieslie, WX7477
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/425495Surname: WHITEMAN. Given Name(s) or Initials: DAVID IESLIE. Military Service Number or Last Known Location: WX7477. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 16451.251497
Item: [2016.0049.57756] "Whiteman, David Ieslie, WX7477
Ep. #155 - Maria Whiteman
No full textThis recording and transcript form part of a collection of podcasts conducted by the Cultures of Energy at Rice University. Cultures of Energy brings writers, artists and scholars together to talk, think and feel their way into the Anthropocene. We cover serious issues like climate change, species extinction and energy transition. But we also try to confront seemingly huge and insurmountable problems with insight, creativity and laughter.Dominic and Cymene talk about gloomy climate news and dogs that can judge the goodness in human souls on this week’s podcast. Then (19:16) we catch up with environmental artist Maria Whiteman at her residency at the Environmental Resilience Institute at Indiana University. We engage several of her art projects from the past decade and talk about touching as a way of remembering, what fascinates her about animals and landscapes, tactile encounters with taxidermy, the impact of the deaths of Leonard Cohen and David Bowie, truckstops as muses, and finally her current work with fungi as proxies for thinking about climate change and the Anthropocene. Check out all of Maria’s work at http://maria-whiteman.squarespace.co
Maxwell Whiteman collection of Hendricks family papers undated, 1799-1872, 1971
No full textCollection consists of Hendricks family papers that were in the possession of Maxwell Whiteman, author of Cooper For America. The collection includes accounts and business correspondence written to Harmon Hendricks primarily from trade metal agents Solomon Moses (1774-1857) and Joseph Lyon Moss (1804-1874). An invitation to the third annual meeting of the Coppers Manufacturers Association is also available. The collection also contains a copy of Whiteman's book, photographs of illustrations Whiteman used for Cooper in America, and a photograph of Edmund HendricksSid LapidusMr. Sid Lapidu
MB 600 Anthropology for Christian Mission
No full textTextbook: Cultural Anthropology: An Applied Perspective, third edition (1998) by Gary Ferraro Readings: Anthropology and Christian Mission: A Reader, Darrell Whiteman (ed.) Customs and Cultures by Eugene Nida Melanesians and Missionaries (1983), Darrell Whiteman Pastoral Counseling Across Cultures (1986) David Augsburger Pastoral Counseling in a Global Church (1993) Robert Wicks and Barry Estadt (eds.)https://place.asburyseminary.edu/syllabi/1805/thumbnail.jp
Starting with RefWorks
No full textPen to Paper image by mbgrigby shared under a CC BY-NC-ND 2.0 license.This document is an introduction to RefWorks - an online research management, writing and collaboration tool designed to help researchers easily gather, manage, store and share all types of information, as well as generate citations and bibliographies - for staff and students. The workbook contains copies of a PowerPoint presentation that is also available on this site. A workbook for an introductory workshop explaining and demonstrating how to set up a small database of references and use it in preparing a document using MS-Word
Aisopos: Fables Told in Type and Ornament
No full textHere is a lovely book done under the direction of Gloria Kondrup and Heidrun Mumper-Drumm. The preface by Bruce Whiteman of the William Andrews Clark Memorial Library. Hand-bound by Alice Vaughan. Unpaginated. There are thirty-three pairs of pages, the first a nearly transparent page with the name of the student who did the design of the fable itself, which is on the second, underlying page. Many of the fable texts are straightforward. Several are not. Among those apart from the tradition is the third selection by Sarah Cathcart: I am Aesop, Gabriel, a Liar. I'll build my wings with paper, glue, and wire. I'll catch an updraft in the city tonight. I gotta be ready. You don't fuck around with flight. So there! D. Reagan Marshall gets the swirls of the 2 in the title 2 Crabs to represent the sideways walking of the two crabs. Soyoung Leah Kim's title The Fox with the Cropped Tail is itself cropped on the edge of the page. Clever! Dyna Kau does lovely work with designs and colors in a version of GA called Summertime. Emily Liu works with several highly expressive designs for her version of WC. A standard feature of the pages is a rectangular section in the upper left that usually contains the text of the story. Other things like the title and moral often fall outside this rectangle. Another favorite of mine is The Scorpion and the Frog by Christine Marie Montgomery. Ellen Wong's fable is new to me and very strong. I quote it without attending to its poetic form. Cartier a richman bought his wife a Cartier necklace every month. (Just for being beautiful) he said. One day, she observed a wrinkle above her right eye and decided to go under the knife. (For sure he will reward me wth an extra diamond) she thought. But with 1 cut of inexperience her face now sits lop-sided. And her husband now sits with another. Beauty is in the eye of the beholder (of the knife). I am so delighted to have found a copy of this book!This is a hardbound book (hard cover)Limited edition of 75 copiesArt Center College of Desig
Wonderful One
No full textFront cover: A rectangular picture of a man sitting. He is wearing a suit and tie.First line of song: My wonderful one, whenever I\u27m dreaming, Love\u27s love light a gleaming, I seeValse moderatoIncludes sheet music samples from the song Saw Mill River Road Popular editionPaul Whiteman\u27s Sensational Waltz HitWords by Dorothy Terriss Author of Three O\u27Clock in the Morning , etc.Music by Paul Whiteman and Ferdie GrofeAdapted from a Theme by Marshall NeilanSung by John McCormack, Victor Record NO.9611 score, (6p), 31x23 cmPublished by Leo Feist, New Yor
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