66,149 research outputs found
The Role of Evidence in Establishing Trust in Repositories
No full textThis article arises from work by the Digital Curation Centre (DCC) Working Group examining mechanisms to roll out audit and certification services for digital repositories in the United Kingdom. Our attempt to develop a program for applying audit and certification processes and tools took as its starting point the RLG-NARA Audit Checklist for Certifying Digital Repositories. Our intention was to appraise critically the checklist and conceive a means of applying its mechanics within a diverse range of repository environments. We were struck by the realization that while a great deal of effort has been invested in determining the characteristics of a 'trusted digital repository', far less effort has concentrated on the ways in which the presence of the attributes can be demonstrated and their qualities measured. With this in mind we sought to explore the role of evidence within the certification process, and to identify examples of the types of evidence (e.g., documentary, observational, and testimonial) that might be desirable during the course of a repository audit.
Researcher Profile: An Interview with D. Bruce Ross
No full textD. Bruce Ross, Ph.D., is an Assistant Professor in the Family Sciences Department at the University of Kentucky. He has a Master’s in Marriage and Family Therapy, and a Ph.D. in Human Development and Family Science with an Emphasis in Marriage and Family Therapy and a specialization in financial counseling and financial therapy practices. Dr. Ross’ professional and research interests primarily focus on personal and family financial well-being. At the University of Kentucky, he is currently helping to develop a new undergraduate program of Consumer Economics and Personal Finance within the Family Sciences Department. Also, Dr. Ross is the current Treasurer of the Financial Therapy Association, where he also sits on the Regulatory Committee, Conference Planning Committee, and Chairs the Business Development Committee
Sam & Laura Ross Letter
No full textA letter sent by Mr. and Mrs. Sam Ross, parents of David D. Ross, from Levy, Arkansas on November 25, 1942 to the First Christian Church of Morehead, Kentucky.https://scholarworks.moreheadstate.edu/mfcc_ww2_letters/1062/thumbnail.jp
, Ross Laird
No full textRoss Laird, PhD RCC is a clinical consultant focused on trauma, addictions, and social vulnerability. He is also a best-selling author, award-winning scholar and educator, and clinical supervisor for BC’s largest licensed non-profit program in addictions, trauma, and mental health. Dr. Laird focuses particularly on traumatized and marginalized client populations — those navigating homelessness, mental illness, and complex trauma — and provides professional development training for organizations that serve them: social service agencies, first responders, cultural groups, nonprofits, and educational institutions. He also works extensively with organizations in arts and culture and Indigenous communities to develop trauma-informed practices for cultural programming, museum exhibitions, and community initiatives
Validating the Voice In The Music of Lambert, Hendricks & Ross
No full textLambert, Hendricks & Ross was an unusual vocal jazz trio. Made up of Dave Lambert, Jon Hendricks, and Annie Ross, they were one of the only interracial and mixed gender vocal jazz groups in the United States in the late 1950s. They were known for their vocalese—a style of singing in which lyrics are set to recorded instrumental melodies and improvisations. Their music revealed that the voice could fulfill its traditional role by contributing language through lyrics, and simultaneously take on the qualities of an instrument. In 1957, they set words to Count Basie big band recordings and recreated the entire ensemble with three voices. Their album Sing a Song of Basie (1957), was not only a hit, but is now considered the first foundational group recording of vocalese. In addition to their unorthodox sound, they were also a highly unusual looking group in 1950s America. Lambert, Hendricks, & Ross was a racially integrated and mixed gender trio comprised of a white vocal arranger from Boston (Lambert), an African-American vocalist and lyricist (Hendricks), and a Scottish born, former Hollywood child starlet (Ross). Together from 1957 to 1962, Lambert, Hendricks & Ross redefined vocal jazz while simultaneously reflecting changing social attitudes towards race and gender in the United States.
Employing the voice as a foundation, this dissertation addresses two main questions: What does it mean to have a voice in jazz? And, who is allowed a voice?
The voice is traditionally understood as either an expression of individuality or as the performance of a particular gendered, racial, or cultural identity. This dissertation examines the voice as an intersection between these two registers. In the words of Farah Jasmine Griffin, the voice is like “a hinge, a place where things can both come together and break apart.” In this intersection, this dissertation reveals how Lambert, Hendricks, and Ross validated their subjectivities in jazz while also revealing the possibility of a more integrated and equal American society
Ross Manning: Dissonant Rhythms
No full textThe publication coincides with Brisbane-based artist and musician Ross Manning’s first-ever survey exhibition, Dissonant Rhythms. Best known for his use of everyday materials, Manning’s major exhibition features sculptures that repurpose ceiling fans, fluorescent tubes, and overhead projectors, creating exquisite interplays of light and sound.No Full Tex
Ross, D, 412844
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/414343Surname: ROSS. Given Name(s) or Initials: D. Military Service Number or Last Known Location: 412844. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 49399.233555
Item: [2016.0049.46604] "Ross, D, 412844
Ross, R D, VX1291
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/414389Surname: ROSS. Given Name(s) or Initials: R D. Military Service Number or Last Known Location: VX1291. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 3436.233645
Item: [2016.0049.46650] "Ross, R D, VX1291
Ross, D G, WX10066
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/414410Surname: ROSS. Given Name(s) or Initials: D G. Military Service Number or Last Known Location: WX10066. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 33704.233687
Item: [2016.0049.46671] "Ross, D G, WX10066
Ross, L D, NX7656
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/414380Surname: ROSS. Given Name(s) or Initials: L D. Military Service Number or Last Known Location: NX7656. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 5440.233627
Item: [2016.0049.46641] "Ross, L D, NX7656
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