32,176 research outputs found
Lago de Patzcuaro : Isla Xianicho / Hugo Brehme
No full text"El 4 de octubre de 1884 se crea la Sociedad Científica Antonio Alzate. Entre sus miembros fundadores estaban Guillermo B. Puga, Rafael Aguilar y Santillán, Ricardo E. Cicero, Manuel Marroquín y Rivera, Agapito Solórzano y Solchaga y Daniel M. Vélez. El objetivo exclusivo que éstos se propusieron, fue el de cultivar las ciencias exactas, físicas y naturales en todas sus ramas y aplicaciones, principalmente en lo relativo a México. Fue una de las sociedades más importantes en México y en 1930 se convirtió en Academia Nacional de Ciencias, sin quitar el nombre del sabio mexicano." Memorias de la Academia Nacional de Ciencias, tomo 54 (1934).Orientación: horizontal"Post card" -- reverso, parte superior central"No. 1647. Propiedad asegurada de Hugo Brehme, copyright. Av. 5 de Mayo 27, ap. postal 5253, México, D. F." -- reverso, lado derechoSe colocó un lienzo en color negro para el fondo de la imagen y se agregó la información del fondo documental al que pertenece así como la institución que lo resguarda
Fonds Victor Hugo. II -- ŒUVRES. Les Orientales.
No full textContient : Fouinet, Ernest. Lettre(s) ; Hugo, Victor-Marie. Lettre(s) reçue(s) ; Bossange, Hector. Contrat(s) ; Hugo, Victor-Marie. Document(s) le concernant ; Gosselin, Charles, éditeur. Lettre(s)Numérisation effectuée à partir d'un document original.Manuscrit autographe -- Y sont joints des lettres et extraits de textes adressés à Victor Hugo par Ernest Fouinet, juillet 1828 et s. d. et ayant servi à annoter « Nour-mahal-la-Rousse » (82-101), le contrat passé entre Victor Hugo et Hector Bossange, pour l'éd. des Orientales, 10 novembre 1828 (110), une lettre de Charles Gosselin à Victor Hugo, pour leur réimpression, 17 novembre 1832 (111-112).Ex-libris de Victor Hugo. [Avant leur classement dans les NAF certains manuscrits de Victor Hugo constituaient un ensemble numéroté de 1 à 104. Nous donnerons à la fin de leur notice l'ancien numéro de ces volumes.
Music of Hugo Weisgall
No full textRecorded during a live performance at Oakland Recital Hall, Western Michigan University, Kalamazoo, Michigan on October 21, 1981, 8:00 p.m., program no. 34 of the School of Music's 1981-1982 season.1st work: Marilyn Rose Nicholson, soprano ; Robert Byrens, piano. 2nd work: Joyce Zastrow, soprano ; Robert Byrens, piano. 3rd work: Elizabeth Patches, mezzo-soprano ; Phyllis Rappeport, piano. 4th work: Gail Smith, stepdaughter ; Corinne O'Heran, mother ; Rick Knapp, son ; Mark Cummings, father ; Rick Krzeczkowski, the director ; Monica Whitaker, the prompter ; Nadine Vorenkamp, the coloratura ; Mary Rempalski, the mezzo ; Matthew Elliott, the basso cantante ; Tom Manguem, the tenore buffo ; Sarah Coley, the wardrobe mistress ; Jennifer Little, the understudy.Reel 1: Introductory remarks by the composer -- Two madrigals. Nuptual song ; No more I will thy love importune -- Translations. Song ; Poem ; The rebelReel 2: Di goldene pave. Di Goldene Pave ; Undzer Rebenyu ; Der Rebe Elimeylekh ; Mayn Harts Veynt in Mir ; Baleboste Zisinke ; Shlof Mayn Kind, Sholf Keyseyder ; Lomir Zikh Bafrayen -- Six characters in search of an author. Act I / libretto by Dennis Johnston, based on the play by Luigi Pirandell
<i>No se sabe</i>: entrevista a Hugo Luis López
No full textEntrevista al Dr. Hugo Luis López, ictiólogo y responsable de la División Zoología Vertebrados del Museo de Ciencias Naturales de la Universidad Nacional de La Plata. Autor de numerosos trabajos sobre zoología e ictiología, además de difusor y propulsor de estos estudios en nuestro país. Director y editor de la publicación ProBiota, dedicada a la ictiología, limnología, zoología, herpetología y otras disciplinas conexas.Al hacer clic en el enlace que figura en "Documentos relacionados", pueden accederse a todos los trabajos de Hugo Luis López presentes en el repositorio.Radio Universidad Nacional de La Plat
[Soliloquium de arrha animae]
No full text[(Pseudo-)Augustinus Aurelius]Impressum: Datum in der Vorlage genannt, Ort und Drucker nach ISTCThe true author is Hugo de S. Victore: R. Goy, Die Überlieferung der Werke Hugos von St. Viktor, 1976, p.328Digitalisierung=Digitization=Numérisation Juli 2024 TIF
Fonds Victor Hugo. II -- ŒUVRES. Reliquat des Contemplations.
No full textContient : Gosselin, Charles, éditeur. Lettre(s) reçue(s) ; Hugo, Victor-Marie. Lettre(s) ; Hetzel, Pierre-Jules, pseud. P.J. Stahl, éditeur et écrivain. Lettre(s) ; Hugo, Victor-Marie. Lettre(s) reçue(s) ; Parfait, Noël. Lettre(s) ; Claye, Jules, imprimeur. Lettre(s) ; Hetzel, Pierre-Jules, pseud.. Lettre(s) reçue(s)Numérisation effectuée à partir d'un document original.On y trouve : une lettre de Victor Hugo à Gosselin, (brouillon et copie) au sujet de l'impression des Contemplations, 1-4 octobre 1853 (87, 92-93), des lettres adressées à Victor Hugo par Hetzel, 17 octobre 1854-17 mars 1857 (105-114, 120-127), et Noël Parfait, 1855, et s. d. (115-119)
The Political Communication of Hugo Chávez: The Evolution of Aló Presidente
No full textAló Presidente was a weekly television programme anchored and produced by Hugo Chávez during his presidency in Venezuela. The show, a version of a phone-in, was broadcast live on national television at 11am on Sundays and lasted on average six hours. It followed the presidential agenda to a new location every week, where Hugo Chávez would inaugurate factories, read Latin American poetry, interview Fidel Castro, and sing llanero songs. This thesis investigates the role that Aló Presidente played in the making of the “Bolivarian Revolution”, Hugo Chávez’s political project. Through a critical reading of the transcripts of the show, it explores the 378 episodes, or 1656 hours, that aired between 1999 and 2012. Aló Presidente was the cornerstone of Chávez’s political communication, replacing press conferences and interviews. Chávez was known for his continuous presence on radio and television and his daily presidential addresses. However, only on the Sunday show could the audience phone the president and share their ideas, emotions and everyday life concerns. This thesis reviews the narratives that underlined the relationship between the audience/electorate and the host/president on Aló Presidente. It is argued that Aló Presidente played a fundamental role in articulating the identity of a public that shared the values and ideas of Chávez’s hegemonic project. Moreover, it is argued that the show Aló Presidente and the ideological process called the “Bolivarian Revolution” can be read as two co-related arms of a same project, and that they informed and defined each other throughout Chávez’s presidency. In this context, this thesis assesses the evolution of the programme in light of the political events taking place in Venezuela during that time. Aló Presidente is thus seen as a repository, or “black box”, of the discourses that articulated the Bolivarian identity and constructed the legitimacy of Hugo Chávez as the leader of a populist movement in Venezuela. Finally, the core of this thesis is that the co-relation between the show and the hegemonic project evolved over time to strengthen the authoritarian tendencies of Hugo Chávez’s regime. Following the activities of Aló Presidente over 13 years, the investigation charts that evolution in three different stages: 1) participation, 2) education, and 3) obedience, arguing that what started as a seemingly participatory space, progressively became a platform that presented Hugo Chávez’s figure as the ideologue of a populist movement, and ultimately secured his position as the indisputable leader and sole authority of Venezuela’s “Bolivarian Revolution”
Hugo Brehme. Los prototipos mexicanistas. Num. 16 Año 6 (2002-2003) invierno. Alquimia. Sistema Nacional de Fototecas
No full text- Hugp Brehme o la construcción nacional - Hugo Brehme: un gigante de la fotografía mexicana, por Dennis Brehme - Hugo Brehme y Sergei Eisenstein: una convergencia, por Aurelio de los Reyes - El imagunario de Hugo Brehme / Arno Brehme, un acto olvidado - La exportación de lo mexicano: Hugo Brehme en casa y en el extranjero, por Jesse Lerner - El artista fotógrafo Hugo Brehme / Nada se salvó en la conocida casa artísitica - La colección Hugo Brehme, por Mayra Mendoza Avilés - El horizonte técnico en Hugo Brehme, por Heladio Vera Trejo
Declaration of dispute
No full textLetter to eclare a dispute in respect of the procedure for rationalization and redeployment followed at the David Livingstone Secondary School by Leona Zenobia Hugo to the P.P.T Chairman, Mr D Smeda
Letter, Victor Hugo Tamayo to Emilio D. Longo, June 3, 1928
No full textLetter is a response from Victor Hugo Tamayo to Emilio D. Longo, expressing gratitude for including Tamayo\u27s works in the Library of the Circulo Cubano.https://digitalcommons.usf.edu/cuban_club_records/1028/thumbnail.jp
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