134,805 research outputs found

    [Report by Lieutenant of Police E. L. Cunningham to Chief of Police J. E. Curry, December 3, 1963 #1]

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    Report from Lieutenant of Police E. L. Cunningham to Chief of Police J. E. Curry, describing his participation in the arrest of Lee Harvey Oswald

    Eric L. Cunningham

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    "Eric L. Cunningham".Date:199

    [Report from E. L. Cunningham to Chief J. E. Curry, concerning the arrest of Lee Harvey Oswald #2]

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    Report written by E. L. Cunningham to Chief J. E. Curry concerning the arrest of Lee Harvey Oswald. Cunningham states that he was assigned to work at the Trade Mart where the President was scheduled to speak, but after the shooting he was told to report to a location to pursue a suspect. The first location was a false report and he ended up going to the Texas Theater to help with the arrest of Lee Harvey Oswald

    [Report from E. L. Cunningham to Chief J. E. Curry, concerning the arrest of Lee Harvey Oswald #1]

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    Report written by E. L. Cunningham to Chief J. E. Curry concerning the arrest of Lee Harvey Oswald. Cunningham states that he was assigned to work at the Trade Mart where the President was scheduled to speak, but after the shooting he was told to report to a location to pursue a suspect. The first location was a false report and he ended up going to the Texas Theater to help with the arrest of Lee Harvey Oswald

    [General Offense Report by E. L. Cunningham]

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    General Offense Report by E. L. Cunningham concerning assault to murder Governor John B. Connally. Cunningham states that Governor Connally was shot by an assailant near the vicinity of Elm and Houston Streets, on the way from downtown Dallas to the Trade Mart on Stemmons Expressway

    Edward Mercer Cunningham Store Ledger

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    Edward Mercer Cunningham, born November 15, 1795, was one of the early merchants of Antigonish. He bought the store from R. H. Henry, father of William A. Henry Father of Confederation. [Information from handwritten notes in front of ledger.] The ledger was donated to the Angus L. Macdonald Library by Eileen Cameron Henry. The ledger records purchases in the time period 1827 to 1832

    Track team and Coach L. L. Lewis with Douglas Cup

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    L. L. Lewis is in the center of the image with Douglas Cup.Robert E. Cunningham (1906-1991) graduated from Oklahoma A&M College in 1932. Besides being a writer, Cunningham was a local photographer of Stillwater and a collector of glass plates. This collection of glass plate negatives and acetate base photographs held at the Oklahoma State University (OSU) Library Archives represents a portion of his collection amassed over the years. This memorabilia collection is historically significant in that it depicts the early history of OSU (A&M College), local history, and portraits of early residents of Stillwater. The digitization and documentation of this collection was made possible by an 2018-2019 Improving Access to Collections Grant sponsored by the Oklahoma Historical Records Advisory Board, administered by the Oklahoma Department of Libraries, and funded by the National Archives--National Historical Publications and Records Commission

    Come to Daddy? Claiming Chris Cunningham for British Art Cinema

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    Twenty years after he came to prominence via a series of provocative, ground-breaking music videos, Chris Cunningham remains a troubling, elusive figure within British visual culture. His output – which includes short films, advertisements, art gallery commissions, installations, music production and a touring multi-screen live performance – is relatively slim, and his seemingly slow work rate (and tendency to leave projects uncompleted or unreleased) has been a frustration for fans and commentators, particularly those who hoped he would channel his interests and talents into a full-length ‘feature’ film project. There has been a diverse critical response to his musical sensitivity, his associations with UK electronica culture – and the Warp label in particular – his working relationship with Aphex Twin, his importance within the history of the pop video and his deployment of transgressive, suggestive imagery involving mutated, traumatised or robotic bodies. However, this article makes a claim for placing Cunningham within discourses of British art cinema. It proposes that the many contradictions that define and animate Cunningham's work – narrative versus abstraction, political engagement versus surrealism, sincerity versus provocation, commerce versus experimentation, art versus craft, a ‘British’ sensibility versus a transnational one – are also those that typify a particular terrain of British film culture that falls awkwardly between populism and experimentalism

    L. N. Perkins, portrait

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    Headshot of L. N. Perkins.Robert E. Cunningham (1906-1991) graduated from Oklahoma A&M College in 1932. Besides being a writer, Cunningham was a local photographer of Stillwater and a collector of glass plates. This collection of glass plate negatives and acetate base photographs held at the Oklahoma State University (OSU) Library Archives represents a portion of his collection amassed over the years. This memorabilia collection is historically significant in that it depicts the early history of OSU (A&M College), local history, and portraits of early residents of Stillwater. The digitization and documentation of this collection was made possible by an 2018-2019 Improving Access to Collections Grant sponsored by the Oklahoma Historical Records Advisory Board, administered by the Oklahoma Department of Libraries, and funded by the National Archives--National Historical Publications and Records Commission

    Letter from John T. Cunningham to Senator Nathan L. Bachman, 1933-06-13

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    Typed letter from John T. Cunningham in Clarksville, Tennessee to Senator Nathan L. Bachman in Washington, D.C. Cunningham is writing to Senator Bachman in support of his friend, Chas. F. Davenport, who is a candidate for the appointment as Deputy in the Internal Revenue Office in Nashville, Tennessee. Cunningham asks the Senator to help get Davenport the job
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