3,421 research outputs found

    Providence College Faculty Author Series 2012-2013: Dr. Adrian Weimer

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    Dr. Adrian Weimer (History, Providence College) discusses her new book Martyrs\u27 Mirror: Persecution and Holiness in Early New England and the cultural importance of martyrdom within Colonial America

    Providence College Faculty Author Series 2012-2013: Dr. Adrian Weimer

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    Dr. Adrian Weimer (History, Providence College) discusses her new book Martyrs\u27 Mirror: Persecution and Holiness in Early New England and the cultural importance of martyrdom within Colonial America

    Adrian Matejka, 34th Annual ODU Literary Festival

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    Adrian Matejka is the author of The Devil’s Garden and Mixology, which was a winner of the 2008 National Poetry Series. He is the recipient of two Illinois Arts Council Literary Awards and fellowships from Cave Canem and the Lannan Foundation. His work has been featured in American Poetry Review, The Best American Poetry 2010, and Ploughshares, among other journals and anthologies. He teaches at Southern Illinois University Edwardsville

    Great Gray Poet or Great Gray Fool? Queries of Whitman\u27s Legacy by Chris Adrian, Sherman Alexie, Andrea Dworkin, and Michael Cunningham

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    This article analyzes counterintuitive uses of Walt Whitman by four contemporary US writers. Chris Adrian\u27s Gob\u27s Grief, Sherman Alexie\u27s Defending Walt Whitman, Andrea Dworkin\u27s Mercy, and Michael Cunningham\u27s Specimen Days break from common practice by displaying ambivalence or hostility toward Whitman, questioning his symbolic legacy rather than claiming heritage with him. I argue that their use of Whitman shows that the writers I discuss recognize that the form of twentieth and twenty-first century society presents philosophical and ethical problems with the re-use of longstanding liberal shibboleths, often associated with figures like Whitman. I compare Whitman\u27s treatment by these authors to more conventional narrative uses, in which authors link their characters and narratives to a romantic American identity that Whitman symbolizes. The revisionist Whitman we see in Adrian, Alexie, Dworkin, and Cunningham interrogate this continual turning to Whitman, demonstrating important tensions within the contemporary US\u27s self-conception

    Sectoral allocation by gender of Latin American workers over the liberalization period of the 1990s

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    The recent restructuring of Latin American economies has renewed interest in the effects of trade liberalization, on labor markets, and on the gender division of labor. The author does not attempt to establish casuality between economic reforms, and the types of jobs that men and women hold. Instead, she provides a detailed description of the trends in male, and female formal, and informal sector participation during the economic reform period in Argentina, Brazil, and Costa Rica. The author first compares the gender composition of the formal, informal wage, and self-employment sectors in a year before reforms (1988 for Argentina, 1989 for Brazil, and Costa Rica), and a year after reforms implementation (1997 for Argentina, 1995 for Brazil and Costa Rica). Although women continued to be more likely than men to work in the informal wage sector, there is no trend of"masculinization"or"feminization"of the informal sector, or any other. Instead, in Argentina men have overtaken women as the most prevalent workers in the informal wage sector, while in Brazil, the opposite has occurred (as men move into self-employment). In Costa Rica there have been no statistical, observable changes. The author then considers the distribution across sectors within each gender group, to identify whether men, and women are more likely to select different sectors in the post-reform period relative to the pre-reform period. Among both men, and women in all three countries (except Brazilian men), workers have become more likely to hold informal wage jobs, and less likely to hold formal sector jobs. Trends in human capital accumulation explain these changes for both men, and women, while changes in gender roles, primarily in homecare and marriage, do not seem to have an effect.Health Monitoring&Evaluation,Labor Policies,Population&Development,Public Health Promotion,Environmental Economics&Policies,Health Monitoring&Evaluation,Environmental Economics&Policies,Population&Development,Banks&Banking Reform,Work&Working Conditions

    Performing the archive: following in the footsteps

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    Using documentation of Mike Pearson's performance 'Bubbling Tom', Deirdre Heddon attempts to step into his shoes and re-perform it

    Electrochemical-control of abrasive polishing and machining rates, U.S. Patent 6,171,467

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    An apparatus and method is disclosed; both of which use electrochemistry to selectively grow and remove hard oxide coatings on metals, and capacitive double layers on non-metals and semiconductors in order to predict and control the rate of surface abrasion during planarization of the surface of such materials

    ADRIAN POP - IN SEARCH OF A LONG LOST SMILE

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    An anniversary, especially in the case of a generation colleague, the renowned composer Adrian Pop, generates the remembrance of a long series of musical events that have become notorious, with works included in the national and international concert repertoire. The avoidance of nostalgic memories made that a stage miniature be chosen for the present paper, an incursion of the author into the naive world of childhood reading. The result was a modern, glamorous musical transposition of a sequence with Max and Moritz, the playful heroes created by the famous humorist and cartoonist Wilhelm Busch in the middle of the 19th century. The musical act Onkel Fritz by Adrian Pop was first performed in Cluj in 2016, on October 22, on the occasion of his previous anniversary, within the Cluj Musical Autumn Festival. The graceful performers of the act, presented under the title “Anniversaries at the Festival, Adrian Pop compositional portrait”, were soprano Mihaela Maxim, in the role of Max and pianist Eva Butean, in the role of Moritz. How did composer Adrian Pop manage to musically enliven a 150 years old humorous story? The author of the following text will try to answer this question. Rezumat. ADRIAN POP - ÎN CĂUTAREA SURÂSULUI PIERDUT. O aniversare, mai ales în cazul unui coleg de generație, reputatul compozitor Adrian Pop, generează rememorarea unui lung șir de evenimente muzicale devenite notorii, cu lucrări intrate în repertoriul intern și internațional de concerte. Evitarea unor memorii nostalgice au făcut ca sorții acestei comunicări să cadă asupra unei miniaturi scenice, o incursiune a autorului în lumea ingenuă a lecturilor din copilărie. A rezultat o transpunere muzicală modernă, plină de farmec, a unei secvențe cu Max și Moritz, eroii poznași creați de celebrul umorist și caricaturist Wilhelm Busch la mijlocul secolului XIX. Prima audiție clujeană a scenetei muzicale Onkel Fritz de Adrian Pop a avut loc în 2016, la 22 octombrie, cu ocazia precedentei sale aniversări, în cadrul Toamnei Muzicale Clujene. Interpreții plini de har ai scenetei prezentate sub genericul „Aniversări în Festival, portret componistic Adrian Pop” au fost soprana Mihaela Maxim, în rolul lui Max și pianista Eva Butean, în rolul lui Moritz. Oare cum a reușit compozitorul Adrian Pop să însuflețească muzical o poveste umoristică de 150 de ani? La această întrebare va încerca să răspundă autoarea acestor rânduri.  Cuvinte cheie: Adrian Pop, Wilhelm Busch, Max și Moritz, Unchiul Fritz, act muzica

    Incremental contribution of pollination and other ecosystem services to agricultural productivity: effects of service quantity and quality

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    This chapter presents the potential impact of agricultural pesticides on bees, which are beneficial insects that are important pollinators of both crops and wild plants. It describes the ecology of bees in intensively cultivated landscapes and the routes by which they are exposed to agrochemical toxicants. Neurotoxicants act by disrupting the otherwise coordinated activity of the insect nervous system. The chapter addresses the responses of regulatory authorities to meeting the challenge of deciding whether to allow a toxicant to be marketed as a plant protection product (PPP). It considers non-insecticides only insofar as they directly exacerbate the toxicity of insecticides by the so-called cocktail effect' and not for their indirectly detrimental effects on the environment of bees, such as reducing the abundance of wild flowers. In bees, the most sensitive endpoint that has been measured to date is the fecundity of bumble bees, as affected by a dietary neonicotinoid, imidacloprid.Fil: Garibaldi, Lucas Alejandro. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Patagonia Norte; Argentina. Universidad Nacional de Río Negro; ArgentinaFil: Aizen, Marcelo Adrian. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Patagonia Norte. Instituto de Investigaciones en Biodiversidad y Medioambiente. Universidad Nacional del Comahue. Centro Regional Universidad Bariloche. Instituto de Investigaciones en Biodiversidad y Medioambiente; ArgentinaFil: Cunningham, Saul A.. Australian National University; AustraliaFil: Harder, Lawrence. University of Calgary; CanadáFil: Klein, Alexandra M.. Albert Ludwigs University of Freiburg; Alemani
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