1,400,946 research outputs found
Robert E. Cunningham and woman
No full textRobert E. Cunningham and woman, posing for a photo.Robert E. Cunningham (1906-1991) graduated from Oklahoma A&M College in 1932. Besides being a writer, Cunningham was a local photographer of Stillwater and a collector of glass plates. This collection of glass plate negatives and acetate base photographs held at the Oklahoma State University (OSU) Library Archives represents a portion of his collection amassed over the years. This memorabilia collection is historically significant in that it depicts the early history of OSU (A&M College), local history, and portraits of early residents of Stillwater. The digitization and documentation of this collection was made possible by an 2018-2019 Improving Access to Collections Grant sponsored by the Oklahoma Historical Records Advisory Board, administered by the Oklahoma Department of Libraries, and funded by the National Archives--National Historical Publications and Records Commission
William A. Cunningham Civil War letters
No full textThis collection consists of five letters Cunningham wrote when he was in Arkansas with the 3rd Illinois Cavalry
Margaret Cunningham letter
No full textThis collection consists of a letter written by Margaret Cunningham to her brother, Solomon Tuttle Cunningham, during the Civil War
Come to Daddy? Claiming Chris Cunningham for British Art Cinema
No full textTwenty years after he came to prominence via a series of provocative, ground-breaking music videos, Chris Cunningham remains a troubling, elusive figure within British visual culture. His output – which includes short films, advertisements, art gallery commissions, installations, music production and a touring multi-screen live performance – is relatively slim, and his seemingly slow work rate (and tendency to leave projects uncompleted or unreleased) has been a frustration for fans and commentators, particularly those who hoped he would channel his interests and talents into a full-length ‘feature’ film project. There has been a diverse critical response to his musical sensitivity, his associations with UK electronica culture – and the Warp label in particular – his working relationship with Aphex Twin, his importance within the history of the pop video and his deployment of transgressive, suggestive imagery involving mutated, traumatised or robotic bodies. However, this article makes a claim for placing Cunningham within discourses of British art cinema. It proposes that the many contradictions that define and animate Cunningham's work – narrative versus abstraction, political engagement versus surrealism, sincerity versus provocation, commerce versus experimentation, art versus craft, a ‘British’ sensibility versus a transnational one – are also those that typify a particular terrain of British film culture that falls awkwardly between populism and experimentalism
Cunningham Street, Sydney
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/324481Interior view of Fletcher Jones store in Cunningham Street, Sydney. Inscribed on reverse: Typical new small Branch Sydney. Inscribed on reverse: Cunningham St175614
Sub-item: [2012.0031.01210] "Cunningham Street, Sydney
Interview with James P. Cunningham
No full textJames P. (Porter) Cunningham is interviewed by Susan Moody on March 26, 2003. James Cunningham (1915-2003) was born in Franklin, North Carolina. Cunningham discusses the process of the rural electrification. He also gives personal accounts on what it was like working for the Nantahala Power and Light Company. Cunningham’s wife, Esther (1918-2011), tells what her life was like being married to someone who worked for the Nantahala Power and Light Company. James Cunningham talks about a few of the processes that were needed in order to get electricity into the western North Carolina region
The Death of a Worldly Woman / A. B. Cunningham
No full textA. B. Cunningham. The Death of a Worldly Woman. Dell, 1948.https://egrove.olemiss.edu/ms_mystery/1065/thumbnail.jp
People gathered in a roundabout
No full textPeople gathered in what appears to be a roundabout with a gazebo in the center and houses on the periphery. Shot from a high angle, almost aerial view. Somewhere in Oklahoma.Robert E. Cunningham (1906-1991) graduated from Oklahoma A&M College in 1932. Besides being a writer, Cunningham was a local photographer of Stillwater and a collector of glass plates. This collection of glass plate negatives and acetate base photographs held at the Oklahoma State University (OSU) Library Archives represents a portion of his collection amassed over the years. This memorabilia collection is historically significant in that it depicts the early history of OSU (A&M College), local history, and portraits of early residents of Stillwater. The digitization and documentation of this collection was made possible by an 2018-2019 Improving Access to Collections Grant sponsored by the Oklahoma Historical Records Advisory Board, administered by the Oklahoma Department of Libraries, and funded by the National Archives--National Historical Publications and Records Commission
Students planting in a field
No full textMen and women in field. Two men are kneeling, digging up or patting down earth. Others standing around have rolled-up sleeves. Some are holding plants.Robert E. Cunningham (1906-1991) graduated from Oklahoma A&M College in 1932. Besides being a writer, Cunningham was a local photographer of Stillwater and a collector of glass plates. This collection of glass plate negatives and acetate base photographs held at the Oklahoma State University (OSU) Library Archives represents a portion of his collection amassed over the years. This memorabilia collection is historically significant in that it depicts the early history of OSU (A&M College), local history, and portraits of early residents of Stillwater. The digitization and documentation of this collection was made possible by an 2018-2019 Improving Access to Collections Grant sponsored by the Oklahoma Historical Records Advisory Board, administered by the Oklahoma Department of Libraries, and funded by the National Archives--National Historical Publications and Records Commission
Cunningham Pictures
No full textThese photographs were taken at the Cunningham Photography Studio in Tiffin, Ohio. Mrs. M.L. Cunningham was listed as a photographer in the 1873-1874 Tiffin City Directory. These photographs were loaned to T-SPL for digitization
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