514 research outputs found
Don\u27t Hug Me I\u27m Scared: A Short Documentary
No full textA brief documentary film on the British television show Don\u27t Hug Me I\u27m Scared submitted by Ashton Culp as an assignment of Professor Steve Middleton\u27s Convergent Media class at Morehead State University during the spring of 2023
Harley Poe: Joe Whiteford Interview
No full textA brief documentary film on the punk band Harley Poe, with an interview with Joe Whiteford, submitted by Ashton Culp as an assignment of Professor Steve Middleton\u27s Convergent Media class at Morehead State University during the spring of 2023
Michael Davis: Tattoo Artist
No full textAn audio recorded interview with Michael Davis, a tattoo artist from Morehead, Kentucky, on his over 30 year career in the business by Ashton Culp
King Lear to In the loop : fiction and British politics
No full textOn 11 December 2009, Nottingham University's Centre for British Politics held a conference at the British Academy that drew together politicians, writers and academics to explore the interaction of British politics and fiction.
In addition to the conference several video interviews were conducted with some of the speakers on the day.
In this interview taken at the Fiction and British Politics Conference in London, former MP and writer Joe Ashton reveals how much truth there is in his writing and explains why politicians often turn to writing fiction in order to spill the beans on what goes on behind closed doors.
Suitable for Undergraduate study and community education
Joe Ashton, Former MP and Author (Grassroots, Majority of One)
The Centre for British Politics is based in the University's School of Politics and International Relations. www.nottingham.ac.uk/politics/cb
Should i publish in an open access journal?
No full textAn “author pays” publishing model is the only fair way to make biomedical research findings accessible to all, say Matthew Kurien and David S Sanders, but James J Ashton and R Mark Beattie worry that it can lead to bias in the evidence base towards commercially driven results
Reply to Bench (1973)
No full textThe author is in agreement with Bench 1973 that without specific analysis one cannot be certain that the auditory output from a given loudspeaker matches the input to that speaker. However, issue is taken with Bench concerning the results obtained by Ashton 1971
Clark Ashton Smith short stories - translation and stylistic analysis
No full textThis bachelor thesis contains a translation of two short stories written by the american author of the 20th century Clark Ashton Smith. It consists of a practical and a theoretical part. The practical part is a side by side translation. It is preceeded by a short introduction to the theory of translation and a short characteristic of the source text. The theoretical part contains grammatical and lexical analysis of the translation. Using selected passages from the translation, this part discusses various problems that arised during the translation and translational strategies used to overcome them. Key words: translation, stylistics, grammatical and lexical analysis, Clark Ashton Smith, Abominations of Yondo, The Maker of Gargoyles, weird fiction, functional sentence perspectiv
Clark Ashton Smith povídky - překlad a stylistický rozbor
No full textTato bakalářská práce obsahuje překlad dvou povídek amerického autora 20. století Clarka Ashtona Smithe. Práce se skládá z praktické a teoretické části. Úvod práce obsahuje krátký úvod do teorie překladu a charakteristiku vybraných povídek. Praktickou část tvoří zrcadlený překlad povídek. Teoretická část obsahuje analýzu gramatické a lexikální roviny překladu. Na vybraných příkladech ilustruje řešení rozličných překladatelských situací s ohledem na současné překladatelské postupy. Klíčová slova: překlad, stylistika, gramatická a stylistická analýza, Clark Ashton Smith, Ohavnosti pouště Yondo, Stvořitel Chrličů, weird fiction, aktuální větné členěníThis bachelor thesis contains a translation of two short stories written by the american author of the 20th century Clark Ashton Smith. It consists of a practical and a theoretical part. The practical part is a side by side translation. It is preceeded by a short introduction to the theory of translation and a short characteristic of the source text. The theoretical part contains grammatical and lexical analysis of the translation. Using selected passages from the translation, this part discusses various problems that arised during the translation and translational strategies used to overcome them. Key words: translation, stylistics, grammatical and lexical analysis, Clark Ashton Smith, Abominations of Yondo, The Maker of Gargoyles, weird fiction, functional sentence perspectiveKatedra anglického jazyka a literaturyFaculty of EducationPedagogická fakult
Anonymous Was a Woman:A Museums and Feminism Reader
No full textFeminism is a social justice movement that aims to end sexism, sexist exploitation, and oppression - and to change society for the better, for all.Alongside class and race, gender fundamentally shapes our perceptions and beliefs. But issues of sex and gender are still largely ignored in many museums and galleries: the inequalities that exist in society are replicated in museum practice. And, in turn, these practices reinforce and reaffirm social inequality.Anonymous Was A Woman is a 300-page positive, inspiring, practical reader, focusing on actions being taken within museums (including the Art Gallery of Ontario, Detroit Institute of Arts, Minneapolis Institute of Art, National Museums Liverpool, V&A and the Whitechapel Gallery) to address these issues, as well as new initiatives aiming to impact and change museums from the outside.Featuring carefully selected texts from our two-volume Feminism and Museums, this book has a new Introduction by editor Jenna C Ashton, and each text has been reviewed and updated by the author
Anonymous Was a Woman:A Museums and Feminism Reader
No full textFeminism is a social justice movement that aims to end sexism, sexist exploitation, and oppression - and to change society for the better, for all.Alongside class and race, gender fundamentally shapes our perceptions and beliefs. But issues of sex and gender are still largely ignored in many museums and galleries: the inequalities that exist in society are replicated in museum practice. And, in turn, these practices reinforce and reaffirm social inequality.Anonymous Was A Woman is a 300-page positive, inspiring, practical reader, focusing on actions being taken within museums (including the Art Gallery of Ontario, Detroit Institute of Arts, Minneapolis Institute of Art, National Museums Liverpool, V&A and the Whitechapel Gallery) to address these issues, as well as new initiatives aiming to impact and change museums from the outside.Featuring carefully selected texts from our two-volume Feminism and Museums, this book has a new Introduction by editor Jenna C Ashton, and each text has been reviewed and updated by the author
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