812 research outputs found

    FIGURE 4 in Myoxanthus anancusiensis (Orchidaceae: Pleurothallidinae), a new species from the inter-Andean valley of Huancavelica, Peru

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    FIGURE 4. Comparison of diagnostic floral features. A. M. anancusiensis and B. M. serripetalus. Photographs by Robinson Daniel Cuadros-Rojas (A) and Luis Enrique Egoavil (B).Published as part of <i>Cuadros-Rojas, Robinson Daniel, Quispe-Melgar, Harold Rusbelth, Calderon-Quispe, Fernando H. & Singer, Rodrigo B., 2023, Myoxanthus anancusiensis (Orchidaceae: Pleurothallidinae), a new species from the inter-Andean valley of Huancavelica, Peru, pp. 155-164 in Phytotaxa 622 (2)</i> on page 160, DOI: 10.11646/phytotaxa.622.2.5, <a href="http://zenodo.org/record/10147158">http://zenodo.org/record/10147158</a&gt

    Competing models of socially constructed economic man : differentiating Defoe's Crusoe from the Robinson of neoclassical economics

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    Daniel Defoe’s Robinson Crusoe has seldom been read as an explicitly political text. When it has, it appears that the central character was designed to warn the early eighteenth-century reader against political challenges to the existing economic order. Insofar as Defoe’s Crusoe stands for "economic man", he is a reflection of historically-produced assumptions about the need for social conformity, not the embodiment of any genuinely essential economic characteristics. This insight is used to compare Defoe’s conception of economic man with that of the neoclassical Robinson Crusoe economy. On the most important of the ostensibly generic principles espoused by neoclassical theorists, their "Robinson" has no parallels with Defoe’s Crusoe. Despite the shared name, two quite distinct social constructions serve two equally distinct pedagogical purposes. Defoe’s Crusoe extols the virtues of passive middle-class sobriety for effective social organisation; the neoclassical Robinson champions the establishment of markets for the sake of productive efficiency

    FIGURE 6 in Myoxanthus anancusiensis (Orchidaceae: Pleurothallidinae), a new species from the inter-Andean valley of Huancavelica, Peru

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    FIGURE 6. Myoxanthus anancusiensis in situ. A. Habit. B. Flower. C. Habitat. Photographs by Robinson Daniel Cuadros-Rojas.Published as part of <i>Cuadros-Rojas, Robinson Daniel, Quispe-Melgar, Harold Rusbelth, Calderon-Quispe, Fernando H. & Singer, Rodrigo B., 2023, Myoxanthus anancusiensis (Orchidaceae: Pleurothallidinae), a new species from the inter-Andean valley of Huancavelica, Peru, pp. 155-164 in Phytotaxa 622 (2)</i> on page 162, DOI: 10.11646/phytotaxa.622.2.5, <a href="http://zenodo.org/record/10147158">http://zenodo.org/record/10147158</a&gt

    Myoxanthus anancusiensis (Orchidaceae: Pleurothallidinae), a new species from the inter-Andean valley of Huancavelica, Peru

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    Cuadros-Rojas, Robinson Daniel, Quispe-Melgar, Harold Rusbelth, Calderon-Quispe, Fernando H., Singer, Rodrigo B. (2023): Myoxanthus anancusiensis (Orchidaceae: Pleurothallidinae), a new species from the inter-Andean valley of Huancavelica, Peru. Phytotaxa 622 (2): 155-164, DOI: 10.11646/phytotaxa.622.2.5, URL: https://phytotaxa.mapress.com/pt/article/download/phytotaxa.622.2.5/5124

    FIGURE 2 in Myoxanthus anancusiensis (Orchidaceae: Pleurothallidinae), a new species from the inter-Andean valley of Huancavelica, Peru

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    FIGURE 2. Holotype of Myoxanthus anancusiensis H.R.Quispe, R.D.Cuadros & F.H.Calderon. Specimen deposited in the HOXA Herbarium. Photographed by Shane Verde.Published as part of <i>Cuadros-Rojas, Robinson Daniel, Quispe-Melgar, Harold Rusbelth, Calderon-Quispe, Fernando H. & Singer, Rodrigo B., 2023, Myoxanthus anancusiensis (Orchidaceae: Pleurothallidinae), a new species from the inter-Andean valley of Huancavelica, Peru, pp. 155-164 in Phytotaxa 622 (2)</i> on page 158, DOI: 10.11646/phytotaxa.622.2.5, <a href="http://zenodo.org/record/10147158">http://zenodo.org/record/10147158</a&gt

    FIGURE 5 in Myoxanthus anancusiensis (Orchidaceae: Pleurothallidinae), a new species from the inter-Andean valley of Huancavelica, Peru

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    FIGURE 5. Distribution map of Myoxanthus anancusiensis H.R.Quispe, R.D.Cuadros & F.H.Calderon and the most similar species M. serripetalus and M. oliviae in Peru. The red asterisk indicates a record that needs to be corroborated.Published as part of <i>Cuadros-Rojas, Robinson Daniel, Quispe-Melgar, Harold Rusbelth, Calderon-Quispe, Fernando H. & Singer, Rodrigo B., 2023, Myoxanthus anancusiensis (Orchidaceae: Pleurothallidinae), a new species from the inter-Andean valley of Huancavelica, Peru, pp. 155-164 in Phytotaxa 622 (2)</i> on page 161, DOI: 10.11646/phytotaxa.622.2.5, <a href="http://zenodo.org/record/10147158">http://zenodo.org/record/10147158</a&gt

    Robinson Crusoe

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    Daniel Defoe (c. 1660-1731) was an English merchant, author, and political pamphleteer best known for the classic adventure novel Robinson Crusoe.Cover Page -- Title Page -- Contents -- Chapter I-Start in Life -- Chapter II-Slavery and Escape -- Chapter III-Wrecked on a Desert Island -- Chapter IV-First Weeks on the Island -- Chapter V-Builds a House-The Journal -- Chapter VI-Ill and Conscience-Stricken -- Chapter VII-Agricultural Experience -- Chapter VIII-Surveys his Position -- Chapter IX-A Boat -- Chapter X-Tames Goats -- Chapter XI-Finds Print of Man's Foot on the Sand -- Chapter XII-A Cave Retreat -- Chapter XIII-Wreck of a Spanish Ship -- Chapter XIV-A Dream Realised -- Chapter XV-Friday's Education -- Chapter XVI-Rescue of Prisoners from Cannibals -- Chapter XVII-Visit of Mutineers -- Chapter XVIII-The Ship Recovered -- Chapter XIX-Return to England -- Chapter XX-Fight between Friday and a Bear -- Copyright PageDaniel Defoe (c. 1660-1731) was an English merchant, author, and political pamphleteer best known for the classic adventure novel Robinson Crusoe.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries

    ‘Robinson, Daniel, pseud. Philos Hispaniae (1791-1849)’

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    Biography of the author of the first translation into English of the Political Constitution of the Spanish Monarchy, Daniel Robinson, pseud. Philos Hispaniae (1791-1849

    (Fourth) Report on Meteorological Activities at the DGAI (8-1-36)(Weather Bureau Copy)

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    This report is on the investigations of frontal phenomena at the Daniel Guggenheim Airship Institute in Akron, Ohio from January 1, 1935 through August 1, 1936. The investigation was carried out with the cooperation of the U.S. Bureau of Aeronautics, the U.S. Weather Bureau, the California Institute of Technology, and the Guggenheim Airship Institute. Mr. R.C. Robinson of the Weather Bureau cooperated with the author in carrying out the investigation. The object of the investigation was to determine the intensity of the atmospheric disturbances (i.e. rapidity of wind shift and gustiness) accompanying the passage of cold fronts, along with a study of the characteristics of the air masses involved and other features which might affect the intensity of the disturbance. The report treated thirty cold fronts which passed the station during 1935 to 1936

    Parroting Solitude: The Alienated Voice in Julio Cortázar’s “Adíos Robinson”

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    This article argues that Argentine author Julio Cortázar’s Adios, Robinson, a radio play written in the late 1970s, takes up the theme of solitude from Daniel Defoe’s Robinson Crusoe by focusing on mechanical repetitions of the human voice. On Defoe’s island, the human voice was ‘recorded’ and repeated by Robinson’s parrot, and the parrot’s voice produced in Robinson a sense of alienation. Cortázar’s play narrates Robinson’s and Friday’s return to his now modernized island in the 20th century. Both the form of the radio play itself, and various modern apparatuses, such as loudspeakers, radios, and telephones detach the human voice from its point of origin and produce for Cortázar’s Robinson a sense of profound alienation, even in the middle of a modern city. This alienation, the article argues, is related in Cortázar’s play to the capitalist colonialism which Robinson represents. The play demonstrates that this world produces solitude and argues that Defoe’s novel Robinson Crusoe is the herald of this capitalist modernity. Robinson’s loneliness on his return to the island is contrasted with Friday’s profoundly social experience. Friday immediately makes a connection with the indigenous population on the island and enjoys the city without Robinson. Friday, however, does not return to nature, but instead is able to make the most of the culture of modernity without being absorbed by its alienating effects. When Friday quotes Defoe’s parrot at the end of the play, saying “Poor Robinson Crusoe,” he emphasizes that what Robinson hears from the other is always only his own voice repeated back to him. He is thus unable to exist in a future world in which the colonialist masters of “dirt and smoke” will find themselves lonely and powerless. Cortázar thus produces a Robinsonade that looks to a future without Robinsons
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