1,492 research outputs found
Dialogical Skirmishes
No full textTan was guest editor for 'And Now China?', a special print edition of the Ctrl+P journal, which critically responded to the celebratory rhetoric’s of ‘China Now’ and other celebratory markers of China's global ascent in 2008. As well as the introductory article 'Dialogical Skirmishes', Tan also interviewed Hans Ulrich Obrist
Barb Rosenstock & Erika Meza: Cook Prize 2023, Silver Medal Acceptance Speech
No full textBarb Rosenstock (author) and Erika Meza (illustrator) give an acceptance speech and talk about their book The Mystery of the Monarchs. Published by Alfred A. Knopfhttps://educate.bankstreet.edu/cook/1006/thumbnail.jp
First person – Erika Testa
No full textABSTRACT
First Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Erika Testa is the first author on ‘H2afx and Mdc1 promote maintenance of genomic integrity in male germ cells’, published in Journal of Cell Science. Erika is a PhD student in the lab of Dr Marco Barchi at the University of Rome Tor Vergata, Rome, Italy, investigating meiosis, DNA repair, genome stability of meiotic cells and male fertility.</jats:p
Erika Howsare
No full textPublicity photo submitted by author/presenter for ODU\u27s Annual Literary Festival 2025.https://digitalcommons.odu.edu/litfest_images/1019/thumbnail.jp
Undergraduate Perceptions of Social Media and Meaning Making: Validated Survey Instrument
No full textThis instrument was developed as a part of the Erika E. Smith’s (2016) doctoral thesis, Exploring undergraduate perceptions of meaning making and social media in their learning, completed at the University of Alberta. For more information, please see: https://doi.org/10.7939/R33J39B71 and https://doi.org/10.1186/s41239-017-0049-
Der Andere in der Ethik therapeutischen Handelns - Denkanstöße von Moreno und Lévinas für die Integrative Therapie
No full textDie Autorin stellt zwei philosophisch-ethische Denkansätze vor, die die Ethik der Integrativen Therapie begründen und untermauern: Jakob Levy Morenos „Therapeutische Philosophie“ und Emmanuel Lévinas‘ „Humanismus des anderen Menschen“. Beide vertreten eine Ethik der Verantwortung für den anderen Menschen. Moreno legt den Akzent auf die Verpflichtung des einzelnen zum Einsatz für den Nächsten und zum Handeln für eine gerechte, „therapeutische“ Weltordnung. Lévinas bemüht sich um die Begründung einer unausweichlichen Verantwortung des Einen für den Anderen, die aber dem Anderen seine absolute Autonomie läßt und jedem Bemächtigungsversuch widersteht. Beide Ansätze geben TherpeutInnen wichtige Denkanstöße für die Reflexion ihrer Verantwortung für den Patienten sowie die Deutung und Gestaltung der therapeutischen Beziehung, insbesondere im Hinblick auf das Macht-Ohnmacht-Gefälle zwischen TherapeutIn und PatientIn.The author presents two philosophic approaches, which the Integrative Therapy is based upon. J.L Moreno’s Therapeutic Philosophy and Lévinas‘ ‚Humanism of the Other‘. Both stand for an ethic of responsibility for the other person. Moreno stresses the individual’s obligation of commitment to those who live next to us and of acting for a fair ‚therapeutic‘ world order.Lévinas strives for the substantiation of men’s inescapable responsibility for each other, leaving the other person his/her absolute autonomy without any attempt to take hold of him/her. For therapists both attempts represent important impulses concerning their responsibility for their patients as well as the interpretation and development of therapeutic relationship esp. with regard to the aspect of power-powerlessness between therapist and patient.https://www.fpi-publikation.de/polyloge/11-2003-striedelmeyer-erika-der-andere-in-der-ethik-therapeutischen-handelns/peerReviewedpublishedVersio
Glutamate Receptor Expression After Traumatic Brain Injury In A Rat Model Of Depression
No full textBy Maxon Knott, Neurobiology; Noah Ziemba, University of Pittsburgh; Jennifer McGuire, University of Cincinnati; Erika Correll, University of Massachusetts Amherst
Advisor: Laura Ngwenya
Abstract: Traumatic Brain Injury (TBI) patients with pre-existing psychiatric diagnoses have worse outcomes after TBI but are almost universally excluded from clinical TBI research. In order to study processes that impede recovery in vulnerable individuals, we used the Wistar-Kyoto (WKY) rat. The WKY strain has a behavioral phenotype that recapitulates aspects of human depression. Dysregulation of glutamate signaling is implicated in the etiology of multiple neurobehavioral disorders including major depression. We hypothesized that TBI would impact glutamate signalling more in the WKY rats than the Wistar (WIS) parent strain. We used the lateral fluid percussion model to induce TBI in adult male WKY and WIS rats, with sham controls for each strain. We used Western blotting to determine proteinlevels of_-amino-3-hydroxy-5-methyl-4-isoxazolepropionic acid(AMPA) receptor subunits, GluA1 and GluA2,N-methyl-D-aspartate(NMDA) receptor subunits, GluN2A and GluN2B, and the astrocytic glutamate transporter GLAST in the hippocampus 21 days after TBI. Western blot data were analyzed using two-way ANOVA. We found no effect of strain or TBI on expression of GluA1 or GluA2. Expression of GluN2Awas significantly higher in WKY than WIS rats (p=0.014) but was unaffected by TBI. GLAST expression was also higher in WKY rats (strain, p=0.0315) and not significantly altered by TBI. We found a significant effect of TBI (p=0.018) and an interaction of TBI and strain (p=0.005) on expression of GluN2B. GluN2B protein was significantly increased after TBI in WIS rats compared to WIS sham (p=0.0023) and both WKY groups (WKY sham, p=0.031; WKY TBI, p=0.017). Our data indicate that there are initial difference
Exhibiting cinema in contemporary art /
No full textExplores the emergence of cinema as a primary medium of artistic production, offering an in-depth inquiry into its genesis, its defining features, and its ramifications. Erika Balsom also tackles cinema studies' great disciplinary obsession--namely, what cinema was, is, and will become in a digital future. Rich in theoretical reflections and critical analyses, Exhibiting Cinema in Contemporary Art offers insights into the whole history of cinema from the vantage point of today's art.Includes bibliographical references (pages 227-239) and index.Explores the emergence of cinema as a primary medium of artistic production, offering an in-depth inquiry into its genesis, its defining features, and its ramifications. Erika Balsom also tackles cinema studies' great disciplinary obsession--namely, what cinema was, is, and will become in a digital future. Rich in theoretical reflections and critical analyses, Exhibiting Cinema in Contemporary Art offers insights into the whole history of cinema from the vantage point of today's art.Print version record.JSTO
Magischer Realismus als "verdeckte" Schreibweise, am Beispiel von Erika Mitterer und Gabriel García Márquez
No full textThis study deals with two works, from the perspective of “magic realism”: Cronica unei morþi anunþate by Gabriel Garcia Márquez and Der Fürst der Welt by Erika Mitterer. Magic realism is mostly associated with Latin American literature, especially with the style of Gabriel Garcia Márquez, the 1982 Nobel Prize laureate in Literature. Magic realism techniques are used by the Viennese author Erika Mitterer in the abovementioned historical novel too, in order to render a “camouflaged” writing for avoiding the National Socialist censorship
Perineum: Erika Lopez
No full textErika Lopez is the author of five lavishly illustrated, fictionalized memoirs as well as a postcard book and a performance piece, “Nothing Left but the Smell.” All of her books are road tales of sorts, texts that grapple with the inchoate and often illegible need to assert herself as bi: bi-racial, bi-sexual, bi-cultural, bi-coastal, but also more and different than merely bi (“I contain multitudes,” said Walt Whitman), disrespectful of boundaries, genders, and genres, and unwilling to settle down with one person or one story even when the constant movement and empting out exhausts her. Even worse, in some ways; her narrator is a curly haired, dark-skinned, large woman in a skinny world, an imposingly visible Latina who channels the dominant culture for her own purposes. “Perineum”—which she illustrates in text and image as a set-in-motion, in-between place—is one name for the challenge Erika Lopez presents us. She is too drawn to heterosex for the gay crowd, too elite-educated Quaker lady for pc scholars who share her educational credentials, not ghetto enough for the hood. The perineum is Lopez’s uncomfortable site of enunciation, set in motion and refusing to be pinned down in one place or as one identity
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