144,370 research outputs found
Oraciones panegyricas funebres en las exequias del illustrissimo, y reverendissimo Señor Doctor, y Maestro D. Fr. Antonio de Monroy... que celebrò en los dias 27 y 28 de julio, año de 1716 la Real Vniversidad de Mexico
No full textPorts. con orla tip.Parte del texto a dos col.Sign.: [parágrafo]-2[parágrafo]>4243142<Libitina funebris oratio ad pios manes... Antonij de Monroy... / per D. Ioannem Hernando de Gracia...: 20 p. El trino llanto de la sabia Rachel : la Real Vniversidad de Mexico en la muerte de... Antonio de Monroy... / oracion panegyrica funebre que en sus exequias... predicò don Bartholome Phelipe de Ita y Parra...: 14 h
Dios Solo o Congregación para los intereses de Dios Solo
No full textNo verso da port. : "Se imprime a expensas de el ilustrissimo y reverendissimo Señor D. Fr. Antonio de Monroy, Arzobispo y Señor de Santiago..."Sign. : A-KNo verso da port. viñeta xil. con anagrama da Compañía de Xesú
¡Traiga el palito y cantamos! Everyday life, experiences, and representations of the affective musical practices of the Prieto Monroy family
No full textEste estudio busca comprender la configuración de las prácticas musicales en la cotidianidad de la familia Prieto Monroy. La investigación implicó observar los nodos y la redes entre actores, lugares y espacios, objetos y acciones; identificar patrones y rutinas de escucha, habla e interpretación; y analizar de forma compleja las prácticas musicales de la familia. El estudio de caso alrededor de la música que acontece con y en la familia Prieto Monroy se plantea como una investigación de tipo micro social que aborda el espacio privado, escrita en primera persona. Así, pretende interpelar y ser un punto de perspectiva y reflexión sobre cómo se ha entendido la práctica musical desde los estudios culturales y las ciencias sociales.
A través de la teoría del actor-red y el giro afectivo, la tesis presenta el concepto de prácticas musicales afectivas entendidas como una configuración de relaciones de actores, espacios y lugares, acciones y objetos que suceden con y a
través de la música como fenómeno sonoro. El ensamblaje social que presenta el caso de la familia Prieto Monroy puede mostrar las relaciones y nodos entre agencias conectadas (Latour, 2013), como también es un reflejo de un compendio de emociones y conocimientos que pasan a través del cuerpo y la intersubjetividad (Wetherell, 2012). Los datos se recogieron a través de entrevistas semiestructuradas; observación, participación y entrevista etnográfica; recopilación de fotografías familiares y videos familiares; y la reflexión los recuerdos propios de la investigadora.
Los resultados que presenta esta investigación se establecen en 3 vías principales: la reconstrucción de la historia familiar vista desde el lente de la música, la comprensión de las prácticas entendidas como prácticas musicales afectivas, y la presentación de una perspectiva metodológica que incluye las vivencias propias de la investigadora y que tiene la posibilidad de ser un aporte para las investigaciones musicales desde el eje de la vida cotidiana y el espacio privado. Por lo tanto, el trabajo está constituido con base en el cruce de las trayectorias familiares y la música en la vida cotidiana de cuatro generaciones. Esto se aborda por medio de la noción de los grooves generacionales, que sirven como puntos focales para la comprensión de gustos, prácticas musicales, y usos de lo material a través del tiempo. Adicionalmente, se expone una interpretación de la vida cotidiana en la que se analizan los afectos, las prácticas musicales dentro de la familia, el espacio de la vivienda y sus relaciones, las tecnologías, los instrumentos musicales y la música misma; todo esto de manera compleja. Para ello se apela al análisis de las relaciones entre seres humanos y materialidad, por medio de la idea de la resonancia, la cuál es el resultado de un trabajo de mediación entre lo natural y lo cultural, lo local (música en la vida privada) y lo global (música institucional). (Texto tomado e la fuente)This study aims to understand the configuration of musical practices in the
everyday life of the Prieto Monroy family. The research involved observing the nodes
and networks among actors, places and spaces, objects, and actions; identifying
patterns and routines of listening, speaking, and interpretation; and conducting a
complex analysis of the family's musical practices. The case study revolving around
music that occurs with and within the Prieto Monroy family is proposed as a
microsocial research conducted within the private sphere, written in the first person.
Thus, it intends to challenge and provide a perspective and reflection on how musical
practice has been understood from cultural studies and social sciences. Through the actor-network theory and the affective turn, the thesis introduces
the concept of affective musical practices, understood as a configuration of
relationships among actors, spaces and places, actions, and objects that occur with
and through music as a sound phenomenon. The social assemblage presented by the
case of the Prieto Monroy family can reveal the relationships and nodes among
connected agencies (Latour, 2013), as well as reflect a compilation of emotions and
knowledge that pass through the body and intersubjectivity (Wetherell, 2012). Data
was collected through semi-structured interviews; observation, participation, and
ethnographic interviews; collection of family photographs and family videos; and the
reflection on the researcher's own memories. The results presented by this research are established in three main analisys
pathways: the reconstruction of family history seen through the lens of music, the
understanding of practices as affective musical practices, and the presentation of a
methodological perspective that includes the researcher's own experiences and has
the potential to contribute to musical research from the perspective of everyday life
and private space. Therefore, the work is based on the intersection of family
trajectories and music in the everyday life of four generations. This is addressed
through the notion of generational grooves, which serve as focal points for understanding tastes, musical practices, and the use of material over time.
Additionally, an interpretation of everyday life is presented in which affections,
musical practices within the family, the living space and its relationships,
technologies, musical instruments, and music itself are analyzed; all of this in a
complex mode. This involves the analysis of relationships between humans and
materiality, through the idea of resonance, which is the result of a mediation between
the natural and the cultural, the local (music in private life) and the global (institutional
music).MaestríaMagisterEtnografí
FIGURE 1. Salacia juradoi Cornejo & Lombardi. A in Salacia juradoi (Celastraceae), a new species from coastal Ecuador
No full textFIGURE 1. Salacia juradoi Cornejo & Lombardi. A, Terminal branchlet with petioles and leaf bases, adaxial view; B, A leafy ramiflorous branch, abaxial view; C, Light-orange mature flowers and flower buds; D, Light-green mature flowers from a same population; E, Immature fruit; F, Mature fruit. Photographs taken from the holotype, X. Cornejo 9359 (GUAY).Published as part of Cornejo, Xavier & Lombardi, Julio A., 2021, Salacia juradoi (Celastraceae), a new species from coastal Ecuador, pp. 125-130 in Phytotaxa 524 (2) on page 126, DOI: 10.11646/phytotaxa.524.2.8, http://zenodo.org/record/564211
Revisit Quinta Monroy
No full textDespite the lofty ambitions of Elemental, in giving agency to the residents, the aspirations for Quinta Monroy failed to appreciate the perils of the informal
Eschweilera podoaquilae Cornejo 2023, sp. nov.
No full text<i>Eschweilera podoaquilae</i> Cornejo, <i>sp. nov.</i> (Fig. 1) <p> New species of <i>Eschweilera</i>, similar to <i>E. rimbachii</i> Standl., <i>E. pachyderma</i> Cuatrec., and <i>E. awaensis</i> Mori & Cornejo, but differs from all those species by the irregularly and transversely sulcate and tuberculate thick pedicels, the tuberculate hypanthium, and the densely verruculose sepals.</p> <p> <b>Type:</b> — ECUADOR. Santo Domingo de los Tsáchilas: Centinela, área norte de las montañas de Ila, Parroquia El Esfuerzo, comuna Polanco, Cascadas Las Rocas, 0°28’S, 79°11’W, 560 m, 20 Mar 2022 (fl), <i>X. Cornejo, J. L. Clark & C. Restrepo 10032</i> (holotype: GUAY!, isotype QCA!).</p> <p> <i>Tree</i> to 25 m tall and 60 cm DBH, the branches ± horizontal, the bark richly lenticellate, the trunk with low, thick, poorly developed buttresses. <i>Young branches</i> glabrous, abundantly lenticellate. <i>Leaves</i>: shortly petiolate, the petioles slightly rimulose, shallowly channeled adaxially, rounded abaxially, hemispherical in cross section, 20–25 × 6–7 mm (fresh), glabrous; blades mostly oblong-elliptic, sometimes lanceolate-elliptic, 35–70 × 11–20 cm, chartaceous, with abundant black punctations abaxially, the base usually obtuse to truncate, occasionally cuneate, the margins entire, the apex acuminate to shortly caudate; venation brochidodromous, the midrib prominent adaxially, markedly salient abaxially, glabrous, the secondary veins in 30–60 pairs, slightly prominent adaxially, salient abaxially, intersecondaries present, the marginal vein conspicuous, the tertiary veins reticulate. <i>Inflorescences</i> terminal, axillary and ramiflorous, unbranched to paniculate, the rachis 4–25 cm long, stout, erect to suberect, glabrous, lenticellate; pedicels 7–13 × 4–7 mm (fresh), transversely sulcate, tuberculate and lenticellate, glabrous, grayish-brown to purplish or purple (fresh); flower buds purplish-black (fresh). Floral bracts absent from flower buds. <i>Flowers</i> ca. 7.5 cm diam. (fresh), ca. 5 cm diam. (dry); hypanthium tuberculate and lenticellate, glabrous; calyx with 6 lobes, the lobes ovate to triangular, 4–6 × ca. 5 mm (fresh), ascendant at anthesis, densely lenticellate-verruculose and purple (fresh) abaxially, the bases valvate, arising from fused calyx rim; petals 6, obovate to broadly obovate, 2.5–3.5 × 1.5–2 cm, pink; androecial hood with three coils, ca. 2.5 cm across, pink (fresh); vestigial stamens on outside of coils; staminal ring with ca. 200 stamens, the filaments 1.5–2 mm long (fresh), clavate, the anthers 0.5–0.7 mm long (fresh); ovary 2-locular, the summit flat, the ovules pendulous, the style ca. 4 × 1.7 mm, stout, distinguished from ovary summit, the stylar collar absent. <i>Fruits</i> and <i>seeds</i> not seen. Old operculum collected from ground, ca. 13 cm in diam.</p> <p> <b>Discussion:</b> — <i>Eschweilera podoaquilae</i> resembles <i>E. rimbachii</i> and <i>E. pachyderma</i> but the irregularly and transversely sulcate thick pedicels, the tuberculate hypanthium, and the densely verruculose sepals are not a feature of either of these species (Mori <i>et al.</i> 2015). The fruit at maturity reaches ca. 20 cm diam. (com. pers. in the field), that is among the largest fruits of any <i>Eschweilera</i> s.l. in the Neotropics (op. cit.).</p> <p> <b>Etymology:</b> —The epithet refers to the irregularly and transversely sulcate and tuberculate thick pedicels, the tuberculate hypanthium, and the densely verruculose sepals that resemble an eagle or rapax bird foot.</p> <p> <b>Common names:</b> —Unknown.</p> <p> <b>Habitat and distribution:</b> —A medium size to subcanopy tree of extra Andean premontane wet forests, on welldrained soils, at southernmost Choco biogeographic region. Known only from northwestern Ecuador in the Centinela area at north of montañas de Ila and in Bilsa Biological Station, from 400–600 m elevation.</p> <p> <b>Phenology:</b> <i>—</i> Flowers have been collected from March to May.</p> <p> <b>Conservation status:</b> — <i>Eschweilera podoaquilae</i> is known from two localities in the provinces of Santo Domingo de los Tsáchilas and Esmeraldas, both separated ca. 110 km from each other in northwestern Ecuador. As the area of occupancy of the species is less than 5.000 km 2 with up to five populations seen in the field and due to the steady deforestation in the region transforming forests in pastures (Dodson & Gentry 1991, Pitman <i>et al.</i> 2022; pers. obs.), it is suggested that this new species be assigned as Endangered (EN) following the IUCN criteria B2 ab(iii) (IUCN, 2022).</p> <p> Surprisingly, <i>Eschweilera podoaquilae</i> is one of those species that were not collected or recorded by Calaway Dodson and Alwyn Gentry during their fieldwork for the flora of Centinela (Dodson & Gentry 1991). This case, similar to that of <i>Amyris centinelensis</i> Cornejo (2009:161, Rutaceae), that to the present is known only by the type gathered by D. Rubio and W. Alverson from Centinela remnants in 1990; and the recently discovered <i>Epidendrum monicarmasiae</i> Cornejo & Hágsater (2022:1956, Orchidaceae), known only by the type, and also missed by Dodson and Gentry, plus two yet unpublished new species of Gesneriaceae (J.L. Clark, pers. com.), all found for first time in 2022 from montañas de Ila and environs in Centinela, strongly suggest that an indeterminate number of species could have been driven to extinction due to the massive and steady deforestation without being collected, and confirms that many native and endangered species still survives there, e.g. <i>Gasteranthus extinctus</i> L. E. Skog & L.P. Kvist (2000: 65, Pitman <i>et al.</i> 2022, obs. pers.). Therefore, further exploration, additional collection efforts, and urgent programs of conservation and management including <i>Eschweilera podoaquilae</i>, the aforementioned species, and others endangered in similar condition from the very fragmented remnants of native vegetation of Centinela are needed.</p> <p> <b>Paratypes:</b> — ECUADOR. Esmeraldas: Bilsa Biological Station, Mache mountains, 35 km W of Quinindé, premontane wet forest, mature forest along rana roja trail, 79°44’W 0°21’N, 400–600 m, 5 May 1995 (fl), <i>J</i> <i>.</i> <i>L. Clark & C. Watt 799</i> (MO!, NY!, QCNE!, US [2]!); Río Ducha, 79°44’W 0°21’N, ca. 500 m, 16 Oct 2009 (old fr), <i>X. Cornejo & A. Macías 8170</i> (GUAY!, MO!, NY!).</p>Published as part of <i>Cornejo, Xavier, 2023, Eschweilera podoaquilae: A new species of Lecythidaceae from northwestern Ecuador, pp. 139-142 in Phytotaxa 579 (2)</i> on pages 139-141, DOI: 10.11646/phytotaxa.579.2.8, <a href="http://zenodo.org/record/7543161">http://zenodo.org/record/7543161</a>
The City of Orem, Plaintiff, vs. Jonathon D. Cornejo, Defendant : Brief of Appellant
Full text linkTHE CITY OF OREM, Plaintiff, vs. JONATHAN D. CORNEJO, Defendant. Appellate No. 20021030-CA Trial Court No. 021201235 Priority No.
FIGURE 1. Xanthosoma gratiae Cornejo & Croat. A in Xanthosoma gratiae (Araceae), a new species from the cordillera ChongónColonche in coastal Ecuador
No full textFIGURE 1. Xanthosoma gratiae Cornejo & Croat. A, Inflorescence with closed spathe tube, anterior view; B, Inflorescence with open cut spathe tube, anterior view; C, Spathe, note the yellowish-green color at upper two thirds, posterior view; D, Fertile stamens; E, Close up of inner spathe tube exhibiting translucent microdroplets of glandular exudate; F, Plant with fully mature ovate-cordate leaves in an open environment in the type locality; G, Close up of pistillate inflorescence and lower staminodes, note the full green color of spathe tube inside, anterior view.Published as part of Cornejo, Xavier & Croat, Tom, 2022, Xanthosoma gratiae (Araceae), a new species from the cordillera ChongónColonche in coastal Ecuador, pp. 237-242 in Phytotaxa 558 (2) on page 240, DOI: 10.11646/phytotaxa.558.2.7, http://zenodo.org/record/700302
City of Orem, Plaintiff/Appellee, v. Jonathan D. Cornejo, Defendant/Appellant : Brief of Appellee
Full text linkCITY OF OREM, Plaintiff/Appellee, v. JONATHAN D. CORNEJO, Defendant/Appellant. APPELLEE\u27S BRIEF Appellate No. 20021030-CA Trial Court No. 021201235 Priority No.
Capparis daknongensis (Capparaceae), a new species from Vietnam
No full textCapparis daknongensis D.T. Sy, G.C. Tucker, Cornejo & Joongku Lee, a new species of Capparaceae from Dak Nong province, Vietnam, is described and illustrated. It is morphologically similar to C. khuamak, but differs in having pruinose twigs, fewer stamens, longer filaments and gynophore, and a different fruit morphology.open
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