3,745 research outputs found
Risk in Recovery: Views of Non-Executive Directors of UK Building Societies
No full textThis research report originated from general discussions regarding the difficult and
challenging role of Non-Executive Directors within and following on from the recent
financial crisis. Parallel discussions centred on the various mutual sectors and the
challenges, and opportunities that various mutual organisations might face as a ‘new
dawn’ begins to arise within the financial services industry. Building Societies represent
a very significant and long-standing mutual ‘force’, and the irony of seeing at the
centre of the UK’s financial woes the demise of former Building Societies all made for a
further research interest
Stephanie Mathson interviews poet and author Judith Kerman
No full textPoet and author Judith Kerman talks about her experience as a Fulbright scholar in the Dominican Republic, her work translating poems by Cuban poet Dulce Mar\ueda Loynaz, learning Spanish, translating poems from Spanish, and her book "Retrofitting Blade Runner". Kerman is interviewed by Stephanie Mathson of the Michigan State University Libraries. Part of the MSU Libraries' Michigan Writers Series
Poet and author Judith Kerman reads her selected works at the Michigan Writers Series
No full textPoet and author Judith Kerman reads selected poems, including the English translation of poems by Cuban poet Dulce Mar\ueda Loynaz, and answers questions from audience. Kerman is introduced by Michigan State University Librarian Jeanne Drewes. Part of the MSU Libraries' Michigan Writers Series. Held in the Main Library
A reappraisal of Donatello’s bronze Judith and Holofernes
No full textDonatello’s bronze grouping, Judith and Holofernes, has been variously described as ‘a metaphor Medici rule’, as a symbol of the female hero usurped by patriarchal agendas, and a representation of the Florentine Republic. The relocations of the sculpture have given rise to much debate in terms of its changing roles, interpretations and significance as an adaptable icon for differing political agendas. In this presentation, I will place the sculpture in its original setting and seek to understand the psychological importance for the patron as I assert it to be. I will argue that the intention of Cosimo de’Medici was neither to present a statement of Medici rule, nor to implicate the family within the ideals of the Florentine state while simultaneously undermining the limited democracy of the republic. Rather, in keeping with the religious drives of the period and within Europe, in keeping with Cosimo’s fear of damnation, his philosophical outlook and discussions and his expansive reading habits; I will look to re-examine and reposition the debates which surround the sculpture and allow for it to be viewed as a religious and spiritual engagement between the patron and the work in the setting in which it was intended to be seen and interacted with. I will explore Cosimo’s attachment to the garden as a contemplative arena. The view of Alberti and Colonna that sees the garden as a “metaphorical and metaphysical” space where one can “commune with God” and the Christian tradition of the garden as a “spiritual, sacred” place lends additional weight to the argument that Cosimo did use this garden as just such a contemplative retreat within the confines of the city. The garden allowed him to both engage in his religious thoughts and his Neo-Platonic musings
The question of gendered voice in some contemporary Irish novels by Brian Moore and John McGahern
No full textThis thesis questions the use of the 'voice' metaphor in contemporary Irish cultural studies in order to examine
the ways in which gendered identities are constructed in some Irish Catholic communities in twentieth-century
Ireland. With reference to novels by Brian Moore and
John McGahern as well as to Judith Butler's theories of performativity and citational practices, it argues that gendered identities are constructed through the repetitive citation of hegemonic cultural discourses. This thesis
focuses on the ways in which gendered identities are produced and maintained through the citation of the official discourses of the Catholic Church and the State as
well as the more mundane discourses related to popular nationalism and the family.
The first two chapters concentrate on novels whose protagonists are trying to construct powerful identities in urban Irish society through the manipulation of gendered discourses. The discussion of Moore's The Lonely Passion of Judith Hearne identifies some of the strategies through which conventional Irish women's voices are constructed
and questions the validity of the category of 'authentic' women's voices. In the chapter relating to McGahem's The
Pornographer, the powerful, abstract male voice is exposed as a performative construct which is sustained only through the abjection of those elements which disrupt the narrator's performance of masculinity.
The remaining chapters concentrate on the use of idealised images such as those of the 'woman-as-nation' and the iconised mother in novels by Moore and McGahem. Moore's The
Mangan Inheritance provides the basis for a discussion of whether or not voices attributed to women in texts by Irish men can be read in ways that disrupt the apparent authority of Irish men's voices. This thesis discusses the issues
raised when men participate in the deconstruction
of idealised images of Irish women. The final chapter examines the processes through which conventional identities are discursively constructed and maintained in two novels by John McGahem: The Dark and Amongst Women. This thesis contends that through the strategic
redeployment of those voices attributed to idealised images of Irish women, voices which are conventionally regarded
as silent, patriarchal gendered identities can be destabilised or displaced
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Michel Foucault and Judith Butler: troubling Butler's appropriation of Foucault's work
No full textOne of the main influences on Judith Butler‘s thinking has been the work of Michel Foucault. Although this relationship is often commented on, it is rarely discussed in any detail. My thesis makes a contribution in this area. It presents an analysis of Foucault‘s work with the aim of countering Butler‘s representation of his thinking. In the first part of the thesis, I show how Butler initially interprets Foucault‘s project through Nietzschean genealogy, psychoanalysis and Derridean discourse, and how she later develops this interpretation in line with the progress of her own project. In the main part of the thesis, I present an analysis of Foucault‘s thinking in the period from The Archaeology of Knowledge (1969) to The History of Sexuality volume 1 (1976). This analysis focuses on the aspect of his work which has most influenced Butler‘s thinking: namely the notion of a relationship between knowledge, discourse and power. The other issues in his work which Butler addresses—genealogy, the subject, the body, abnormality, and sexuality—are discussed within this framework. I show how, in the early 1970s, Foucault develops the notion of power-knowledge, and sets out a relationship between power-knowledge and discourse which is overlooked by Butler. I argue that Butler interprets Foucaultian power through the notions of repression and social norms, and ignores the concepts of technology and strategy which form a key part of Foucault‘s thinking. I show how, from The Archaeology of Knowledge on, Foucault develops a socio-historical ontology and a genealogy of the subject, both of which are at variance with Butler‘s interpretation of his thinking
Cwbr Author Interview: Sex And The Civil War: Soldiers, Pornography, And The Making Of American Morality
No full textInterview with Judith Giesberg, author of Sex and the Civil War: Soldiers, Pornography, and the Making of American Morality Interviewed by Tom Barber Civil War Book Review (CWBR): Today the Civil War Book Review is pleased to speak with Judith Giesberg, Professor of History at Villanova Un...
Judith Butler, race and education
No full textThis book provides an analysis of race and education through the lens of the work of Judith Butler. Although Butler tends to be best known in the field of education for her work on gender and sexuality, her work more broadly encompasses the functioning of power and hegemonic norms and the formation of subjects, and thus can also be applied to analyse issues of race. Applying a Butlerian framework to race allows us to question its ontological status, while considering it a hegemonic norm and a performative notion which has a significant impact on real lives. The author considers the implications of Butler’s thinking for debates; addressing diverse contemporary educational issues in which race continues to be (re)produced, such as the formation of leaner identities, the production of the good citizen, raising student aspirations, counter terrorism and surveillance in education, and qualitative research in education
Judith Cohen, art historian and author of Cowtown Moderne
No full textAuthor and art historian Judith (Judy) Cohen sits on a reproduction Le Corbusier chaise from her personal collection of Art Deco style pieces. The railing seen behind her is made from a decorative grill from the restaurant in the Striplings building and the grate on the wall in the background is from the Aviation Building, which was located at Seventh and Main streets. She is the author of the book Cowtown Moderne.https://mavmatrix.uta.edu/specialcollections_startelegram1990s/1123/thumbnail.jp
- …
