1,721,024 research outputs found
Un musée remarquable. Il contributo del collezionismo ottocentesco alla raccolta di smalti dipinti del Museo Artistico Municipale
No full textGirolamo da Treviso il Giovane, Bottega lombarda, Botteghe lombarde, Bottega lombarda-Giacomo Campi, Giovanni-Bernardo-Antonio Marinoni, Bottega lombarda, Bottega lombarda
No full text"Per il Nostro Re." Artefici e soluzioni decorative
No full textIl contributo, pubblicato in un volume dedicato alla Cappella Espiatoria di Monza nel centenario della sua edificazione, ne indaga l'apparato decorativo nel solco della tradizione lombarda del cantiere e con il contributo delle manifatture di eccellenza
Domenico Aspari, Giovanni Antonio Antolini, Giuseppe Caniani, Andrea Appiani, Antonio Canova, Giuseppe Bossi, Luigi Cagnola-Ferdinando Albertolli, Luigi Viganò, Piccio (Giovanni Carnovali), Giuseppe Diotti, Francesco Podesti, Angelo Inganni
No full textLes manufactures artistiques milanaises et Eugène
No full textA partire dalla figura di Eugène de Beauharnais e al ruolo svolto in qualità di viceré d'Italia, il saggio, basato su fonti archivistiche italiane e francesi (anche inedite), analizza lo stato delle manifatture milanesi all'inizio dell'Ottocento, mettendo in evidenza lo sforzo di rinnovamento delle industrie artistiche sotto il profilo della realizzazione e della promozione dei prodotti e il ruolo (diretto e indiretto) svolto dalla corte francese nella formazione di un gusto aggiornato sui modelli europei (insieme alle reciproche influenze)
Marco d'Oggiono, Giovan Pietro Rizzoli detto il Giampietrino, Bernardino Lanino, artista fiorentino
No full text
Art for Sale and Display: German Acquisitions from the Spitzer Collection “Sale of the Century”
No full textThis paper explores the dispersal of the collection of decorative arts of the dealer and collector Frédéric Spitzer and its success among German collections and museums. It outlines a vivid depiction of the 19th century art collecting practices, offering clues to the role played by the dispersal of artworks and artefacts in shaping canons of taste and value together with museums’ authorities.
Experts from all over Europe could not miss the opportunity to get their hands on some of Spitzer’s celebrated treasures being put on sale in 1893. The sale was soon heralded as the “Sale of the Century”.
Making an acquisition from the Spitzer collection was regarded as invaluable investment. Although in 1893 a few critical voices arose out of the general acclaim much of the contemporary accounts were uncritical, building up the “myth” of the Spitzer collection as an unparalleled collection of decorative arts. Sitting alongside the collector George Salting, Wilhelm von Bode attended the auction on behalf of the German museums, with the goal of making his country a leader in the international world of museums. Bode was ideal for this role as he had known Spitzer since 1870s. He also enjoyed Spitzer’s personal trust within his broader circle of scholars.
Events related to the Spitzer’s sale witness how German curators were able and buy key artworks for their museums, applying a kind of combination of private and public funds. The role of private collectors in the sale is tough to fully understand given fluid borders between private and public interests
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