8,512 research outputs found
Velocity / Im-Pressed Series issue #2
No full textThis is the second publication in the Im-Pressed series that aims to research and explore the territory between analogue and digital typography and language. The pursuit of the publication is celebratory in tone and aims to probe beyond the obvious in terms of content generation and production. The publication provides a research platform for new work produced in direct response to relevant themes by individuals who are pioneers in the subject area and forging us to engage with new typographic routes of communication and visual genres.
The content creation will involve innovative analogue to digital / digital to analogue thinking and processing which will result in visual material that could not be conceived, manifest and ultimately be produced in entirety of either domain. This will be an opportunity to create true fusions between co-existing domains that can inform, evolve and progress the understanding of each area within this field of design
Atomic / Im-Pressed series issue #3
No full textIssue #03 of the Im-Pressed series entitled 'Atomic'. Designed, edited and produced by Tim Hutchinson and Alex Cooper with contributions from a range of writers and designers. This issue explores the atomic theme against a backdrop of sustainability and climate change. Relevant history and human values are interrogated through the use of typography and language
MODUS
No full textA book publication charting the development of the MODUS typographic project by C+H Research since 2016. The book contains documentation of a number of workshops in the UK and over the USA. The MODUS type system was developed to challenge the process of conventional type forms and to look at potential speculative language system of the future
Sarah Turner - eco-artist and designer through craft-based upcycling
No full textSarah Turner is an eco-artist and designer who practices craft-based upcycling with waste plastic bottles and cans to create lighting, sculpture and decorative home interior products. Since 1998, her enthusiasm, creativity and good will have allowed her to gain several high-profile client commissions and to win awards from design, innovation and business competitions. The aim of this portrait is to introduce Sarah’s work and shed light on the resources, knowledge and skills involved in her practice and on the barriers to and drivers for her craft-based upcycling. We consider that Sarah’s work could be one of the stepping stones for a shift towards more sustainable craft practice, both in the United Kingdom and beyond. By exploring the right ingredients for craft-based upcycling, barriers liable to be faced and key drivers that stimulate motivation, we hope that this portrait will inspire and attract more designers and makers to embed upcycling in their future practice
Greg Cornwell and Professor Tim Flannery shaking hands at the 2008 Kenneth Myer Lecture "Climate change: an update to July 2008" presented by Tim Flannery at the National Library of Australia, Canberra, 15 July 2008 [picture] /
No full textPart of the collection: Photographs of the 2008 Kenneth Myer Lecture, "Climate change: an update to July 2008" presented by Tim Flannery at the National Library of Australia, Canberra, 15 July 2008.; Title devised by cataloguer based on information from acquisition documentation.; Acquired in digital format; access copy available.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia, 2008
Professor Tim Flannery presenting the 2008 Kenneth Myer Lecture "Climate change: an update to July 2008" at the National Library of Australia, Canberra, 15 July 2008 [picture] /
No full textPart of the collection: Photographs of the 2008 Kenneth Myer Lecture, "Climate change: an update to July 2008" presented by Tim Flannery at the National Library of Australia, Canberra, 15 July 2008.; Title devised by cataloguer based on information from acquisition documentation.; Acquired in digital format; access copy available.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia, 2008
Baillieu Myer, Professor Tim Flannery, the Honourable Peter Garrett and Sarah Myer at a reception following the 2008 Kenneth Myer Lecture "Climate change: an update to July 2008" presented by Tim Flannery at the National Library of Australia, Canberra, 15 July 2008 [picture] /
No full textPart of the collection: Photographs of the 2008 Kenneth Myer Lecture, "Climate change: an update to July 2008" presented by Tim Flannery at the National Library of Australia, Canberra, 15 July 2008.; Title devised by cataloguer based on information from acquisition documentation.; Acquired in digital format; access copy available.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia, 2008
Martyn Myer, Professor Tim Flannery, Louise Myer and the Honourable Peter Garrett at a reception following the 2008 Kenneth Myer Lecture "Climate change: an update to July 2008" presented by Tim Flannery at the National Library of Australia, Canberra, 15 July 2008 [picture] /
No full textPart of the collection: Photographs of the 2008 Kenneth Myer Lecture, "Climate change: an update to July 2008" presented by Tim Flannery at the National Library of Australia, Canberra, 15 July 2008.; Title devised by cataloguer based on information from acquisition documentation.; Acquired in digital format; access copy available.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia, 2008
Aggregates Industry in the Trent Valley: A History and Archaeology
No full textThe 'Aggregates Industry in the Trent Valley: A History and Archaeology' project was undertaken by Tim Cooper of the ARCUS University of Sheffield and funded through the Aggregates Levy Sustainability Fund as distributed by English Heritage. The project takes a different approach to previous archaeological work in the Trent valley in that it takes the aggregates industry itself as the object of study. The project provides a detailed account of a regionally significant industry, and contributes to an understanding of the multifarious issues related to gravel extraction at national level
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