13,685 research outputs found

    Sarah Turner - eco-artist and designer through craft-based upcycling

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    Sarah Turner is an eco-artist and designer who practices craft-based upcycling with waste plastic bottles and cans to create lighting, sculpture and decorative home interior products. Since 1998, her enthusiasm, creativity and good will have allowed her to gain several high-profile client commissions and to win awards from design, innovation and business competitions. The aim of this portrait is to introduce Sarah’s work and shed light on the resources, knowledge and skills involved in her practice and on the barriers to and drivers for her craft-based upcycling. We consider that Sarah’s work could be one of the stepping stones for a shift towards more sustainable craft practice, both in the United Kingdom and beyond. By exploring the right ingredients for craft-based upcycling, barriers liable to be faced and key drivers that stimulate motivation, we hope that this portrait will inspire and attract more designers and makers to embed upcycling in their future practice

    Sarah Cooper petition for release, 1899

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    Sarah Cooper, an inmate in Fort Smith, applied to be released on October 7, 1899. The letter was sent to U.S. Commissioner Armistad, and witnessed by F. R. McKibben. Cooper had been imprisoned for 135 days, minus some time for good behavior. She also served an additional thirty days to negate a fine of 101 dollars. She cited Section 1042 of the revised statutes of the United States because she lacked the money or resources to pay the fine.This letter is a record of a female inmate at the jail in Fort Smith. It is interesting to note that inmate Rodman, who sent a nearly identical application for release, also served 30 days to liquidate a fine of 250.Coopersfinewas250. Cooper’s fine was 101 dollars. The disparity is not explained in the applications.125 DEPARTMENT OF JUSTICE. United States Marshal's Office, Western District of Arkansas, SOLOMON F. STAHL, Marshal. Fort Smith, Ark., Oct 7th 1899 Hon H B Armistad U S Commissioner D Sir On the 19th day of May 1899 I was sentenced by Commissioner B [F] Hackett of the Central District I T. to serve a term of 135 days and a fine of $101.00. I have served in the U S Prison of Fort Smith Ark, the said term of 135 days less good time, and thirty days additional solely for the purpose of liquidating the said fine, and being unable to pay said fine and not having property of any kind whatever excuding Thirty Dollars, nor any real or personal property subject to execution as specified in section 1042 revised statutes of the United States. I hereby make application to be released from imprisonment Very Respct Her Sarah x Cooper mark Witness F R McKibbe

    Mary Ann Cooper and Isaac Cooper to Sarah Sabina Kean and Peter Kean, November 17, 1817

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    Mary Anne Cooper wrote from Cooperstown, NY, to Sarah Sabina Kean, her sister, addressed to Elizabethtown, NJ. Mary gave updates on their family including an upcoming wedding and children. She mentioned in the beginning of the letter she is concerned for the health of Jacob Morris Kean. At the end of the letter Isaac Cooper, Mary\u27s husband, wrote a short note to Peter Kean, Sarah\u27s husband, about payment for the wine he purchased. People Included:Richard, Miss Johnson, Miss Upton, miss Francis, Mary Cox Morris, Jacob Morris, Lee Morris, Mrs. Lee Morris, Hannah Morris, Nancy Pomeroy, Elizabeth Renimore, John F. Cox, Mary Green, Elizabeth Green Places Included: Albany, NYhttps://digitalcommons.kean.edu/lhc_1810s/1094/thumbnail.jp

    Sarah Fielding: Satire and Subversion in the Eighteenth-Century Novel

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    This study of Sarah Fielding (1710―68) is an original contribution to Fielding scholarship that has a dual purpose: to support those who are striving to re-introduce her to the modern literary landscape in an effort to restore her eighteenth-century literary standing, and to firmly establish Fielding as an early feminist writer. It is argued here that throughout her oeuvre Fielding challenged prevailing traditions that denied women a choice, particularly in education, employment and marriage. These themes are also considered in the political treatises of Mary Astell (1666―1731) and Mary Wollstonecraft (1759―97), who are now widely recognised as feminist writers. It is further argued that Fielding’s subversion in fiction of the English patriarchal system is underscored by her unorthodox performance in the literary arena. This is fully explored alongside her use of sentimentalism as a literary tool with which she challenges her seemingly inhumane society. Fielding’s interest in ‘the Labyrinths of the Mind’ (in modern terms, human psychology) will also be addressed as will her placement in the history of feminism and her placement in the sentimental novel tradition. Fielding’s performance as a literary critic will be compared with the few female authors who, like her, dared to publish literary criticism during her writing career. Accordingly, extracts from Fielding’s novels and her two critical pamphlets will be thoroughly examined. An updated biography of Fielding that is also included here will provide evidence for a further claim, that her fiction is autobiographical in part. A comprehensive account of Fielding’s performance as a literary critic forms the final chapter of this work. It is the first full-length examination of her contribution to the genre and includes an appraisal of her recently unearthed critical pamphlet entitled A Comparison Between the Horace of Corneille and The Roman Father of Mr. Whitehead (1750) that is yet to be formerly attributed to her. Ultimately this study of Fielding will go far beyond what has previously been written about this remarkable eighteenth-century author, particularly regarding her feminist activity

    Sarah Sabina Kean to Isaac Cooper, May 2, 1817

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    Sarah Sabina Kean wrote from Ursino to Isaac Cooper, her brother-in-law, addressed to Cooperstown, Otsego, NY. Isaac and Peter had previously agreed to split an order of wine from Maderia and Sarah wrote to let him know that it had arrived. People Included: Peter Philip James Kean, Susan Ursin Niemcewicz, Mr. Proctor, Bradish, Mr. Reahs, Mary Ann Morris Cooper, Major McPherson, Mrs. General Giles Places Included: Madeira, Savannah, GA, New York, NY, Southern Francehttps://digitalcommons.kean.edu/lhc_1810s/1087/thumbnail.jp

    Certificate of Death: Cooper, Sarah

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    State of Florida death certificate for Mrs. Sarah Cooper, age 41. Handwritten notes on back

    The 'true use of reading' : Sarah Fielding and mid eighteenth-century literary strategies.

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    PhDThe aim of this thesis is to explore, by examining her life and works, how Sarah Fielding (1710-68) established her identity as an author. The definition of her role involves her notions of the functions of writing and reading. Sarah Fielding attempts to invite readers to form a sense of ties by tacit understanding of her messages. As she believes that a work of literature is produced through collaboration between the writer and the reader, it is an important task in her view to show her attentiveness toward reading practice. In her consideration of reading, she has two distinct, even opposite views of her audience: on the one hand a familiar and limited circle of readers with shared moral and cultural values and on the other potential readers among the unknown mass of people. The dual targets direct her to devise various strategies. She tries to appeal to those who can endorse and appreciate her moral values as well as her learning. Her writings and letters testify that she is sensitive to the demands of the literary market, trying to lead the taste of readers by inventing new forms. The thesis opens with an overview of Sarah Fielding's career, followed by a consideration of her critical attention to the roles of reading. I go on to examine the narrative structures and strategies she deploys, with a particular emphasis on her use of the epistolary method. The following chapter deals with her attention to the reading of the moral message tangibly embodied in her educational writing. It is followed by an analysis of the activity which earned her a reputation as a learned woman. Various as the forms of her works are, they invariably reflect her attempt to balance herself between the two demands of inventiveness and familiarity

    Peter Kean and Sarah Kean to Isaac Cooper, June 3, 1813

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    Peter and Sarah Kean wrote from Ursino to Isaac Cooper, their brother-in-law, addressed to Cooperstown, NY. They planned on visiting soon as Sarah missed Ostego. People Included: Catherine (Kitty), The General (possibly Jacob Morris), Mary Cooper, Mrs. Pomeroy Places Included: New York, Ostegohttps://digitalcommons.kean.edu/lhc_1810s/1038/thumbnail.jp

    First person - Sarah Alghamdi

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    ABSTRACT First Person is a series of interviews with the first authors of a selection of papers published in Disease Models & Mechanisms, helping early-career researchers promote themselves alongside their papers. Sarah Alghamdi is first author on ‘ Contribution of model organism phenotypes to the computational identification of human disease genes’, published in DMM. Sarah is a PhD student in the lab of Robert Hoehndorf at King Abdullah University of Science and Technology, Thuwal, Saudi Arabia, investigating artificial intelligence, specifically knowledge representation and reasoning over biomedical data

    Portrait of the English anthropologist Gregory Bateson, New Guinea, 1929 [picture] /

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    Part of the collection: Sarah Chinnery photographic collection of New Guinea, England and Australia.; Gregory Bateson, famous English anthropologist, New Guinea research in Bainings and Sepik, eventually lived and worked in the United States. Author of "Naven" and other works. -- Accompanying notes from family.; Inscription: "1929" -- On label. "Gregory Bateson, 'Naven' and other works" -- In red ink.; Sarah Chinnery no.: Part 2.; Also available in an electronic version via the internet at: http://nla.gov.au/nla.pic-vn4506462
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