9,510 research outputs found
Can we make our homes more bushfire responsive?
Live radio interview with Radio Adelaide, wherein Dr Ian Weir discusses stragegies that home owners can deploy to make their homes safer in bushfires.\ud
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Produced by Jeremy Rochow, Interviewed by Ellie Cooper
Summing up
A summing up of the key themes of the book.Philip Tow, Ian Cooper and Ian Partridgehttp://trove.nla.gov.au/work/15782929
Literature and Religion in Germany 1770-1830
In the period 1770-1830 the progressive dissolution of the antithesis between religious inwardness and Enlightenment critique gave rise to historically unparalleled creativity in German literature and thought. This is also the age in which human subjectivity was decisively redefined by critical and then post-critical Idealism in German philosophy. Between 1770 and 1830 the twin heritages of rationalism in German Idealist philosophy and Pietism in the beginnings of modern biblical criticism came together. In so doing, both decisively affected the vocabulary of German literature and its function as a mode of cultural critique in late eighteenth and early nineteenth-century Germany. The development in German writing from the literature of Empfindsamkeit (Sentimentality) and Sturm und Drang (Storm and Stress) to Romanticism reflects the evolution of a specifically literary idea of inwardness which variously expresses and challenges theological and political constructions of the subject
Portrait of Ian Lindenmayer during an interview at the National Library of Australia, Canberra, 18 May 2009 [picture] /
Title devised by cataloguer based on information from acquisitions documentation.; Acquired in digital format; access copy available online.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia
The Impact of Idealism: The Legacy of Post-Kantian German Thought: Volume 3: Aesthetics and Literature
The first study of its kind, The Impact of Idealism assesses the impact of classical German philosophy on science, religion and culture. This third volume explores German Idealism's impact on the literature, art and aesthetics of the last two centuries. Each essay focuses on the legacy of an idea or concept from the high point of German philosophy around 1800, tracing out its influence on the intervening period and its importance for contemporary discussions. As well as a broad geographical and historical range, including Greek tragedy, George Eliot, Thomas Mann and Samuel Beckett, and key musicians and artists such as Wagner, Andy Warhol and Frank Lloyd Wright, the volume's thematic focus is broad. Engaging closely with the key aesthetic texts of German Idealism, this collection uses examples from literature, music, art, architecture and museum studies to demonstrate Idealism's continuing influence
Trinity Buoy Wharf Drawing Prize 2020:Cooper Gallery, DJCAD, Dundee
Exhibition Dates: 13 November - 19 December 2020The Trinity Buoy Wharf Drawing Prize 2020 exhibition includes 71 drawings by 56 practitioners - including works by students to those by established artists and makers – selected from 4,274 submissions received from across the UK and internationally. Supported by the Trinity Buoy Wharf Trust, the Trinity Buoy Wharf Drawing Prize has been led by its founding Director, Professor Anita Taylor, Dean of Duncan of Jordanstone College of Art and Design at the University of Dundee, since 1994. The 2020 exhibition marks the third year of support for the Trinity Buoy Wharf Drawing Prize by Trinity Buoy Wharf Trust, and the 25th consecutive annual open drawing exhibition held since it was founded in 1994. The independent Selection Panels comprised Sophia Yadong Hao, Principal Curator of Cooper Gallery at University of Dundee; Ian McKeever RA, artist; and Frances Morris, Director of Tate Modern. The Working Drawing display and award was selected by Sir Ian Blatchford, Director of the Science Museum; Piers Gough CBE RA, architect; and Sophie McKinlay, Director of Programme at V&A Dundee.The exhibition includes drawings by artists, designers and makers at all stages of their careers - from students to established artists - located across the UK, as well as in France, Italy, Spain, The Netherlands and Turkey. The selected works create a diverse exhibition that reflects a broad scope of contemporary drawing practice
Inter-generational Justice: Time to tackle our evaluation practice?
This paper propose a more focused discussion of time in relation to IJ with reference to decision making and evaluation methods and approaches (Section 2). It proposes a new Five-generation decision-making framework for giving equal attention to the past, present and the future (Section 3). Finally, it highlights a number of research future steps (Section 4)
Third Agents: Secret Protagonists of the Modern Imagination
"Third Agents: Secret Protagonists of the Modern Imagination" brings together a varied and fascinating range of contributions to explore the role of third agents in the post-Enlightenment literary imagination, including modern narratives such as film. It centres on the figure of 'the third' - conceived imaginatively as a liminal agent transgressing social, cultural and spatio-temporal boundaries, and conceptually as the vital yet often problematic element in theories of discourse that seek to operate beyond binary codes of meaning. This figure is revealed to be a 'secret protagonist' of modernity, neglected by, and eluding the scope of, existing intellectual and literary histories. Contributors to this volume are drawn from diverse theoretical backgrounds, encompassing work in dialectics, psychoanalysis and systems theory. Through their focus on literature and media, they seek to understand how those conceptions of the third relate to imaginative figurations.This volume offers the first comprehensive account of third agency in modern literature and its intellectual and imaginative pre-history. It provides an accessible combination of close readings and theoretical reflection, presenting figures who inhabit in-between territories such as the adventurer, the bastard, the priest, the angel, the adulterer, the poet and the outcast. These figures are read as protagonists in a genealogy of modernity that has not yet been written. The essays here also provide fascinating answers as to why these secret protagonists often became major figures in modern philosophy and literary theory, and give new insights into such writers as Benjamin, Barthes and Derrida
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