6,586 research outputs found
A bush cook, 1895 [picture] /
Title from caption.; Inscription: "A bush cook ; J.S. Allan" -- In ink lower centre.; In: Colonials black & white, 1895.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an3337493-s3
President Cole and Dr. Stuart Cook, President of UMDNJ, 1999
President Cole shakes hands with Dr. Stuart Cook, President of UMDNJhttps://digitalcommons.montclair.edu/memories/1012/thumbnail.jp
Tennessee roads / Jesse Stuart. In Mountain herald / Lincoln Memorial University.
This picturesque poem was written by then-sophomore (and future celebrated author) Jesse Stuart about the roads of Tennessee
No. 617 Stuart Ruckman
Transcript (12, 40 pages) of two interviews by Matt Driscoll with Stuart Ruckman on April 9, 2010, and July 7, 2011Ruckman (b. 1966) was born in Salt Lake City, Utah. Stuart shares how his family, particularly his father, played a significant role in introducing him to the outdoors. Some of his initial explorations included a hike to the top of Mount Olympus when he was five years old, backpacking trips in the Wasatch and Uinta Mountains, and a successful summit attempt on the Grand Teton when he was twelve. Stuart discovered technical rock climbing due to the influence of his older brother Bret, five years Stuart\u27s senior. Bret learned under Dennis Turville, a well-respected Salt Lake climbing instructor. Stuart shares his observations on the Salt Lake climbing community of the late 1970s and 1980s, noting the intimacy of the community, while also pointing out the significant influence of a handful of climbers, including Merrill Bitter, Les Ellison, and Brian Smoot. He briefly describes the proliferation of new-route development in the Wasatch during his first decade in climbing. In collaboration with his brother Bret, Stuart published comprehensive guidebooks on climbing in the Wasatch Mountains. Stuart\u27s contributions as a first-ascensionist and co-author of Rock Climbing the Wasatch Range attest to his lasting impact on Utah climbing. Interview is part of the Outdoor Recreation History Project. Interviewer: Matt Driscol
George MacLeod’s open-air preaching: performance and counter-performance
Stuart Blythe uses the methodology of performance to analyse George MacLeod’s open-air preaching. He points out that MacLeod’s preaching was derived from a theology of the incarnation, and an understanding of the paradoxes and dichotomies of common human life. This preaching, Blythe suggests, was also a counter-performance in the context of outlooks and ideologies inimical to the gospel. The paper raises interesting issues related to preaching as performance, and the further question as to whether or not the life and work of the Church as a whole might now be better understood as a counter-performance.Publisher PD
Equipping Members at First Baptist Church, Centerton, Arkansas to Evangelize and Assimilate Internationals
EQUIPPING MEMBERS OF FIRST BAPTIST CHURCH CENTERTON, ARKANSAS TO EVANGELIZE AND ASSIMILATE INTERNATIONALS
Stuart Allen Bell, D.Min.
The Southern Baptist Theological Seminary, 2016
Faculty Supervisor: Dr. William F. Cook, III
This project seeks to lead First Baptist Church, Centerton, Arkansas, to understand, accept, and act upon their responsibility of reaching the growing international community living in the Northwest Arkansas region. Chapter 1 introduces the need to reach and assimilate internationals into the life and ministry of First Baptist Centerton. Chapter 2 gives a biblical and theological basis for evangelism by examining the commissions of Jesus found in the gospels, as well as a culmination text in Revelation. Chapter 3 deals with theoretical and practical issues associated with evangelism. Chapter 4 describes the details of the project. Chapter 5 evaluates the results of the project, including personal reflections on the project
Cook (Stuart W.) éd Research Plans Formulated at the Research Planning Workshop on Religious and Character Education
Isambert François-André. Cook (Stuart W.) éd Research Plans Formulated at the Research Planning Workshop on Religious and Character Education. In: Archives de sociologie des religions, n°17, 1964. pp. 169-170
Redemption in the work of Francis Stuart
The idea of redemption is central to an understanding of the work
of Francis Stuart. Through an examination of its development and
expression, it is possible to demonstrate the integrity of his work and
its distinctive qualities. Such a demonstration is necessary because
Stuart's writing has been subjected to comparatively little scholarly
inquiry, although reviews of his work, especially that produced since
1949, suggest that it is impressive and important.
First, a general background to Stuart's work, a discussion of the
special problems associated with reading it, and a summary of his corpus
is provided. This indicates that the idea of redemption is important to
his earliest writing. The state of redemption is shown to be a
necessary apotheosis for Stuart's outcast heroes; it involves spiritual
suffering through which may be found a sense of reintegration and a
higher reality. This is expressed through interrelated themes such as
those of gambler, artist and ordinary man; mystic and criminal; sacred
and profane love; and spirituality and the mundane. The nature of the
redemptive experience is further elaborated by distinctive, complex
motifs, especially the hare, the ark and the woman-Christ. Their
recurrence provides an important element in the unity of Stuart's work.
Because Stuart's idea of the outcast raises important biographical
questions, an examination of the relationship between Stuart's life and
his work is made. Finally, the way in which the idea of redemption
exists in the language structures of Stuart's novels is examined, with
especial reference to his most recent work, The High Consistory. The
thesis shows that the development of the these of redemption
demonstrates the integrity of Stuart's work
Defoe's Foes:The Author as Character
The most famous fictional Defoe features in J. M. Coetzee’s Foe (1986), in which he conjures Robinson Crusoe out of a memoir by a “true” castaway. Harrumphing across the country alongside the modern-day narrator of Stuart Campbell’s Daniel Defoe’s Railway Journey (2017), a surreal iteration quite literally leaps out of the pages of a Penguin Classics edition of his real-life counterpart’s travel writing. Setting aside a long tradition of neo-Georgian novels in which Defoe cameos as a seventeenth-century spy, a Defoe-as-character only for all intents and purposes, this chapter attends to two complex cases in the genre of author fictions: Coetzee’s Foe and Campbell’s Defoe
- …
