1,721,494 research outputs found
Euphoria & Dystopia: The Banff New Media Institute Dialogues
No full textThis publication is a compendium of some of the most visionary thinking about art and technology to have taken place in the last few decades. Based on the research of the Banff New Media Institute from 1995 to 2005, the book includes hundreds of transcripts of talks given by international scholars of media art, technology, science and the humanities. Included with the book is a DVD based on the electronic journal produced at Banff — HorizonZero, and the catalogue for the exhibition The Art Formerly Known As New Media, curated on the occasion of the 10th anniversary of the BNMI (Walter Phillips Gallery, 2005
Broadcast Yourself: Artists interventions into television and strategies for self-broadcasting from the 1970s to today
No full textResearch concerned an art-historical investigation into artistic strategies for self-presentation using broadcast media, including television and the web.
The Video Vortex publication was the first collection of critical texts to deal with the rapidly emerging world of online video, widely cited and reviewed.
The exhibition was a major international touring show co-curated with Kathy Rae Huffman for AV Festival 2008: Broadcast, seen at two venues: Hatton Gallery, University of Newcastle and Cornerhouse, Manchester. Initiated by Audio Visual Arts North East in collaboration with Cornerhouse, Hatton Gallery and CRUMB, and with funding from Arts Council England touring programme, Broadcast Yourself is the first visual arts touring project to be undertaken by the newly formed company. As a centrepiece of AV Festival 08, the exhibition explored the Festival theme of ‘broadcast’ through important contemporary and historical works, as well as taking these ideas and debates further by engaging new audiences in the North West and online as the project evolved throughout the tour. The exhibition included work by more than 25 international and UK artists, including 5 large installations, 3 small installations, 5 single channel works and 3 web works. Two of these works were new commissions. There were 18 education events; 11 workshops and 7 discussion events/gallery tours with 322 participants (of which 8 were artists, 180 were children and young people, and 104 were audience participants). Audience In person Hatton Gallery: 5153; Cornerhouse: 4133 in the galleries; 55,784 door count (approx) *two works from the exhibition were presented in other parts of the venue, including the foyer and stairwell; Total in person: 65070; website Broadcast Yourself.net had 6984 visits but combined total of visits to the venues websites and that of the newly commissioned works was 81196.
The exhibition was reviewed in Art Monthly and Mute Magazines as well as widely previewed online and in local newspapers including the Metro, the Newcastle Journal, Manchester Confidential
Rethinking Curating, Art After New Media
No full textA 355-page book with 68 illustrations, colour cover with commissioned data visualisation of the book text. The book examines how new media art has changed modes of curating in contemporary art
Remettre la santé au coeur du développement chinois
No full textCook Sarah, de Gandt Marie. Remettre la santé au coeur du développement chinois. In: Perspectives chinoises, n°100, 2007. pp. 108-117
Journal of Curatorial Studies: special issue
No full textGuest edited special issue of the Journal of Curatorial Studies focusing on the history of media art exhibition. Including new research from international scholars who presented their papers at Rewire, the fourth international conference on the histories of media art, science and technology in 2011. Including papers on the Venice Biennale, the work of artist Susan Collins at the Tate Galleries, festivals of experimental work in Scandinavian countries
Re@ct: Social Change Art Technology
No full textThis special issue of Media-N, co-edited by Sarah Cook, Joseph DeLappe, and Laura Leuzzi, gathers essays, artists' statements, and experimental writing projects about digital art and activism from selected participants in Re@ct: Social Change Art Technology, a three-day symposium held in Dundee, Scotland in 2019, in partnership with the NEoN Digital Arts Festival
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