7,476 research outputs found
Jessica Voorsanger Meets Gary Cook / Julie Roberts Meets Three Junior Doctors - ACE362.2
No full textExamples of Voorsanger’s work, focusing on her series on actor David Cassidy, from The Partridge Family. Voorsanger (mostly VO) talking about her fascination with "celebrity", the experiences of celebrities, and the experiences of fans. Gary Cook, self-styled "biggest fan" of Blackpool Football Club, at a Blackpool match, and at home, talking about the kinds of art he doesn’t and does like. Match. Voorsanger says she can relate to the hype about the obsessiveness of football fans. Wants to collaborate with the fan for whom she’s making this new work. Blackpool seafront. Voorsanger meets Cook in his house where’s he’s surrounded by football programmes and other memorabilia. The garden. Cook and Voorsanger visit Blackpool football stadium. He tells her about his memory of a game in 1970 (coincidentally the year The Partridge Family first aired) when Blackpool were promoted to the First Division. She describes about the need to align oneself with either the David Cassidy or the Donny Osmond camp when she was at school. Cook at football match, and Voorsanger on the Golden Mile (intercut with part of film of signatures at Graumann’s Chinese Cinema) talking about what he might expect from her work. Voorsanger at tile factory, and talking to Blackpool team about what she’s going to do. Each of them makes an impression of his bare feet (or hands) in a wet clay square, and signs it. On Blackpool beach, Voorsanger shows Cook some of her "more extreme work". A packet of objects for David Cassidy’s Diet; film of a performance of Fanogram, Cook doesn’t think this is "art". Levering up paving stones in Cook’s garden, while he is at a match, and replacing them with the clay squares. Cook is thrilled when sees the new paviours. He realises that she had been teasing him with the other work he saw. Voorsanger with the Blackpool team. The finished work
Jessica Voorsanger Meets Gary Cook / Julie Roberts Meets Three Junior Doctors
No full textExamples of Voorsanger’s work, focusing on her series on actor David Cassidy, from The Partridge Family. Voorsanger (mostly VO) talking about her fascination with "celebrity", the experiences of celebrities, and the experiences of fans. Gary Cook, self-styled "biggest fan" of Blackpool Football Club, at a Blackpool match, and at home, talking about the kinds of art he doesn’t and does like. Match. Voorsanger says she can relate to the hype about the obsessiveness of football fans. Wants to collaborate with the fan for whom she’s making this new work. Blackpool seafront. Voorsanger meets Cook in his house where’s he’s surrounded by football programmes and other memorabilia. The garden. Cook and Voorsanger visit Blackpool football stadium. He tells her about his memory of a game in 1970 (coincidentally the year The Partridge Family first aired) when Blackpool were promoted to the First Division. She describes about the need to align oneself with either the David Cassidy or the Donny Osmond camp when she was at school. Cook at football match, and Voorsanger on the Golden Mile (intercut with part of film of signatures at Graumann’s Chinese Cinema) talking about what he might expect from her work. Voorsanger at tile factory, and talking to Blackpool team about what she’s going to do. Each of them makes an impression of his bare feet (or hands) in a wet clay square, and signs it. On Blackpool beach, Voorsanger shows Cook some of her "more extreme work". A packet of objects for David Cassidy’s Diet; film of a performance of Fanogram, Cook doesn’t think this is "art". Levering up paving stones in Cook’s garden, while he is at a match, and replacing them with the clay squares. Cook is thrilled when sees the new paviours. He realises that she had been teasing him with the other work he saw. Voorsanger with the Blackpool team. The finished work.Roberts’s Crime of Passion (1996), Teenage Suicide (1996), Syringe (1996), and Strait-Jacket, Female (1995). Roberts drawing anatomical exhibits. She talks about her earlier works, such as Gynaecological Couch (1992), and Dentist’s Chair, C.19th (1992). A real gynaecological couch. Colin Begg, Barrie McKillop, and Ien Soun Ly, three junior doctors working in Glasgow, talk about their ideas of art. Roberts on her way to the doctors’ flat. The four meet. She shows them slides of her work, particularly the gynaecological couch picture, and describing the public reaction to it. Roberts takes the doctors round the Pathology Museum, Royal College of Surgeons, Edinburgh and describes her responses to the exhibits. Strait-Jacket, Male (1995), Crime of Passion (1996), Sigmund Freud’s Desk and Chair (1996), Teenage Suicide (1996). Roberts and the doctors at the Glasgow City Police Mortuary. Mortuary Slab (1993). The doctors talk about how they have to react to the death of patients. Roberts working in her studio. She describes some possible subjects for this work including lifesize anatomical models she saw in Vienna and Florence. She describes the different postures of the models, with the males generally intellectualised while the females are usually sexualised, and suggests that it would be good for the doctors to recognise that society treats men and women differently. She works on two different paintings at the same time in order to keep them related to each other. The doctors discuss what they might expect the new work to be. The paintings being delivered and unwrapped. Roberts titles the duo as Anatomical Marriage. The doctors talk about their reactions. Roberts points out that, though the female image comes from a wax model, the painting has started to being it alive. Credits
Michael Rodriguez interviews author Gary Gildner
No full textAuthor Gary Gildner explains why he left his tenured teaching position to move to Idaho to became a full-time writer of poetry. Gildner talks about donating his personal papers to Michigan State University Libraries' Special Collections, his writing style and how he approaches writing. Gildner is interviewed by MSU Librarian Michael Rodriguez for the MSU Libraries' Michigan Writer Series. Held at the MSU Main Library
Soloists FW All City Chorus. Gary Huddleston and Janette Cook
No full textGary Huddleston, Arlington Heights High School sophomore, and Janette Cook, Arlington heights senior, have been named soloists to appear with the Fort Worth public schools\u27 All City Chorus in Programs April 1, 1960 in Will Rogers Memorial Auditorium. Fort Worth Star-Telegram February 28, 1960.https://mavmatrix.uta.edu/specialcollections_startelegram1960s/1034/thumbnail.jp
Author Gary Gildner reads his selected works at the Michigan Writers Series
No full textAuthor Gary Gildner reads "Sleepy time gal," "Pavol Hudak, the poet, is talking," and "Genealogy" then answers questions from the audience. The event is convened by Peter Berg, head of the Michigan State University Libraries' Special Collections. Part of the MSU Libraries' Michigan Writers Series. Held at the MSU Main Library
Dress, law and naked truth : a cultural study of fashion and form
No full textWhy are civil authorities in so-called liberal democracies affronted by public nudity and the Islamic full-face 'veil'? Why is law and civil order so closely associated with robes, gowns, suits, wigs and uniforms? Why is law so concerned with the 'evident' and the need for justice to be 'seen' to be done? Why do we dress and obey dress codes at all? In this, the first ever study devoted to the many deep cultural connections between dress and law, the author addresses these questions and more. His responses flow from the radical thesis that 'law is dress and dress is law'. Engaging with sources from The Epic of Gilgamesh to Shakespeare, Carlyle, Dickens and Damien Hirst, Professor Watt draws a revealing history of dress and civil order and offers challenging conclusions about the nature of truth and the potential for individuals to fit within the forms of civil life
Letter from Gary Okihiro, professor, Department of Asian American Studies at Cornell University to Michi Weglyn
No full textA letter from Asian American studies professor Gary Okihiro to Michi Weglyn apologizing for a critical review he wrote of her book "Years of Infamy" in 1977.These materials are from box 73 and 74 of the Frank Chin Papers. The Frank Chin Papers contain personal and professional correspondence between Frank Chin and Michi Weglyn relating to particular projects on which either author was working as well as files related to the Day of Remembrance Tribute to Michi Weglyn
Service sector clustering and multinational enterprise: Evidence from UK film and television
No full textJohn Gary Cook: Methodology of A Master Music Educator
No full textThis study provides a historical account of the teaching methodology of John Gary Cook, a master teacher and conductor whose forty-four year career spans all levels of band instruction. Mr. Cook\u27s musical accomplishments have served to make him a regional icon in the Southeastern United States. His work has provided influence and inspiration to a host of band directors. This research explores the life of this exceptional educator and documents many of his personal beliefs and professional applications in five specific areas of band performance. These include: (1) development of characteristic tone quality; (2) development of balance and blend; (3) development of intonation; (4) development of rhythm and ensemble precision; and (5) development of musical artistry
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