57,682 research outputs found
David Cook: River Road
No full textTime Machine is a quarterly online photographic magazine. The editorial theme for Issue Five was 'Elegy'. My contribution is a series of 20 photographs from my River Road series. The photographs are accompanied by a written piece, in which I discuss the themes of loss and melancholy as represented in this series of photographs
Brave new worlds: experimentalism between the wars
No full textIntroduction: trajectories of twentieth-century music Nicholas Cook with Anthony Pople; 1. Peripheries and interfaces: Western music and its others Jonathan Stock; 2. Music of a century: museum culture and the politics of subsidy Leon Botstein; 3. Innovation and the avant-garde, 1900 1920 Christopher Butler; 4. Music, text and stage: the tradition of bourgeois tonality, 1900 1930 Stephen Banfield; 5. Classic jazz to 1945 James Collier; 6. Flirting with the vernacular: America in Europe, 1900 1945 Susan Cook; 7. Between the wars: traditions, modernisms and the ‘‘little people’ from the suburbs’ Peter Franklin; 8. Brave new worlds: experimentalism between the wars David Nicholls; 9. Proclaiming a mainstream: Schoenberg, Berg, and Webern Joseph Auner; 10. Rewriting the past: classicisms of the interwar period Hermann Danuser; 11. Music of seriousness and commitment: the 1930s and beyond Michael Walter; 12. Other mainstreams: light music and easy listening, 1920 70 Derek Scott; 13. New beginnings: the international avant-garde, 1945 62 David Osmond-Smith; 14. Moderate modernisms: individualism and accessibility, 1945 75 Arnold Whittall; 15. After swing: modern jazz and its impact Mervyn Cooke; 16. Music of the youth revolution: rock through the 1960s Robynn Stilwell; 17. Expanding horizons: the international avant-garde, 1962 75 Richard Toop; 18. To the millennium: music as commodity Andrew Blake; 19. Ageing of the new: the museum of musical modernism Alastair Williams; 20. (Post)-minimalisms, 1975 2000: the search for a new mainstream Robert Fink; 21. History and class consciousness: pop music towards 2000 Dai Griffiths; 22. ‘Art’ music in a cross-cultural context: Africa towards 2000 Martin Scherzinger; Appendices: 1. Personalia Peter Elsdon with Björn Heile; 2. Chronology Peter Elsdon and Peter Jones
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SYMPOSIUM David FitzGerald’s and David Cook-Martín’s Culling the Masses: The Democratic Origins of Racist Immigration Policy in the Americas
No full textIn writing Culling the Masses: The Democratic Origins of Racist Immigration Policy in the Americas, David FitzGerald and David Cook-Martín sought to explore the complex historical relationship between immigration, democracy and racism. Drawing on a comparative analytical framework, they produced a historically informed account of the origins of racist policies on immigration in a range of countries in the Americas. Their account has attracted the attention of scholars working in a wide range of different national contexts. As editors, we feel that their arguments will be of interest to readers of Ethnic and Racial Studies Review and we are pleased that the various scholars we invited to take part in this symposium took up the challenge of discussing key themes in Culling the Masses. In the end, we have brought together five critical commentaries on the book and the authors provide a robust response to the key arguments to be found in the commentaries.In writing Culling the Masses: The Democratic Origins of Racist Immigration Policy inthe Americas, David FitzGerald and David Cook-Martín sought to explore the complexhistorical relationship between immigration, democracy and racism. Drawing on a comparativeanalytical framework, they produced a historically informed account of theorigins of racist policies on immigration in a range of countries in the Americas. Theiraccount has attracted the attention of scholars working in a wide range of differentnational contexts. As editors, we feel that their arguments will be of interest to readers ofEthnic and Racial Studies Review and we are pleased that the various scholars we invitedto take part in this symposium took up the challenge of discussing key themes in Cullingthe Masses. In the end, we have brought together five critical commentaries on thebook and the authors provide a robust response to the key arguments to be found in the commentaries
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The David W. Fentress Family Letters, 1856-1969
No full textTranscript of a letter by an unidentified author to David Fentress regarding sharing federal newspapers and the banning of federal newspapers in some areas. The author passes on the news of the war including the destruction of the Federal merchantmen by the Confederate fleet. He passes along world news: Russia preparing to go to War with Europe and how that could negatively affect the Confederacy. There is also speculation on the future of the war
The David W. Fentress Family Letters, 1856-1969
No full textTranscript of a letter by an unidentified author to David Fentress regarding sharing federal newspapers and the banning of federal newspapers in some areas. The author passes on the news of the war including the destruction of the Federal merchantmen by the Confederate fleet. He passes along world news: Russia preparing to go to War with Europe and how that could negatively affect the Confederacy. There is also speculation on the future of the war
David Cook
No full textDavid Cook is pictured in front of the Ag building at Uintah High School. He is a member of the FFA Club
Portrait of author David Foster at the National Library of Australia, Canberra, 8 June 2011 /
No full textTitle from acquisitions documentation.; Part of the collection: Portraits of author David Foster at the National Library of Australia, Canberra, 8 June 2011.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
Oral History Interview with David Braden, September 30, 2000
No full textThe National Museum of the Pacific War presents an oral interview with David Braden from Dallas, Texas. He discusses his time in the Airforce during WW2. Mr. Braden start with his time training to be a navigator before his first mission in Tokyo, Japan. David Braen describes dropping messages over Japanese cities urging Japanese people to plead for their leaders to surrender and to evacuate before the U.S. burns the cities to the ground. After the Japanese government surrendered and the war was over, Mr. Braden was flown home and kissed the ground as soon as he landed
Shopping complex: The Base, 2012
No full textPUBLIC GOOD
Ramp Gallery, Hamilton. 22 February - 22 March 2013.
Group exhibition curated by Kim Paton.
Artists: Tim Middleton, Charlotte Watson, Gareth Williams, Tim J. Veling, Matthew Galloway, David Cook, Raewyn Martyn, Stuart Shepherd
Public Good explores how the planning, design and governance of public space define how we engage with public environments socially and logistically. The project focuses on proposals for unrealised or imagined ideas and provocations for civic planning and public space, including public sculpture, architecture, civic infrastructure and urban planning.
Public Good features new work by Tim Middleton, Charlotte Watson, David Cook, Tim J. Veling, Gareth Williams and Matthew Galloway.
David Cook's series of photographs features portraits of shoppers and environmental photographs taken at The Base, Hamilton's largest shopping centre.
The exhibition is accompanied by a publication edited by Kim Paton: PUBLIC GOOD, published by Ramp Press. David Cook's photographic series is published in the book, preceded by Ed Hanfling's commentary
Navinaxonopsis Cook 1967
No full textSubgenus Navinaxonopsis Cook, 1967 Axonopsis (Navinaxonopsis): Cook, 1974 a, p. 334, figs. 1393, 1397, 1398, 1400, 1406. Diagnosis of adults. Character states of genus Brachypodopsis. Fourth leg of males with tibia slender proximally but greatly expanded distally, and with tarsus curved. Type species. Axonopsis (Navinaxonopsis) abnormipes Cook. Species included. Brachypodopsis (N.) abnormipes (Cook) (India), B. (N.) persica (Pešić) (Iran, Turkey). Distribution. India and western Asia. Discussion. Cook (1974 a) considered Navinaxonopsis to be a subgenus of Axonopsis and Pešić (2004) followed that treatment. Here we propose to transfer the taxon as a subgenus to the genus Brachypodopsis. As in the case of Kalobrachypoda, the species of Navinaxonopsis appear to represent a divergent offshoot of the species complex typified by Brachypodopsis baumi Halik and the status of this taxon will also need to be reevaluated when the phylogeny of the genus Brachypodopsis is more completely known.Published as part of Smith, Ian M., Cook, David R. & Gerecke, Reinhard, 2015, Revision of the status of some genus-level water mite taxa in the families Pionidae Thor, 1900, Aturidae Thor, 1900, and Nudomideopsidae Smith, 1990 (Acari: Hydrachnidiae), pp. 111-156 in Zootaxa 3919 (1) on page 140, DOI: 10.11646/zootaxa.3919.1.6, http://zenodo.org/record/24458
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