1,725,448 research outputs found
Poésie grecque: Stephanos Constantinides, Pérégrinations d’Alexandre
No full textPoésie grecque
Stephanos Constantinides, Pérégrinations d’Alexandr
13 Ways of Looking at a Blackbird: collective composition of 12 graduate students and D. Constantinides
No full textPoetry: Thirteen Ways of Looking at a Blackbird by Wallace Stevens13 Ways of Looking at a Blackbird resulted from a collaboration between the LSU School of Music and the LSU Art Department. Student composers and artists used the Wallace Stevens’ poem “13 Ways of Looking at a Blackbird” as a theme. Dinos Constantinides conceived of the basic idea for purposes of unity. The composers used the “Soggeto cavato” technique, in which musical subjects are derived by “carving out” vowels from words
Selected Songs of Dinos Constantinides (B. 1929).
No full textDr. Dinos Constantinides, a prolific composer of Greek origin whose works are performed throughout the world, is Boyd Professor of Music and Coordinator of Composition Studies at the Louisiana State University School of Music. His music has received many awards, including first prize in the 1981 Brooklyn College International Chamber Opera Competition, the 1985 First Midwest Chamber Opera Conference, and the 1997 Delius Composition Contest. Dr. Dinos Constantinides writes Twentieth-Century contemporary music that is fresh, passionate, and deserves to be heard by a broader public. The purpose of this document is to better acquaint the reader with the composer, Dr. Dinos Constantinides and selected song compositions from the Four Songs on Poems of Sappho, Mutability, the Four Greek Songs, and Reflections VI-The Tyger. Other than modest citations in reference volumes and via the internet, little information is dedicated to his contributions as a composer of song. The author attempts to augment the aforementioned materials with new information that will provide a springboard for others interested in further study of the composer and his music. Chapter One is a brief biographical sketch of the composer\u27s early life, musical training, and development as a composer. Chapter Two examines the poets chosen by Dr. Constantinides for these songs. Chapter Three surveys nine selected vocal songs, which were performed on the author\u27s lecture/recital. The appendices include IPA transcriptions of The Four Greek Songs , and an annotated catalog of Dr. Dinos Constantinides\u27 songs. In all of his compositions for voice, Dr. Dinos Constantinides seeks to paint a musical landscape of the imagery inspired by the text. Through the use of Twentieth-Century compositional techniques, his Greek culture, and his unique sense of style, he has contributed songs which are lyric and communicative, and are of lasting value to the solo song repertoire
13 Ways of Looking at a Blackbird: collective composition of 12 graduate students and D. Constantinides
No full textPoetry: Thirteen Ways of Looking at a Blackbird by Wallace Stevens13 Ways of Looking at a Blackbird resulted from a collaboration between the LSU School of Music and the LSU Art Department. Student composers and artists used the Wallace Stevens’ poem “13 Ways of Looking at a Blackbird” as a theme. Dinos Constantinides conceived of the basic idea for purposes of unity. The composers used the “Soggeto cavato” technique, in which musical subjects are derived by “carving out” vowels from words
Stephanos Constantinides, Les Grecs du Québec
No full textGeorge Pierre. Stephanos Constantinides, Les Grecs du Québec. In: Annales de Géographie, t. 95, n°527, 1986. p. 119
Read counts Constantinides RNASeq PIPAC study
No full text<p>Read counts Constantinides RNASeq PIPAC study</p>
Stephanos Constantinides, Les Grecs du Québec
No full textGeorge Pierre. Stephanos Constantinides, Les Grecs du Québec. In: Annales de Géographie, t. 95, n°527, 1986. p. 119
Concerto for Cello and Orchestra and a Comparative Study of the Pedagogical Methods of Nadia Boulanger and Dr. Dinos Constantinides
No full textThe first part of this dissertation is an original music composition for orchestra entitled, Concerto for Cello and Orchestra. In studying the life of pianist and conductor Daniel Barenboim (November 15, 1942-), I discovered a recording of his beautiful and gifted wife Jacqueline Mary Du Pré, (January 26, 1945 – October 19, 1987) performing Edward Elgar\u27s Cello Concerto in E minor, Op. 85. This experience was the beginning of a love triangle between Elgar, Barenboim, and Du Pré. An attraction to Jacqueline goes deeper than just the music and the cello. Her career was not long due to multiple sclerosis which forced her to stop performing at the age of twenty-eight. Barbara (my wife) was afflicted with this crippling disease, and our relationship began with both of us being musicians (Trumpet and French horn). The second part of the dissertation is a comparative study of the pedagogical methods of Nadia Boulanger and Dr. Dinos Constantinides. Chapter 1 serves as an introduction of Nadia Boulanger and Dinos Constantinides in a biographical sketch. Chapter 2 uncovers the teaching of Nadia Boulanger and her connection to young successful American composers. Chapter 3 is an eyewitness account of the teaching of Dr. Dinos Constantinides by the author of this document. Chapter 4 shows a comparison of similarities and differences between the teaching of Nadia Boulanger and Dr. Dinos Constantinides. Chapter 5 is a summary and conclusion of the pedagogical methods of Nadia Boulanger and Dr. Dinos Constantinides
À propos d'un chapiteau de Délos : le problème du tracé des volutes ioniques dans l'antiquité
No full textConstantinides Démètre. À propos d'un chapiteau de Délos : le problème du tracé des volutes ioniques dans l'antiquité. In: Bulletin de correspondance hellénique. Supplément 1, 1973. pp. 137-146
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