1,720,986 research outputs found
VOLT Volume 3, 1996-1997
No full textContents: Stephen Berg / School -- Jeff Clark / My Interior -- Joshua Clover / Two Poems -- Martin Corless-Smith / One Poem -- Jim Daniels / Mapping It Out: An Elegy -- Dana Dickerson / Two Poems -- Gerald Fleming / The Recurrence -- Carol Frost / Two Poems -- Geoffrey Garder / Two Translations -- Brenda Hillman / Five Poems -- Colette Inez / Couplets for a Gift of Tulips and Roses -- Aletha Irby / Scrapbook -- Claudia Keelan / The Beginning of The Golden Age -- Stephen Kessler / Phantom Self-Portrait In A Wall Collage -- Patricia Machmiller / The (Blue) Skirt -- Laura Mullen / Three Poems -- Denise Newman / Of Later Things Yet To Happen -- Bin Ramke / A History of Tenderness -- Donald Revell / A Day Of Crisis No A Quiet Day --Standard Schaefer / The Latter Marx -- Carol Snow / Two Poems -- Phyllis Stowell / Quoting -- Lee Upton / Two Poems -- Catherine Wagner / Make A Function Work -- Suzanne Wise / Preservation Document -- Brian Young / A Chattermouth in the Aspirin Trees -- Amy Trachtenberg / Visual Artist -- Contributor's NotesVOLT was created in San Francisco in 1991. The journal was originally published by Pacific Film and Literary Association, a non-profit organization registered in California. VOLT is now housed at Sonoma State University. Innovative in design and content, VOLT publishes a range of adventurous writing. Founded and edited by Gillian Conoley, VOLT appears every fall. VOLT has received many awards and honors, including several Pushcart Prize Anthology selections, a Fund for Poetry grant, and several selections for the annual anthology, The Best American Poetry. VOLT is produced with the help of Assistant Editors Paula Koneazny and Marjorie Stein
VOLT Volume 8, 2002
No full textContents: Dave Allen / Different Gravity -- Guillaume Apollinaire / Two Poems -- L.S. Asekoff / Fugue (iii) -- Robin Beeman / The Good Daughter -- Molly Bendall / Dionysus, Audition -- Geoff Bouvier / To Speak -- sandy Brown / Two Poems -- Elena Karina Byrne / Of Measure Mask -- John Cross / After The Football Game -- Caroline Crumpacker / Two Poems -- Christine Deavel / A LETTER (UPPER CASE0 --Jean Donnelly / from Anthem -- Ben Doyle / Two Poems -- Michael Farrell / School -- Michelle Glazer / Translucencies, her death -- Dale Going / Models -- Jorie Graham / By the Way -- Arielle Greenberg / counting Boys -- Richard Greenfield / Two Poems -- Peter Henry / Raw Materials -- Brenda Hillman / The Thyme Suites --Susan Holahan / sunflowers cornstalks even millet -- William Kulik / Final Solution -- Kevin Larimer / Three Poems -- Mark Levine / Three Poems -- Anna Lewis / so left I can’t say -- Eric Lorberer / Two Poems -- James John Marshall / Ghazal -- Susan McCabe / She is not She -- Matthew Miller / Forest -- Carol Moldaw / from The Lightning Field -- Harryette Mullen / Two Poems -- Ethan Paquin / Woe -- Ethel Rackin / The Recent Popularity of Still-Life -- Donald Revell / Two Poems -- Sundin Richards / Jitters -- Justin Robillard / a silence -- Sarah Rodriguez / Two Poems -- Peter Sacks / City -- Robyn Schiff / Two Poems -- Allyson M. Seal / emphatic verbal gestures that have no spelling -- Carol Snow / Also to Illustrate -- Hugh Steinberg / Two Poems -- David St. John / from The Face -- Terese Svoboda / Peacocked -- Brian Teare / One Poem -- Tom Thompson / Current --Daniel Tiffany / Master’s Gone Away -- Tor Wallace / In Bed With Jesus -- Kerri Webster / Hotel Glaciary -- Max Winter / Three Poems -- Sam Witt / Thermal Signatures -- David Wojahn / From Crayola -- Stephen Yenser / Carmina after CatullusVOLT was created in San Francisco in 1991. The journal was originally published by Pacific Film and Literary Association, a non-profit organization registered in California. VOLT is now housed at Sonoma State University. Innovative in design and content, VOLT publishes a range of adventurous writing. Founded and edited by Gillian Conoley, VOLT appears every fall. VOLT has received many awards and honors, including several Pushcart Prize Anthology selections, a Fund for Poetry grant, and several selections for the annual anthology, The Best American Poetry. VOLT is produced with the help of Assistant Editors Paula Koneazny and Marjorie Stein
VOLT Volume 19, 2014
No full textContents: Logic Gates -- Samuel Ace and Maureen Seaton / Now Imagine What Happened to Me -- Emily Anderson / Happening Inside a House -- Emily Anderson / Dear Georges -- Brook Erin Barman / What We Did While We Made More Guns -- Dorothy Barresi / Queen Song of the Farmer -- David Bartone / Driftology: Episode One -- Deborah Bernhardt / Sam -- Christopher Davis / Aerial -- Cheryl J. Fish / Truth May Be the Least Interesting Thing About Us -- Gloria Frym / Another Day, Until There Are No More -- Dale Going / Complacencies of the Peignoir -- Dale Going / Composed in Manner, Calm -- Dale Going / A Grief Typography -- Margaret Hanshaw / Requiem for an Ocean Wave -- Steve Healey / An X-ray of My Spine -- Steve Healey / Perennial the War Magicians Miscommunication -- Valerie Hsiung / Earth in Flesh Death's Perennial Howevers Howevers -- Valerie Hsiung / Evers Miscommunication -- Valerie Hsiung / Transit -- Alice Jones / Exit -- Alice Jones / News From the Neighborhood of the Cave -- Karen Kevorkian / A Discovery Said to Fail -- L.S. Klatt / From in the Gun Cabinet -- Mike Lala / American Death Trip -- Joseph Lease / Ghost Heart Incoherent -- Mariam Dubovik Lease / So I Began -- Lisa Lubasch / Lure -- Jesse Nathan / Poem in Margin of Class Notes -- Jesse Nathan / Quadrilateral: And Proteus Was a Group of Small Children -- Timothy O’Keefe / Quadrilateral : New Jersey After All -- Timothy O’Keefe / Bernal Hill, San Francisco, 2009 -- Gillian Osborne / From After-Map -- Oscar Oswald / A Dream Splashed with Ropes -- Alexandria Peary / A Dream Splashed with Ropes (2) -- Alexandria Peary / The Sty -- John Peck / No Need for Epiphany -- Ethel Rackin / On Weather -- Elizabeth Robinson / Calder’s Universe -- Carol Snow / [Driver] -- Carol Snow / Junction Rules -- Sho Sugita / Living in the Inner Outer All -- Lawrence Sutin / From "Little Million Doors" -- Chad Sweeney / Put the Coal Back in the Garden -- Kate Thorpe / Light Source -- Barbara Tomash / Velocity Whiskey -- Chloe Veylit / Untitled -- Brad Vogler / (To Immanence: -- G.C. Waldrep / Esker Anthem -- G.C. Waldrep / Pierre Rivière Spectacular 01 -- Laura Wetherington / Pierre Rivière Spectacular 14 -- Laura Wetherington / A Song Called Nimbus -- Joshua Marie WilkinsonVOLT was created in San Francisco in 1991. The journal was originally published by Pacific Film and Literary Association, a non-profit organization registered in California. VOLT is now housed at Sonoma State University. Innovative in design and content, VOLT publishes a range of adventurous writing. Founded and edited by Gillian Conoley, VOLT appears every fall. VOLT has received many awards and honors, including several Pushcart Prize Anthology selections, a Fund for Poetry grant, and several selections for the annual anthology, The Best American Poetry. VOLT is produced with the help of Assistant Editors Paula Koneazny and Marjorie Stein
VOLT Volume 15, 2009
No full textContents: George Albon / from Sill -- David Albracht / Gothic Gander -- Molly Bendall and Gail Wronsky / Get the Inspectors -- Molly Bendall and Gail Wronsky / Rain/The Image -- Molly Bendall and Gail Wronsky / New Move, Florals -- Molly Bendall and Gail Wronsky / Holes/Separation Anxiety -- Molly Bendall and Gail Wronsky / Rem(ember) Me -- CM Burroughs / About Myself, This Much Will Suffice -- African American on Independence Day, or Chain-linked -- CM Burroughs / The Power of the Vulnerable Body -- Julie Carr / 66. -- Julie Carr / 67. -- Julie Carr / 68. -- Julie Carr / 69. -- Stephanie Cleveland / North Dakota -- Brenda Coultas / The Tatters -- Carol Ann Davis / Upon Seeing the Terezin Children’s Drawings, Two Parts -- Natalie Day / Celled -- Suzanne Doppelt and Molly Lou / Freeman Animals -- Suzanne Doppelt and Molly Lou / Water -- Suzanne Doppelt and Molly Lou / Faces -- Suzanne Doppelt and Molly Lou / Architecture -- Suzanne Doppelt and Molly Lou / Machines -- Suzanne Doppelt and Molly Lou / Statues -- Tiff Dressen / Message: a theory (song) -- Tiff Dressen / Message -- Tiff Dressen / Message: parallel myth -- Susanne Dyckman and Elizabeth Robinson / The Miserable -- Judson Evans / Collier’s Mansion, 7 -- Judson Evans / Collier’s Mansion, 8 -- Judson Evans / Collier’s Mansion, 13 -- Robert Fernandez / Nautilus and Hyena Men, Lagos (after the Photographs of Pieter Hugo) --Renee Gladman / Water, Evenly -- Johannes Göransson / Poems from Pilot (“Johann the Carousel Horse”) -- Kate Greenstreet / “curtain wall” -- Kate Greenstreet / “unshot” -- Kate Greenstreet / “open voicings” -- Endi Bogue Hartigan / Flurry Series -- Lucy Ives / Paradise -- Lucy Ives / The Compliment -- Jeff T. Johnson / KC Star Teller Window -- Becca Klaver / City Version 4.0 -- Alan Lew / a sampler -- Jami Macarty / Dedication -- Gregory Mahrer / Alternation of Flight and Perching -- Alexandra Mattraw / Geography: A Body Maps -- Joseph V. Milford / Tin Roof, Epiphany -- Linda Norton / Song of Degrees -- Linda Norton / Rose with No Name -- Linda Norton / Holy Week -- Martie McCleery Palar / Structure -- Craig Santos Perez / from aerial roots -- Coralie Reed 31 Fashion Shows -- Leonard Schwartz / Knees and Toes -- Brandon Shimoda / Without reserve there is no love, Opposition a glorious gift -- Charlie Smith / Speculation as a replacement for perception -- Theresa Sotto / look mom, no hands -- Nathalie Stephens / from Notebook of Discord -- Stacy Szymaszek / from Hart Island -- Catherine Theis / Anamnesis: Final Notes at Maurizio’s Exhibition -- TC Tolbert / from Gephyromania -- Nance Van Winckel / The Note -- Stephen Vincent / from Tenderly -- Markus Weaver / DriveVOLT was created in San Francisco in 1991. The journal was originally published by Pacific Film and Literary Association, a non-profit organization registered in California. VOLT is now housed at Sonoma State University. Innovative in design and content, VOLT publishes a range of adventurous writing. Founded and edited by Gillian Conoley, VOLT appears every fall. VOLT has received many awards and honors, including several Pushcart Prize Anthology selections, a Fund for Poetry grant, and several selections for the annual anthology, The Best American Poetry. VOLT is produced with the help of Assistant Editors Paula Koneazny and Marjorie Stein
VOLT Volume 13, 2007
No full textContents: Dennis Philips / On War -- Donald Revell / Three poems -- Donna de la Perrière / Two poems -- Joshua Beckman / After -- Leslie Scalapino / DeLay Rose --Leonard Schwartz & Lida Abdul / Contiguities -- Maxine Chernoff / Embedded in the Language -- Barbara Tomash / Middle School Number 1 (Father) -- Norma Cole / Two poems -- Standard Schaefer / Concerning the Lap Dance Plantation -- Jeff Conant / Two photographs -- Jeanne Marie Beaumont / USA Patriot Act of 2001 -- Samuel Amadon / Nine at Nine -- D A Powell / shut the fuck up and drink your gin & tonic -- Joe Wenderoth / Home of the Brave -- John Niekrasz / Or Chronicles of the White Veldt War -- Claudia Keelan / Bildung Sequence -- Dara Wier / Two poems -- Paula Koneazny & Marjorie Stein / Untitled – Landis Everson / A Newe Astronomie -- Paul Vangelisti / from Agency -- Denise Newman & Meredith Stricker / Tracing -- Sherril Jaffe / War Games -- Karen Garthe / National Sky -- Liz Waldner / Surcingle, Fuller -- Matthew Zapruder / Little Voice -- John Cotter / Taps -- Rusty Morrison / please advise stop -- Robyn Ewing / Smilin’ Jack Smacked by Paradise -- James Tate / Two poemsVOLT was created in San Francisco in 1991. The journal was originally published by Pacific Film and Literary Association, a non-profit organization registered in California. VOLT is now housed at Sonoma State University. Innovative in design and content, VOLT publishes a range of adventurous writing. Founded and edited by Gillian Conoley, VOLT appears every fall. VOLT has received many awards and honors, including several Pushcart Prize Anthology selections, a Fund for Poetry grant, and several selections for the annual anthology, The Best American Poetry. VOLT is produced with the help of Assistant Editors Paula Koneazny and Marjorie Stein
VOLT Volume 5, 1998
No full textContents: Karen Anderson / Red Queen Hypothesis -- Jeanne Marie Beaumont / Some Ancient Mutations -- Cal Bedient / They Liked It Because the Wind Blew, and Blew the Birds About -- Molly Bendall / Two Poems -- Elena Karina Byrne / Entrance of Flowers -- Jennifer Connolly Three Poems -- Linh Dinh / Fake House --Molly Lou Freeman / Two Poems -- Karen Garthe / Two Poems -- Doreen Gildroy / Citizen -- Julie Hanson / The Meeting -- Valerie Hanson / Family Reunion -- Joshua Harmon / In Consideration of Arrival Andrew Long / In the Weeds like a small ant... --Tod Marshall / Metaphysic, With Bird -- Susan McCabe / Three Poems -- Wendy McClure / The Rapture -- Beth Murray / Two Poems -- Geoffrey Nutter / 4:37 – Kaya Oakes / Two Poems -- Anna Rabinowitz / Two Poems -- Ethel Rackin / Blush -- Mary Ruefle / Two Poems -- Valerie Savior / Door Frame -- Spencer Selby / The Trend -- Allyson Shaw / Wigs -- Aaron Shurin / Four Poems-- Charles Simic / Three Poems -- Carol Snow / Bowl -- Arthur Vogelsang / Two Poems -- Steve Willard / They Know -- Brian Young / Two Poems -- Rachel Zucker / Three Poems -- Barbieo Barros-Gizzi / Visual ArtistVOLT was created in San Francisco in 1991. The journal was originally published by Pacific Film and Literary Association, a non-profit organization registered in California. VOLT is now housed at Sonoma State University. Innovative in design and content, VOLT publishes a range of adventurous writing. Founded and edited by Gillian Conoley, VOLT appears every fall. VOLT has received many awards and honors, including several Pushcart Prize Anthology selections, a Fund for Poetry grant, and several selections for the annual anthology, The Best American Poetry. VOLT is produced with the help of Assistant Editors Paula Koneazny and Marjorie Stein
VOLT Volume 16, 2011
No full textContents: Ammiel Alcalay / sequence in time passed -- Rae Armantrout / Cancellation -- Rae Armantrout / Real Article -- Rae Armantrout / Recording -- Brent Armendinger / This is what I have been made for -- Molly Bendall / Trespass -- Molly Bendall / The Show’s the Animal -- Laynie Browne / from The Book of Moments --Tyler Carter / Folding Paper -- Serena Chopra / Continental Drift -- Darin Ciccotelli / Ghosts -- Norma Cole for / Alighiero e Boetti -- Jack Collom and Lyn Hejinian / Walking to Wick --Tom Comitta / It and or Goat and or Scrap (Guzzle) -- Matthew Cooperman / Still: Arcades -- Matthew Cooperman / Still: Eruv -- Helen Dimos / Foursquare -- Helen Dimos / Handout Helen Dimos / A House for a Prophet -- Henry Finch / Just Before C Major -- Norman Fischer / From Conflict -- Barbara Claire Freeman / Symbolic Logic -- Barbara Claire Freeman / Kigali Memorial -- Barbara Claire Freeman / The Ship Found -- Barbara Claire Freeman / On the Ship -- Michael Hansen / Dear Crown [2] -- Michael Hansen / Dear Crown [3] -- Joshua Harmon / From Le Spleen de Poughkeepsie -- Stephen Hemenway / insides -- Derek Henderson / 0 -- Brian Henry River / Song -- Brian Henry River / This Us -- Brian Henry River / What Vista -- Mark Irwin / the stars with their come-ons, -- Pierre Joris / Letter to Steichen’s Ed -- Aby Kaupang / they aren’t what they are -- Aby Kaupang /i swear to you the beds were born with teeth -- Aby Kaupang / the wraithlike invitation into Nothingness --Claudia Keelan / Getting Particular -- Claudia Keelan / So One Just Keeps Going -- Claudia Keelan / The Power and the Glory -- Sean Labrador y Manzano / “Seekin’ the Cause” -- Brian Laidlaw / Terratactic (II) -- Seth Landman / Parker’s Band -- Karin Lessing / Sonnet sequence ....... -- Rachel Loden / What the Lepidopterist Needs -- Rachel Loden / How to Fuck an Angel -- Rachel Loden / Cape Disappointment -- Susan Maurer / Bibliophage -- Kyle McCord / Drawing Water from the Mountain -- Joshua McKinney/ Spelt -- Monica Regan / Woman Has Seven Deadly Temperaments -- Donald Revell / Forgiving Bells -- Jaime Robles / Four Matching Gold Bangles -- Broc Rossell / True Superstition is Ignorant Honesty and This is Beloved by God and Man -- F. Daniel Rzicznek from Leafmold -- Zach Savich / The Avid Hours -- Zach Savich / Trumpet -- A.K. Sciopini / Public Approval -- A.K. Sciopini / Fortitude -- Giovanni Singleton / Day 18, Day 20 -- Giovanni Singleton / Day 39, Day 43 -- John Taggart / Slash -- K.D. Taiste / Richmond -- Dan Thomas-Glass / Aftermaths -- Kate Thorpe / Pitch -- Barbara Tomash / Reverse Annunciation -- J Townsend / from: Kerze -- G.C. Waldrep / discrete series: JEDBURGH -- Laura Walker / as rain -- Tyrone Williams / Stops of Rhyme -- Valerie Witte / Untitled -- Joshua Jennings Wood / Brain Street BluesVOLT was created in San Francisco in 1991. The journal was originally published by Pacific Film and Literary Association, a non-profit organization registered in California. VOLT is now housed at Sonoma State University. Innovative in design and content, VOLT publishes a range of adventurous writing. Founded and edited by Gillian Conoley, VOLT appears every fall. VOLT has received many awards and honors, including several Pushcart Prize Anthology selections, a Fund for Poetry grant, and several selections for the annual anthology, The Best American Poetry. VOLT is produced with the help of Assistant Editors Paula Koneazny and Marjorie Stein
VOLT Volume 14, 2008
No full textContents: Gerald Stern / Andy -- Mary Ann Samyn / “So you saw and now you know what you want”: In the Presence and Prescience of Eva Hesse -- Timothy Liu A Crash Course: A Conversation with Conversations with Antoni Tàpies-- Thaisa Frank / Toba Sojo: Father of Japanese Manga Artist of Human Consciousness -- Michelle Taransky A Proposal For A Clearing -- Gail Wronsky / Gwronsky on Gronkie: The Art of Self-Othering -- Reginald Shepherd / A Few Thoughts on Lyric Postmodernisms -- Julie Carr / Introductory Remarks -- Bruce Beasley / Toward a Poetics of Monstrosity -- Mei Mei Berssenbrugge / New Form -- Mei Mei Berssenbrugge / Lyric -- Gillian Conoley / The New Page -- Bin Ramke / A Poetics, of Sorts -- Carol Snow My Lyric and Time -- Bruce Bond / Underworld -- Lorand Gaspar / Untitled -- Grace Marie Grafton / Medicines to revive -- Grace Marie Grafton / No tiredness, no reason -- Julie Hanson / Swissed -- Alice Jones / Darkling I Listen -- Alice Jones / Tongue -- Joseph Lease / America -- Nadia Nurhussein / Sampler -- Lance Phillips / We -- Tomaz Salamun / Koper’s Gym -- Tomaz Salamun /On Via Boscovich -- Tomaz Salamun / They’re confiscated somewhere, I try to live -- Page Hill Starzinger Lyms of -- Stephanie Strickland / from Huracan’s Harp -- Chad Sweeney / Aura of the Spectacle -- Chad Sweeney / Another Novel -- Susan Terris / Another Blue House -- Susan Terris / In Razored Light -- Tony Trigilio / He Needed a Learner’s Permit -- Arthur Vogelsang / Gerald Stern, Charles Bukowski, D.H. Lawrence, and the Snake -- Arthur Vogelsang / Rock Hall -- Arthur Vogelsang / The Two Artists, I Mean the Three Artists -- Arthur Vogelsang / The Cell Phone and The Sun As Allies Win and We Lose -- G.C. Waldrep / Extensions of the Ghost -- G.C. Waldrep / Killing Jar -- G.C. Waldrep / Not Within the Framework of Our National ParksVOLT was created in San Francisco in 1991. The journal was originally published by Pacific Film and Literary Association, a non-profit organization registered in California. VOLT is now housed at Sonoma State University. Innovative in design and content, VOLT publishes a range of adventurous writing. Founded and edited by Gillian Conoley, VOLT appears every fall. VOLT has received many awards and honors, including several Pushcart Prize Anthology selections, a Fund for Poetry grant, and several selections for the annual anthology, The Best American Poetry. VOLT is produced with the help of Assistant Editors Paula Koneazny and Marjorie Stein
VOLT Volume 12, 2006
No full textContents: Robin Behn / Two Poems -- Molly Bendall / Scavenger -- Mei-mei Berssenbrugge / Parallel Lines -- Mairead Byrne / Baghdad -- Julie Carr / Four Poems -- John Cross / Three Poems -- Jordan Davis / The Relay, the Dictionary, the Lost Love Poem -- Lisa Fishman Salzburg / a Lecture -- Molly Lou Freeman / Mississippi -- Marc Gada / Two Poems --James Galvin / Two Poems -- Patricia Goedicke / Three Poems -- Brian Henry / Three Poems --Ernest Hilbert / Libidnal -- Cathy Park Hong / Two Poems -- Chris Hosea / First Circle -- Andrew Joron / Two Poems -- Kirsten Kaschock / Old Doll Body -- Sally Keith / Against Thinking -- Paula Koneazny /Artist's Book -- Mark Levine / Two Poems -- Anna Lewis / Virtual Girl -- Joyelle McSweeney /A Visa under the Aegis -- Jami Macarty / Pronoun, Possessive; Place, Slightly Removed -- Todd Melicker / Three Poems -- Rusty Morrison / Late in the Game -- Laura Mullen / filmed chain mystery -- Geoffrey G. O'Brien / Two Poems -- Elizabeth Robinson / The Purrinton Murders -- Sandra Simonds / Three Poems -- Gustaf Sobin / Prelude X -- Janaka Stucky / In Any Event, the Death of Myself -- Judith Taylor / Two Poems -- Steve Timm / from "Owed Timid Rations of Mortality" -- Nick Twemlow / Three Poems -- G. C. Waldrep / Hall of Ancestors -- Joe Wenderoth / Agony and the University -- Patrick Whitgrove / Rhino -- Emily Wilson / Three PoemsVOLT was created in San Francisco in 1991. The journal was originally published by Pacific Film and Literary Association, a non-profit organization registered in California. VOLT is now housed at Sonoma State University. Innovative in design and content, VOLT publishes a range of adventurous writing. Founded and edited by Gillian Conoley, VOLT appears every fall. VOLT has received many awards and honors, including several Pushcart Prize Anthology selections, a Fund for Poetry grant, and several selections for the annual anthology, The Best American Poetry. VOLT is produced with the help of Assistant Editors Paula Koneazny and Marjorie Stein
VOLT Volume 11, 2005
No full textContents: Erica Bernheim / Darwin Light -- Chris Bolin / Two Poems -- Sandy Brown / Two Poems -- Matthew Cooperman / Two Poems -- E. Kay Elliott / resembling involvement -- Michael Farrell / Two Poems -- Mary Fister / So Does this Canticle for Wind -- Jorie Graham / Two Poems -- Sarah Gridley / Three Poems -- Judith Hall / Apocrypha -- Matthea Harvey / Two Poems -- Anthony Hawley / The Concerto Form -- Brenda Hillman / Eyes in Aspen -- Cynthis Hogue / Modern Life -- Paul Hoover / Two Poems -- Alice Jones / Real Time --Karen Kevorkian / Tiny Yellow Mums -- David Lau / Virgil and the Mountain Cat -- Joshua McKinney / Trust -- Magdelawit Makonnen / Maybe I’m Outside -- Sabrina Orah Mark / Two Poems -- Richard Meir / Song of Innocence -- Matthew Miller / seasonalyelling -- John Niekrasz / The Moor Jove-- Gregory Pardo / Two Poems -- Dennis Phillips / Part One, Chapter 30 -- Andrea Rexilius / Two Poems -- Martha Ronk / Two Poems -- Peter Sacks / Uprooted Apple Orchard -- Amy Schroeder / How Wide, How Red, How Canopy -- Matt Shears / in the hinterlands with naiads -- Richard Silberg / The Poplars -- Carol Snow / Three Poems -- ‘Annah Sobelman / In the Bee Latitudes 2 -- James Tate / Three Poems -- Brian Teare / Long After Hopkins --John Thirkield / Upstate New York (7:127) -- Dara Wier / Two Poems -- Steve Willard / Two Poems -- Nance Van Winckel / The Birders’ Station -- John Yau / Hans and Unica: A Fairy TaleVOLT was created in San Francisco in 1991. The journal was originally published by Pacific Film and Literary Association, a non-profit organization registered in California. VOLT is now housed at Sonoma State University. Innovative in design and content, VOLT publishes a range of adventurous writing. Founded and edited by Gillian Conoley, VOLT appears every fall. VOLT has received many awards and honors, including several Pushcart Prize Anthology selections, a Fund for Poetry grant, and several selections for the annual anthology, The Best American Poetry. VOLT is produced with the help of Assistant Editors Paula Koneazny and Marjorie Stein
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