17,467 research outputs found

    Gli attivatori dei sentimenti nel coma

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    La presente ricerca riguarda gli attivatori dei sentimenti nel coma profondo, la cui presenza e intensità è stata provata da precedenti ricerche. Le nostre ipotesi intendevano verificare quali stimoli/attivatori siano all’origine dei sentimenti del coma e se pace, serenità, tranquillità e rilassamento provati nel coma fossero attivati, edonici e potenziati. Per ottenere queste informazioni sono state intervistate 60 persone che testimoniavano di aver provato tali sentimenti. I risultati delle analisi hanno confermato la presenza di tali sentimenti. Sono inoltre stati individuati due attivatori, la luce fulgida che accompagnava tutti questi fenomeni e la deafferentazione, cioè un ambiente nuovo, privo di tutte le attivazioni, vicissitudini di cui è fatta la vita. La tridimensionalità (anattivazione, piacevolezza e potenziamento) dei sentimenti del coma è stata sufficientemente provata. Tuttavia si ritiene cha la ricerca in futuro debba mettere a punto strumenti più appropriati per studiare fenomeni situati alla frontiera dei paradigmi delle scienze

    La fabrique d’une langue originale&#8239: de l’illégitimité à la liberté. Entretien avec Anna&#8239Moï

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    Originaire du Viêt Nam, Anna Moï vit et travaille à Paris. Elle a publié plusieurs recueils de nouvelles et romans, parmi lesquels Riz noir, Rapaces, Le venin du papillon, Douze palais de mémoire chez Gallimard. Le prix littéraire 2021 de La Renaissance Française lui est remis pour son dernier roman. Lors de la cérémonie annuelle de l’Académie française, le 1er décembre 2022, le grand prix Hervé Deluen, qui récompense « toute personne ou toute institution qui contribue efficacement à la défense et à la promotion du français comme langue internationale », lui a été remis

    An Article About Albertus C. Van Raalte, Author Unknown, Except for Parts Taken from an Article by Anna C. Post

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    An article about Albertus C. Van Raalte, author unknown, except for parts taken from an article by Anna C. Post. The author knew first generation persons in the Holland settlement and therefore, the article has some value.https://digitalcommons.hope.edu/vrp_1890s/1012/thumbnail.jp

    Coma

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    Film poster for the American film "Coma" features an image of man who is laying in corpse position with a towel around his hips. This is seen from the perspective of the man's feet.one large crease in the center; has man laying down, feet firs

    Coma

    No full text
    Film poster for the American film "Coma" features an image of man who is laying in corpse position with a towel around his hips. This is seen from the perspective of the man's feet.one large crease in the center; has man laying down, feet firs

    Coma

    No full text
    Film poster for the American film "Coma" features an image of man who is laying in corpse position with a towel around his hips. This is seen from the perspective of the man's feet.one large crease in the center; has man laying down, feet firs

    Slaying the MEAP Monster

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    Richardson, Barbauld, and the construction of an early modern fan club

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    MPhilMuch has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him. This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director

    Selection of work by Anna Gerber

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    Various journals and magazines Anna Gerber has contributed to. Anna Gerber is a graphic designer and writer based in London. She is the author and designer of All Messed Up: Unpredictable Graphics (Laurence King, 2004) and co-editor and co-designer of Influences: A Lexicon of Contemporary Graphic Design (Die Gestalten Verlag, 2006) with Anja Lutz. She writes regularily for magazines such as Print, Eye, Creative Review, Varoom and Idea Magazine and her work has also been published in shift!, dot dot dot and +rosebud. She teaches at the London College of Communication on the BA Graphic Design and MA Design Writing Criticism programmes. She has also held workshops and lectures across the U.K. (including Tate Modern and the V&A Museum), as well as in India, the U.S., Australia and Malaysia. Anna Gerber is currently engaged in research and developing projects relating to sustainability and how it applies to graphic design as well as exploring contemporary graphic design in India

    Coma and vegetative states: state of the art and proposal of a novel approach combining existing coma scales

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    Brain  damage  of  various  aetiologies  can  lead  to  different  disorders  of  consciousness  (DOC),  varying  from  coma  to  vegetative,  to  minimally  conscious  states.  Each  state  is  characterised  by  a  different  degree  of  wakefulness,  awareness,  pain  sensitivity  and  is  differentially  handled  with  respect  to  treatment,  ethical  considerations  and  end-of-life  decisions.  Thus,  its  correct  identification  is  crucial  while  devising  or  modulating  appropriate treatment strategies. Actually, the main coma scales cannot always accurately  determine  the  state  of  consciousness  of  an  individual, while  other  tools  (e.g.  imaging  techniques) present a certain degree of uncertainty. A complementary approach may be  constituted by a 24-hour observation of patients, for a sufficient period of days, using  an ad hoc behavioural scale, further correlated with physiological and pharmacological  parameters measured on patients. The method herein described might help recognising  the  presence  of  consciousness  of  the  different  DOC  patients,  and  thus  discerning  a  vegetative from a minimally conscious state.  
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