5,646 research outputs found
Peter Collins at the Lagos' house in Forrest, Canberra, 2011 /
No full textTitle devised by cataloguer from acquisitions documentation.; Part of the collection: Canberra architects, 2011; Also available online at: http://nla.gov.au/nla.pic-vn6225341; Purchased from the photographer, 2012. Peter Collins was awarded Australian Institute of Architects- Residential Architecture Houses Award 2011 for the Lagos residence
Neil Collins & Terry Cradden eds. : Political Issues in Ireland Today
No full textGillissen Christophe. Neil Collins & Terry Cradden eds. : Political Issues in Ireland Today. In: Études irlandaises, n°30 n°1, 2005. pp. 208-209
Talk Piece with Neil Collins, a mechanic at Swedish Performance of Portland an
No full textTalk Piece with Neil Collins, a mechanic at Swedish Performance of Portland and bassist for the local rock group Lincolnville. Collins surfs year-round on southern Maine beaches
Between Irish National Cinema and Hollywood: Neil Jordan's Michael Collins
No full textWhen Neil Jordan's film Michael Collins was released in 1996, it was seen by some as a Hollywood epic, by others as a great national film. I would argue that Michael Collins combines these two traditions and occupies a space between Irish national cinema and Hollywood. The subject matter, the creative talent and the locations were Irish and the film was produced by using the Irish filmmaking infrastructure and the Irish government's support mechanisms, but it was largely financed and distributed by a Hollywood studio. Also, to make it more appealing especially globally, but probably also locally (since Hollywood is now the international standard), it makes use of Hollywood conventions, making it accessible to international audiences as well. Despite the Hollywood mode, the fact remains that Michael Collins is a national film text, and Jordan does not make too many concessions to the non-Irish audiences.Cuando la película Michael Collins de Neil Jordan se estrenó en 1996, unos la consideraron una epopeya Hollywoodiense, otros una gran película nacional. Yo sostengo que Michael Collins combina estas dos tradiciones y ocupa un espacio entre el cine nacional irlandés y Hollywood. La temática, el talento creativo y los exteriores son irlandeses y la película se realizó usando la infraestructura cinematográfica irlandesa y los mecanismos de apoyo del gobierno irlandés, pero fue mayoritariamente financiada y distribuida por un estudio de Hollywood. Por otra parte, para hacerla más atractiva sobre todo a escala mundial, pero probablemente también local (ya que Hollywood es ahora el estándar internacional), emplea convenciones de Hollywood que la hacen accesible al público internacional. A pesar del estilo Hollywoodiense, lo cierto es que Michael Collins es un texto fílmico nacional, y que Jordan no hace demasiadas concesiones al público no irlandés
Neil Armstrong, Buzz Aldrin, and Michael Collins gather at a press conference, 1969
No full textApollo 11 astronauts Neil Armstrong, Buzz Aldrin, and Michael Collins pose at a press conference celebrating their receipt of Marquette's Père Marquette Discovery Award, November 8, 1969
Between Irish National Cinema and Hollywood: Neil Jordan’s Michael Collins
No full textWhen Neil Jordan’s film Michael Collins was released in 1996, it was seen by some as a Hollywood epic, by others as a great national film. I would argue that Michael Collins combines these two traditions and occupies a space between Irish national cinema and Hollywood. The subject matter, the creative talent and the locations were Irish and the film was produced by using the Irish filmmaking infrastructure and the Irish government’s support mechanisms, but it was largely financed and distributed by a Hollywood studio. Also, to make it more appealing especially globally, but probably also locally (since Hollywood is now the international standard), it makes use of Hollywood conventions, making it accessible to international audiences as well. Despite the Hollywood mode, the fact remains that Michael Collins is a national film text, and Jordan does not make too many concessions to the non-Irish audiences
Facing the Future: the Changing Shape of Academic Skills Support at Bournemouth University
No full textThis paper explores the potential impact of changes to higher education in England on student expectations, engagement, lifestyles and diversity, and outlines implications for the development of digital literacy within academic skills support at Bournemouth University (BU). We will investigate how tackling resource constraints with organisational change can also enable efficient, centralised provision of support materials that utilise networks to overcome the risk of fragmented support for digital literacy. We will also look at how changing delivery modes for support can accommodate changing student lifestyles whilst tackling a weakness of centralised support for digital literacy: that it can become detached from the student’s subject-focused academic practice. Finally we will explore how involving students in developing support can help us to face changes to student expectations and engagement whilst ensuring that materials are authentic and speak to learners in their own voice
Why Privacy Matters: An Interview with Neil Richards
No full textProfessor Daniel J. Solove discusses the book \u27Why Privacy Matters\u27 and the future of privacy with the author, Professor Neil Richards
Interview with AntipodeFoundation.org: “Much More Than You Think: The Spatialities of Italian Autonomy” – Interview with Neil Gray, author of “Beyond the Right to the City: Territorial Autogestion and the Take over the City Movement in 1970s Italy”
No full textNo abstract available
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