10,949 research outputs found
Pratiques du pluridisciplinaire: Une Traverse
Collier Anne-Claire, Péaud Laura, Vincent-Mory Clair
Pratiques du pluridisciplinaire: Une Traverse
Collier Anne-Claire, Péaud Laura, Vincent-Mory Clair
10 tips for digital citizens’ parents
Guest contributor Anne Collier discusses youth and digital citizenship, and shares ten key insights for parents.
 
Jane Fishburne Collier, From Duty to Desire. Remaking Families in a Spanish Village
Cadoret Anne. Jane Fishburne Collier, From Duty to Desire. Remaking Families in a Spanish Village. In: L'Homme, 1999, tome 39 n°149. Anthropologie psychanalytique. pp. 239-240
Anne as Pagan, Anne as Queer
‘Anne as Pagan, Anne as Queer’ is a critical and creative answer to the question: How do we construct Anne Shirley, and what does she mean to us? This creative research submission is a work of fanfiction, specifically a mash up based on Anne of the Island, L.M.M. Montgomery’s sequel to Anne of Green Gables. In this short work of fiction (under 4 thousand words) Anne is revealed as a changeling, one of the Faerie Folk, and also a being not strictly male or female; sometimes neither, sometimes both. The mash up is based on the last two chapters of Anne of the Island, the scenes in which Gilbert Blythe is seriously ill and Anne realises she loves him. This realisation causes Anne, in this version, to reveal to Gilbert that she is both non-human and not a girl, and to use Faerie magic to save Gilbert’s life. Anne’s revelation causes Gilbert a great relief, as he has been keeping a secret also - that he too is queer. The piece has an accompanying research statement and reflection, that reflects on the ways the contributor/author interprets Anne, as a being troubled by gender, and not strictly gender conforming. The much-loved scene from Anne of Green Gables in which Anne realises she is not wanted by the Cuthberts because she is not a boy is inserted into the mash up (as a memory) as this scene is the principal cause for the contributor’s identification with Anne as a gender non-conforming figure who resists gender expectations. Overall, this creative and critical work and reflection queers both Anne as a character and the Anne of the Island novel.Book chapter - work of fiction with a critical reflective essa
Séminaire "Usages et Généalogies des concepts", 22 mai 2013, Université Paris Ouest
La sixième séance du séminaire "Usages et généalogies des concepts" accueillera Razmig Keucheyan (chercheur au GEMASS, université Paris Sorbonne). Il donnera une conférence intitulé "Antonio Gramsci, une pensée devenue monde". Date : Mercredi 22 mai 2013, 14h-16h Lieu : Université Paris Ouest La Défense Bâtiement D, salle 309 Comment venir ? par le train et le RER Plan du campus de Paris Ouest Nanterre La Défense Organisateurs : Axel Barenboim, Anne-Claire Collier, Marie-Claire Willems (Uni..
Chapter 14. Leisure as a route to social and occupational justice for individuals with profound levels of disability
Interview with Anne Russell
Interview with Anne Russell, playwright and author of several books on local history, including Wilmington: A Pictoral History
Letter to Mr. Henry H. Collier, 1837
Henry Haight Collier, was born in Howard, Steuben County, N. Y., November 28, 1818. His father, Richard Collier, was from Green County, in the same State. His grandfather, Isaac Collier, and his great-grandfather were originally from England. His mother, Mary Haight, was of Dutch origin.
In 1835, Henry went to St. Catharines, where his elder brother, Richard Collier, resided. He spent two years at Grantham Academy, and then returned to Steuben County, to read law in Bath, with Edward Howell, and subsequently with Hammond and Campbell. Mr. Collier never opened a law office. He studied law for two years and in 1839 he went to Texas where he was connected with the State and Treasury Departments.
In 1845 Mr. Collier returned to St. Catharines and opened a general store called St. Catharines Agricultural Works with his brother. The store remained open until May, 1877. He added the manufacturing of lumber in 1850, and manufacturing of agricultural implements in 1869. He built one of the first saw mills on the canal, on Lock No. 5, in St. Catharines.
In July, 1877, he was appointed Collector of Customs. He became a Village Councilor for St. Paul’s Ward in 1859, and held that office from fifteen to twenty years. He was Deputy Reeve and member of the County Council for two terms. He was the Mayor of St. Catharines in 1872 and 1873. He was also Chairman of the Board of Water Commissioners of the city, during the time that the works were being built. He was a Justice of the Peace for twenty years or more.
Mr. Collier was affiliated with the Reform Party and he was a Knight Templar in the Masonic fraternity and an Odd Fellow. He was also active in the Methodist Church.
On June 1, 1858, he married Cornelia, daughter of Moses Cook, of "Westchester Place," St. Catharines, and had a daughter and son. Mary J. (married name: Mrs. Frank Camp) was a graduate of the Female Seminary at Hamilton, and Henry Herbert was a student in the University of Toronto.
Henry H. Collier died on July 15, 1895 and is buried in Victoria Lawn Cemetery, St. Catharines, Ontario.
Sources: www.accessgeneology.com
"Historical Profiles from Victoria Lawn Cemetery" by Paul E. Lewis
"Sincerely Lamented St. Catharines Obituaries 1817-1918" by Paul Hutchison1 double-sided handwritten letter addressed to Henry H. Collier, Bath, Steuben Co. N.Y. and dated May 28, 1837. There is a St. Catharines postmark which is barely visible. In the centre of the postmark, someone has written May 30/37 in ink. The letter is signed by Richard Collier who could have been the father or the brother of the recipient. In the letter, the writer says that he has sent 10 more and will continue to send money. He speaks of Sabbath School and mentions a Mr. Ryerson who preached at a missionary meeting. The writer seems concerned about the food that the recipient is eating and he advises Mr. Collier to make no sacrifices of his health
A sojourn in Paris 1824-25: sex and sociability in the manuscript writings of Anne Lister (1791-1840)
This thesis examines the day to day practices that constituted Anne Lister's (1791-1840) sexuality and sociability within the range of her writings, as well as her society. Anne's writings were a detailed account, spanning her lifetime, of her own love and relationships with the 'fairer sex' (Whitbread 1988, 145). Anne's sociality, seen in her correspondence and plain handwritten journal entries, has been explored by Muriel Green in Miss Lister of Shibden Hall and Jill Liddington in Female Fortune and Nature's Domain (Green 1992; Liddington 1998; 2003). As a gentlewoman of adequate means, Anne has garnered some attention from women's historians interested in her agency within an early nineteenth century social and historical context. Anne's sexual identity has been extensively analysed over the past nearly twenty years by lesbian feminists, queer theorists, women's historians and historians of sexuality concerned with the history and development of modern Western female homosexuality and gender. The source for theorising Anne's sexuality has been the edited selections of the crypted journal entries, published by Helena Whitbread in I Know My Own Heart and No Priest but Love (Whitbread 1988; 1992). However, many analyses deal either with the theorisation of Anne's sexuality or her sociality; the theoretical difficulty with reconciling these categories has troubled the analysis of her complex subjectivity. Drawing upon the archival materials, I have used an interdisciplinary feminist approach to analyse the sexual and social processes of Anne's everyday interactions in her writings. Taking the seven month period of the sojourn to Paris in 1824-25, I have focused upon Anne's textual practices within her journal volume and letters during her residence in Paris, her social practices with the other guests at the guesthouse 24 Place Vendome and her sexual practices with her lover, the widow Mrs. Maria Barlow. The journal volumes and correspondence are a valuable historical record of one gentlewoman's engagement with early nineteenth century British culture
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